Get the sounds of a Printrbot 3D printer – with four NEMA 14 stepper motors -, in this interesting SFX library by New Sound Lab.
The high torque motors connected to a pulley system control the X-Y-Z movements of the aluminum extruder and metal print bed. When printing three-dimensional objects, these fast and precise movements result in a unique barrage of percussive and rhythmic mechanical noise.
These sounds were captured using three different recording setups: Barcus Berry contact mics, RF coils, and combined contact mic / RF coil into a Sound Devices 702 recorder.
The resulting sounds are a mix of grainy, gritty atonal patterns, robotic percussive bleeps, glitchy digital beeps/clicks, low fidelity drones, and chaotic noise. Both raw recordings, and processed elements are included and ready for further sound manipulation.
3Dimensional Printing is the multicolored result of different recording sessions of a couple of 3D printers (the Sharebot NG – Next Generation and the DeltaWASP 20 40) at Fabb and at FabLab Milan between 2014 and 2015.
All the sounds were recorded directly as uncompressed .wav files through both a RME Fireface UCX and a Zoom H6 Portable Recorder.
Duration ranges vary from 1 to 5 minutes, with the most sonically interesting excerpts from full printing cycles. Lots of pattern and sequences are available for selection and transformation.
Five different transducers were chosen to capture all the sonic details of these mechanisms:
– C-SERIES pro contact microphones, hand-made by Jez Riley French;
– Barcus Berry 4000 Planar Wave System (Piezo crystal sensor+4000XL Piezo Preamp);
– Piezo Film Tab Contact Microphones by Cold Gold Audio;
– Custom Induction Coil Pick-up (also used to create the Unseen Noises collection);
– Zoom MSH-6 MS Capsule (the stereo image of the Mid-Side recordings is rendered as balanced stereo LR files).
In this bundle you will receive three libraries full of dark, glitchy and ambient textures. 'Glitch & Noise' brings abstract and interesting tones to your sound palette. 'Twelve Tones' has detailed industrial hums for your spaceship interiors. 'Sphere' has dark atmospheres made from bowing a metal bin, which were then processed and mangled using Twisted Tools Slayer. Whether your project is a sci-fi soundscape or a shredded atmosphere, this bundle has something for everyone.
• Twelve 96 kHz, 24-bit tones.
• Two minutes each with 9 second bleed.
• 851 MB (uncompressed).
• Embedded metadata.
• Description for each file inside the excel spread sheet.
• 230 sound effects.
• 126 designed sound effects. With reverb, fast delay and tremolo/stutter.
• 124 twisted (original recordings mixed and played forwards and backwards) source files.
• Embedded metadata.
• Recorded and designed at 48 kHz and 24 bit.
Analog Days contains 390 sounds extracted from old portable cassette players, Retro WW tube radios, vintage turntable vinyl record players and retro tape machines. This is really a sound time capsule ready to send your projects back to the good old analog days and give that sense of analog imperfection that makes the sound really interesting.
Analog TV gets you 99 recordings from the Tele Star 4004 TV, built in the 80s in Leningrad/Russia. The collection features everything from a range of noises, frequency glitches, short pulses, and long frequency sweeps in the VHF and UHF bands. It also comes with a good collection of different static noises and really weird stuff that could – and just might – come from outer space.
This Hard Drive SFX library delivers the sounds of severely mistreated hard drives. We hit hard drives with hammers, drilled holes in them, bent them and inserted objects into them before turning them on. Power ups, shut downs, grinding, screeching, whines, and rattling are just a few of the sounds you’ll find here. Great source material for sound design and heavy processing.
A killer antique accordion full of paper crinkles, key clacks, sick sounding wheezes and old wood creaks. The antique accordion was rescued from a local antique shop. It has a hole in the bellows that creates a distinct wheezing sound, and it is loaded up with strange squeaks, pops and paper textures.
