He’d been recording in forests, canyons, parks, and wetlands, and I was curious to hear more about the project and his experiences.
He was kind enough to share the story – and not only that: He also shared the recordings he captured, and you can download those for free below! You’re welcome to use those recordings in whatever way you like.
Written by Rick Hernandez
My name is Rick Hernandez, I am a Sr. Sound Designer at Respawn Entertainment & Lead Sound Designer and Field Recordist at Melee Sound Design.
I’ve been recording out on the field for many years, but last year I decided to peruse it at a higher level and the result was the soundpack RUPTURE, published by SoundMorph – and I’ve just released the Dimensions door soundpack.
Recently I got inspired to go out on the field again to record surround ambiences when I rewatched the Soundtacker movie, which is a film about iconic audio recordist Gordon Hempton.
I love recording the sounds of nature and ambiences in surround sound, and I’ve been able to capture some really great recordings in the past, but the setup time and the results can be very frustrating. Setting up a tree with five different microphones takes time, a lot of testing and re adjusting, lots of cables and moving from place to place is very time consuming. Even after setting up everything meticulously, the results were mixed due to wind, weather, and inaccurate imaging.
But recently I got the opportunity to demo a DPA5100 Mobile Surround Microphone. The DPA 5100 is a solidly-built, multicapsuled Surround Sound microphone that uses Windtex fabric technology to nest an array of five capsules. The capsules are Omni-directional and make use of the DPA DiPMic (Directional Pressure Microphone). It is incredibly easy to setup and has a very wide and astonishingly accurate 5.1 imaging.
The DPA 5100 Mobile Surround Microphone
What I like most about the microphone is its wide dynamic range with having low sensitivity to wind noise which is so important when recording exterior ambiences. It also has and incredibly low noise floor and I can conveniently place it on a microphone stand and record surround ambiences in a flash. On to the recording…
[tweet_box]Surround field recording adventures in forests, canyons, parks, & wetlands[/tweet_box]
Location 1: Angeles National Forest (Pasadena)
The first location I visited was the Angeles National Forest in Pasadena. It has a pretty big waterfall with a long down stream of water leading up to it.
I wanted to record the more delicate steam rather than the white wash white noise of the waterfall. I got there in the early afternoon before the light drizzle and rains that were occurring that week in LA. As you can see from the videos, I was able to easily mount the 5100 on a mic stand and record both up and down the steam. For this field recording trip I took out my amazing Zoom F8 which has the ability to let me record from about 30 feet away using the F8 Control App on my iPad. After I recorded the steam, I also ended up recording the waterfall once I recorded the stream.. figured I was already there.
To hear the 5.1 recordings, click through to Soundcloud for each example and download there:
Want to save yourself some clicking and get all the 5.1 recordings in this story, in one go? Just enter your name and valid email address below to get the download link + the much-loved A Sound Effect newsletter:
NB: If you don’t receive the email with the download link, please check your spam folder. Oh, and existing newsletter subscribers can of course get the sounds too.
Location 2: Ballona Wetlands (Playa Del Rey)
After some lunch at the Switzer picnic area, I headed over to the west side to the Ballona Wetlands. It was starting to get darker and the rain that we had gotten in the days prior had brought out the wildlife. There were storks everywhere, frogs were singing and the insects were all about. These wetlands are one of the few remaining in the Los Angeles Basin. These wetlands have been the subject of a battle between developers and environmentalists that has been going on for over twenty years. Hopefully we can preserve this land and its amazing wildlife.
[tweet_box]Download +1GB worth of surround ambiences from forests, canyons, parks & wetlands[/tweet_box]
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Environments & Ambiences China: Temple Bells & Crowds Play Track 26 sounds included, 48 mins total $22The China: Temple Bells & Crowds sound library was recorded in two locations. The first within the Yungang Grottoes, a UNESCO World Heritage site from the Wei Dynasty era, and the second, an ancient Taoist temple built in the Tang Dynasty in the outskirts of Beijing.
The library includes recordings of large prayer bells, Buddhist wind chimes, wooden wishing sticks adorned with twinkling bells, background and foreground crowd walla in Mandarin, Chinese, birds, and other ambient sounds captured on location in stereo. We’ve also included some bonus designed sounds made from the recordings.
These authentic recordings offer a sonic window into the atmosphere of ancient Chinese temples and shrines as they exist today. The sounds can be useful for adding realism to cinematic, game, or multimedia projects requiring an accurate representation of this cultural setting, or as fodder for creating mystical and spiritual designs.
Specs:
34 Sounds – 18 Buddhist Temple, 9 Taoist Temple, 7 Designed Sounds
Total Runtime 48:44
1.64GB in Total
Stereo – 24 bit, 96kHz
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Location 3: Simi Valley Canyon (Simi Valley)
The next day I went to record at the Simi Valley Canyon. The Simi Valley is a synclinal valley in Southern California connected to the San Fernando Valley. It is an enclosed valley surrounded by mountains and hills. Again there were many birds and other wildlife due to heavy rainfall in the days prior.
One of my favorite things in this location was the local Acorn woodpecker. It’s a small sized bird that when pecking at trees to find food produces a really loud sound the echoes through the valley. I was perched up and elevated on a mountain looking over a neighborhood and the echo on the recordings was very unique.
Location 4: La Crescenta Two Strike Park (La Crescenta)
As I made my way back home from Simi Valley it was about 9:00pm and completely dark. It was raining, so I decided to go to a nearby park near my house that has lots of trees and other vegetation. The rain falling and dripping down the dozens of trees in the surrounding area and creating splashes and puddles that created some really interesting sonic textures. I used the OC5100 Outdoor Cover that is included with the mic to protect the mic from rain and unwanted contact mic sounds. In the past I’ve had to rig an enclosure with hair hog in a process that is impractical and time consuming so the OC5100 is invaluable to anyone recording rain on under rainy conditions.
Recording with surround ambiences was a blast with the DPA 5100. All the gear I needed was my Zoom F8, the DPA 5100 with its cable and both the Outdoor Cover/Windjammer and a microphone stand.
The Zoom F8 Recorder and Zoom Control
The recordings I was able to capture with the Zoom F8 and DPA 5100 were amazing and I’m really happy with the imaging I got from the locations recorded.
Technology is an amazing thing, and with the latest advancements that DPA and Zoom have done in recent years it is now possible to go out on the field and capture pristine sounding Surround Recordings without having to live out of your van.
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Nice recordings! Whereabouts in Simi Valley did you go to record? I find it difficult to record good nature ambiences in LA without the ever-present traffic noise.
Hi Rick,
Great recordings. Do you find the DPA too noisy for very quiet ambience? I did a very quiet recording with stereo kit 4060s recently and thinking I am hearing some self-noise on the mic, it is hard to differentiate from the ambience itself though.
Thanks
Thanks Rick! From one sound person to another, these will be a nice addition to the 5.1 SFX library.