The end-result is an impressive collection of more than 8 (!) hours of music-free pub crowd and ambience recordings from around London – covering everything from near-empty to jam-packed pubs.
Get the full story behind their library, download free samples, and hear why you sometimes need to wear a hat for that perfect take:
Hi Rowan and Luke, please introduce yourselves and what got you into indie SFX:
Hi Asbjoern. Thanks for having us! Individually we are Luke and Rowan, two sound effects editors and recordists who work in film. Collectively we are C O L O S S A L. Colossal exists as a conduit for pursuing our passion of recording. We want to create and share great-sounding libraries that people find useful and interesting.
How did you come up with the idea for the ‘London Pubs’ library – and what are some of the highlights of the library?
London is blessed with many beautiful-sounding old public houses. Many of these offer up historic and unique acoustic environments and the folks that fill them make for killer recordings. We knew that editors in all walks of life would find crowds like these useful. Our aim was to create the ultimate pub crowd library and offer the rest of the world what we have on our doorstep.
How did you pick the places to record, and what was your recording setup?
Essentially our pub selection came down to three main factors: Music, Acoustics and People. We had to source locations that played no music for obvious reasons, so a lot of reckies were done before hand. Sourcing beautiful-sounding spaces was an absolute must. Some of our pubs were super old taverns panelled in wood and stained glass, so we wanted to capture that character in our recordings.
The people then in these spaces were hugely important. We didn’t just want gigabytes of busy pubs, we needed to get a full range from empty to heaving and everything in between. There are a lot of pubs in London, but using this strict criteria when selecting left us only with a few perfect venues – and we recorded every single one.
We didn’t just want gigabytes of busy pubs, we needed to get a full range from empty to heaving and everything in between
In terms of setup, we often we had DPA4060s hooked up on hats so the capsules sat right above our ears – about the most accurate Jecklin Disk you could put together, and it sounds that way. And we usually shot the same location from 2 discrete perspectives. We set up at different areas in a space, sunk up and rolled. The dual perspective gives you so much choice when it comes to using the material; you end up with a close and distant perspective of every event that happens in one recording. If you need an easy way to build a really immersive crowd bed, this stuff is great for it.
Want 26 minutes of pristine London pub recordings from the full London Pubs library? And yes, they can be used for commercial projects too. Just enter your name and valid email address below to get the download link + the much-loved A Sound Effect newsletter:
NB: If you don’t receive the email with the download link, please check your spam folder. Oh, and existing newsletter subscribers can of course get the sounds too.
What was the biggest challenge in recording the library? Any surprises along the way?
Unsurprisingly, music was our biggest challenge here. Some places we recorded
didn’t play music as a rule so they weren’t an issue, yet other places, often the best-sounding spaces played music constantly. So we had to talk it out with the place and find a time where they were happy to shut the music off while we recorded. Thankfully most publicans were happy to indulge us in exchange for a few pints!
London Pubs Vol 1: Primary interior perspectives
London Pubs Vol 2: Secondary perspectives for quad use, exterior pubs, football crowds, pub sound effects
London Pubs Complete: Features everything from vol 1 & vol 2
What are some of your favorite recordings in there?
I think a favourite is definitely the recording at the Blind Fool. Basically a bunch of loud out-of-towners were in town for a day and having a good time.
I was set up near them, with a satchel containing my 722 and a scarf around my neck, concealing the DPAs that were wired into my hat
I was set up near them, with a satchel containing my 722 and a scarf around my neck, concealing the DPAs that were wired into my hat. It wasn’t really a cold day, so I must have looked a bit odd with a scarf like that much to their amusement. They decided to take the piss out of me, my scarf, and my satchel, the very things that allowed me record them up close and personal, without them actually knowing… and the take is great.
And of course Luke caught a more diffuse version of all the mockery in all its distant glory, too.
What’s ahead for Colossal?
Without spoiling too much, we’ve got several new libraries underway. They’re a mixture of FX, Ambiences, and Sound Design that we think the editors out there are really going to love and find both useful and fun to cut with. Watch this space!!
A big thanks to Rowan and Luke from Colossal for speaking with us! You can check out their sound library ‘London Pubs’ right here on A Sound Effect.
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For this sound effects library, we traveled across Alaska, from the extreme north to the south coast to capture the spirit of these nordic and wild landscapes: Boreal forests, arctic and alpin tundras, glaciers, rivers, and lakes.
Here the soundscapes reflect the extreme weather conditions: Silent ambiances punctuated by the elements: Wind, snow, rain, serving the erosion.
In this wilderness, animals remain discreet. We had the chance to capture many birds with our microphones: Owls, ducks, seagulls, trumpeter swans, bald eagles, common ravens, migratory birds, and many other species – and a few other animals: Hoary marmots, arctic marmots, squirrels and moose.
-The sound bank contains 66 sound takes recorded in ambisonic at 24/96khZ (a total of 330 files).
here is an exemple of an ambisonic recording embeded in a 360° movie (go on youtube to listen the 360° sound) :
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CINEMATIC METAL – TITAN pushes big screen sound design beyond its comfort zone. New and unheard HITS, BRAAMS, BOOMS, IMPACTS, STINGERS and much more await you in the comprehensive Construction Kit and devastating Designed edition. Get over 12GB worth of clean, dazzling sound effects – available as individual components as well as layered, processed and ready to use.
The library is available in two versions & a special bundle:
CINEMATIC METAL – TITAN CONSTRUCTION KIT
CINEMATIC METAL – TITAN sounds massive from start to finish. This Construction Kit in particular starts off with an unusual amount of kick. While foley and other, more meticulous applications are certainly possible, the main purpose here is to bring out the big guns and stomp any hint of moderation into the ground.LOCK AND LOAD
Supplement your designs with detailed, high-end metallic sounds. The Construction Kit allows you to build unique, multi-accent effects that not only impress in scale, but also in fidelity, rhythm and character. This library particularly shines in situations, where the visible picture doesn’t necessarily produce the envisioned sound, but warrants its own supernatural emphasis.
Files: 700 • Sounds: 4200 • Size: 10.9 GB
CINEMATIC METAL – TITAN DESIGNED:
Optimized for trailers, action scenes, in-game cinematics and special effects, the Designed edition brings fresh and exciting sounds to the table.Discover the force of aggressive, low, soft, processed, clean and tonal HITS, BRAAMS, IMPACTS, SCREECHES, STINGERS and SLAMS.
DARK AND POWERFUL
Paint a sense of dread and awe – CINEMATIC METAL – TITAN Designed can evoke fear of the unknown but just as easily kick into rampage mode: Empowered, ready for battle and thirsty for revenge. Find your perfect blend of haunting thriller and jacked, gritty anti-hero.
Files: 100 • Sounds: 400 • Size: 1.5 GB
CINEMATIC METAL – TITAN BUNDLE:
THE BUNDLE – The best of both worlds at a discounted price.
The Bundle gives you the full sound design power as it contains both – the DESIGNED and the CONSTRUCTION KIT edition at a discounted price.
Files: 800 • Sounds: 4600 • Size: 12.4 GB
Included sounds – keywords:
Braam, impact, rattle, squeak, rumble, clang, crunch, bell, groan, squeak, creak, cymbal, stinger, rusty, gate, container, flam, click, chain, dragging, thwack, bolt, door, train, metallic, iron, sliding, pole, oil drum, scrap, nail, gutter, break, steel, rim, scaffold, crowbar, swell, brass, hook, grate
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