We rolled on this instrument for about an hour, and did everything from flicking the keys to dropping and pounding it. The accordion took some abuse, but in the end what it gave back was a wealth of old sounding textures you can’t fake.
This instrument was recorded at 24 bit 96k, in dual mono – with an AT4050 for a wide perspective and a Schoeps CMC6.MK4 for a close perspective. Comes with 57 .wav files and 19 Kontakt .nki files (the .nki files require the full retail version of NI Kontakt 4.2.3 or later)
Note: Can be used without Kontakt too!
All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.
Get the sounds of 13 different coffee and herbal grinders. These small wooden and metal devices give grainy textures to any material + they sound really funny at times, and can be used as sweetener for funny toy sounds. Due to the recordings with a piezzo disc, they have a lot of deep and rumbling content. The other mics were the Neumann TLM 102, The DPA 4060 and the amazing Sennheiser MKH 8040. They all cover different and unique perspectives.
All Sounds are always packed with rich iXML Metadata.
After umbrella sound effects, but with no time to record them yourself? The Automatic Umbrella sound effects library gets you 159 umbrella sounds, including opening, closing, folding, tapping, squeezing, cleaning, catching, locking and unlocking clasp and much more. The library was recorded using a highly acclaimed Nevaton MC48 microphone and a Tascam DR-70d recorder, and comes with metadata.
Need well-recorded balloon and rubber sounds? ‘Balloons’ is a high quality sound effects library that has everything you need for that – from blowing air into balloons, balloon collisions and balloon rubbing to balloon pops.
This library was recorded with Sound Devices 702 recorder and a stereo pair of Line Audio CM3 microphones in a silent studio room.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
'Biomorph' offers broad-spectrum, cutting-edge sound effects that are out of this world. With digital soundscapes, mutated organisms, granulated liquids, twisted robotic vocalizations, sophisticated low-frequency effects and morphing plasmic textures, these sounds will transform your sci-fi soundscape. If your next project calls for the sounds of ancient extraterrestrial artifacts, eerie inter-dimensional entities, gritty bio-mechanical articulations or foreboding atmospheres, you will undoubtedly find this collection of sound effects to be an indispensable resource.
• 1395 designed sci-fi sound effects
• 5 GB of 24 bit/96 kHz WAV content – more than 2 hours total
• Flexible, broad-spectrum, cutting-edge, otherworldly sound effects
• Crafted to compliment modern games, music and multimedia productions
The Board Game SFX library features a large collection of board and tabletop game pieces on a variety of different surfaces.
Perfect for casual game sound design, UI elements, foley etc – and it's a brilliant addition to any game audio creator's sonic arsenal.
• Playing card • Coin • Felt bottomed chess piece • Glass marble • Go container (container of many small plastic pieces) • Leather bag (containing mixed small game pieces) • Metal game piece • Metal dice • Plastic game piece • Plastic dice • Poker chip • Wooden game piece • Wooden block
• Wooden board • Card game board (e.g. Monopoly board) • Felt table (e.g. Poker table) • Glass table
Each collision type has around 5-15 variations and all in all the library contains 672 individual hits.
Bowed cymbals are one of those sound effects that just never get old.
Perhaps it's the chilling sound of bow on bronze that puts us on the edge of our seat that we love so much. Or maybe it's the hauntingly beautiful tones that ring from a large ride cymbal with a large bow.
In a unique experiment, this glass breaking library was designed to use multi mic-ing from various locations in a large live room.
Mics were placed close, medium and distant ranges with a variety of different types of microphones. All the files in the library are labeled and begin at the same sample, and can be layered, or cut for multiple perspectives.
Useful for party scenes, fights, and instances with multiple perspective shots. (for instance reality television)
This collection features a wide assortment of FX derived from that classic Japanese soda, ramune. By controlling how the drink is opened, a veritable cornucopia of sonic clay is unleashed. With its unique design and composition of materials, the ramune bottle creates a timbre all its own. Glass, soft plastics, bits of aluminum, and the carbonated soda interact in unique ways. Layer these sounds into impacts, slides, scrapes, openings, divisions, and any other effect where a dynamic high end transient is required.
