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These are the most popular independent sound effects libraries right now:

 

  • Forged in Fury Vol. 1: Modular Sounds for Epic Combat

    Break down, customize, and master every detail of your combat effects with Forged in Fury Vol. 1, a collection of 394 brutal sounds in 192kHz/24. Includes katana, heavy axe, metal claws, and layer-by-layer edited vocals for total control.

    🔪 Katana (193 sounds):
    Double whooshes, precise slashes, impacts, blood splatters.
    Mix layers of edge and secondary effects (e.g. combine a quick whoosh with a feminine scream).

    🪓 Heavy Axe (96 sounds):
    Powerful whooshes, crushing blows, equip sounds, blood effects.
    Combine the roar of metal with the sounds of breaking bones.

    🔗 Metal Claws (37 sounds):
    Mechanical opening/closing, scratching, cutting whoosh.
    Ideal for fast movements and surprise attacks.

    🗣️ Male & Female Voices (68 Sounds):
    War cries, moans of pain, grunts of effort.
    Use them alone or synced with weapon effects.

    ✨ Key Feature:
    Each sound includes its own editable layers (e.g. whoosh + impact + blood). Do you want a bloodless ax swing? only the whoosh of a katana?, only blood? Modify it instantly.

    🎚️ Studio Quality:
    Recorded in 192kHz/24-32 bits, delivered in 192kHz/24 bits. Perfect for toning down, adding distortion or manipulating without losing clarity.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding katana, heavy ax and claw [Use them again & again]
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.

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  • Since its introduction in 2018, Auto-Align® Post has helped deliver outstanding sounding dialogue in countless award-winning films and TV shows. It saved dialogue editors days of tedious work and became an essential tool for many audio-post professionals.

    By enabling dynamic time-alignment correction of moving location microphones, Auto-Align® Post makes it possible to effectively mix the boom and lav microphones by eliminating comb-filtering and phase artifacts caused by the time-of-arrival differences, with just a few clicks.

    Auto-Align® Post 2 takes a significant step further by introducing a new spectral phase correction module, refined algorithm, and user interface. It brings ARA2-VST3 support for compatible DAW’s such as Nuendo and StudioOne, and more.

  • Introducing a collection designed to evoke the ambience of diverse spaces filled with “Human Presence” without the distraction of dialogue in stereo and surround.

    Picture a chair shuffle in a courtroom, cough in a church or sneeze is a conference room. This library captures the subtle sounds that create the presence of people without voices, enhancing any project that seeks to convey a subtle atmosphere of people or movement.

  • ‘BENTLEY CONTINENTAL’ by Flysound is a comprehensive sound catalog for the iconic English motor that bellows authority and oomph in every beat. The suite of recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar X-2s, and further top quality recording, editing, sound design, and mixing equipment. 

    The Bentley and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seat belt fastens, right down the gamut of revs, take-offs, turns, passes-by, pedal slams, handbraking, gear shifting, and panel buttoning galore with all the corresponding actions as this GT V8 4.0L civilized gorilla of a car peels away fast, chugs along slow, or just cruises an everyday commute. In short: Everything you’ll need, all the maneuvers manifested by our 2017 Bentley Continental, here in this suite.

    The symphonic grace of our 2.3 ton all-wheel-drive beast in motion was captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 or Atmos post-production. The 2.8 GB library of 59 files, 96kHz/24bit synced and multi-channel recordings, have comprehensive metadata tags giving full position, microphone, and action detail. The metadata has been written to adhere to the Universal Category System.

  • Human Sound Effects Babies Play Track 66+ sounds included, 11+ mins total $19

    Be gentle with these babies, they’re mine. Recorded from when they were 2 weeks old and 3-6 months old. Plenty of cute and cuddly coo’s, baby talk, breaths, efforts, sighs, yawns, coughs, snorts and crying.

    Lots of subtle sounds for when you just need a bit of presence from that baby onscreen.

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