Soon to be a new go-to library in your collection. Drink up!
The 'Cabinet Shop' library includes a large variation of different wood cutting, shaping, and morphing machinery. Some of these elements are table saws, drill presses, giant band saws, radial arm saws, air compression valves, horizontal drill presses, jointers, stroke sanders, drum sanders, hammers, hand saws, lathes, pressure releases, and much more!
The library was recorded in Diebold's Cabinet Shop, founded in 1936. It is a well-recognized local custom cabinet shop located in Logan Square, just North West of downtown Chicago.
General atmospheric sounds of the cabinet shop, such as air conditioners / heaters, fans, clocks and room tones, are also included.
Chain Ferry features the remarkable sounds of a 100 year old ferry with a specific drive system. The ferry pulls along a strong chain lying at the ground of the river to cross. This is achieved by a clever combination of 3 drive wheels that guide the chain and prevent it from dropping to the ground.
The Library contains several complete audio takes of the ferry in action – from departure to arrival. This encompasses engine start, engine idle, loading ramp noises and bangs plus a lot of chain rattling from various perspectives. The sounds are recorded aboard and from both sides of the river so that the entire scenery can be covered acoustically.
'Chimera' features 200 designed sound effects inspired by demons, ghosts and creatures from the darkness. Comprised of some of Glitchmachine's darkest and most disturbing material to date, 'Chimera' is focused on a unique hybrid of psychological horror and technical monster sound effects.
You will find demonic vocalizations, haunted atmospheres, mutated creatures, cursed ghosts and chilling supernatural drones that will wake the dead.
• 200 designed, dark drone sound effects
• 2.5 GB of 24 bit/96 kHz WAV content
• Inspired by psychological horror and technical monster SFX
• Crafted to compliment modern music, game and multimedia productions
Need the sound of thunder in the city? City thunderstorm delivers a series of atmospheric rain and thunder effects recorded in London. Rolls, rumbles and claps, close and distant, and three long thunder and rain sequences to help create your perfect city storm, including one complete storm from start to finish. More than one hour of sounds from thunderstorms in the city – all recorded at 24 bit / 96 kHz, and embedded with full Soundminer Metadata.
Clink gets you the sound of of clicks, latches and whirrs generated from a little found Herschede Starville clock mechanism.
Each take is loaded up with unique performances that explore the mechanism’s unique character from up-close.
Recorded in a quiet space with an MKH50 through a John Hardy preamp, this libary is small but mighty. Also included is a NI Battery 4 kit that is programmed to enhance the best characteristics of the source material by doing transient enhancement, eq, delay and compression that can be dialed in to taste.
Note: NI Battery 4 is required to use the kit – not included. You don't need any version of Battery to use the audio files as a standalone sample library.
These recordings are excellent for adding character and complexity to your next mechanical element design.
The Cloth sound effects library is dedicated to cloth and textile movement sound effects.
It features a wide range of different materials being handled, such as backpacks, pillows, sheets, leather belts and jackets, table cloths, shirts, canvases, gloves, rain jackets, chinos, jeans, pullovers and much more.
The Cloth SFX library was recorded using a highly sensitive Sennheiser MKH8040 microphone and a Sounddevices 702t recorder with ultra low noise preamps, to capture the sometimes subtle nuances these materials produce.
The Crash & Smash sound effects library contains over 1110 sounds of destruction. For this collection I went on a rampage at several junk yards around my hometown, collecting a vast amount of crash sound effects. This one is highly focused more on crashing sounds with all the rumble and debris, giving you hundreds of variations of glass smashes, rolling stones and stone hits, wood breaks and impacts and metal crashes.
As usual the sounds come perfectly cleaned and edited so you can instantly place them in your timeline or design new sounds with it. Of course they also got some EQ and compression treatment but weren’t further “designed”, so you have nice and flexible source material for your own productions.
All sounds come with embedded Soundminer Metadata sorted in subfolders for:• Glass
Cylindrical Gong is a collection of high quality, 24bit/96kHz stereo recordings from a strange, cylindrical, gong-like sheet metal object I came across once. I use the word gong, but there is none of the cymbal-like sheen in this object. Instead, you get more of a ring-modulated, atonal texture – perhaps more like a broken bell. Definitely not your typical gong sound effect.
The 27 different gong sound recordings included provide loads of nuance of sound from this object – I used mallets, knuckles and fingernails to play it! Load them into different velocity ranges on your favorite sampler, pitch them up and down, add effects, etc.
Use them for musical effects, for layering with other sounds, or perhaps mangle them beyond recognition.
Data Destruction is a collection of sounds made using the technique of databending, the creative destruction of digital data. It features 97 unprocessed raw data .wav files. Pure digital glitch/noise suited to a variety of musical styles and multimedia applications or as a creative springboard for further sound design.
Databending: A digital art form where flaws in digital systems are exploited and used for creative purposes.
Data Disruption contains 200 sounds sourced from raw computer files which have been interpreted as audio data. Bitmaps, executables, plugin files and more have been exploited to bring you a unique, varied collection of sound effects and atmospheres ready for a range of productions.
This sound collection has 100 'raw' files which include harsh, random data noises, intense drones and a versatile selection of glitch one shots as well as 100 processed sounds which were subject to extreme editing and mangling to deliver an array of abstract sonic artefacts.
Most useful for scenarios where computer technology – known or otherwise – is glitching out, these sounds are best suited to Science Fiction productions which call for the noise of broken communications, signal failures, ailing machines, industrial settings, planetary ambience and dystopian soundworlds.
That's not to say they won't also come in handy for Glitch/IDM music producers looking to build up an original collection of sounds for their latest kit, or for the creative sound designer to further shape these sounds into anything from user interface clicks, blips and bleeps to surreal soundscapes and beyond.
Available as a standalone SFX library – or get it bundled with the popular Data Destruction library at a very special price below
Creatively processed field recordings to create both exciting ice breaks/shatters and evolving textures that combine the natural sounds of ice with otherworldly and experimental digital post-processing.
Designed Ice highlights:
70 24bit 48kHz WAV files / Meta-tagged
10 Bonus Raw Source WAV Files
The Soundcatcher is proud to announce a new sound design library called “Desolated Strings & Wood“. The found Markneunkirchen Zither from Wernitzgruen was in a very poor condition. I collected it and wrecked it like there was no tomorrow.
You´ll get 272 stereo files (1.48GB total), tagged for trouble-free use in your favorite database program and carefully mastered in 24Bit/96kHz.
Need the sound of objects being pushed, pulled, dragged, moved – or perhaps sliding and scraping over different surfaces? The Drag & Slide SFX library gets you exactly that: More than 500 dragging and sliding sounds that are ready to be used as they are – or for intense sound design.
Drag & Slide features recordings from sources such as:
Bags, Barrels, Blades, Bottles, Cabinets, Chairs, Coat-hangers, Crates, Dining Tables, Fridges, Frying Pans, Iron Boxes, Iron Tables, Metal Cans, Metal Chairs, Nightstands, Pallets, Paper bags, Plates, Racks, Rakes, Shoes, Shovels, Sledgehammers, Spray cans, Stones/rocks, Toolboxes, Vacuum Cleaners, Various heavy objects, Wooden Boards – and more!
All sounds were cleaned, edited and filled with BWF-Metadata for instant use in your projects – and many of the files in the pack contain more than one sound. Recorded with Sound Devices 744T, 788T, Sennheiser MKH8050, Ambient ATE208, Sony PCM-D100
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
Sound designer: Lord of the Rings & The Hobbit trilogies
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.