Want to save money on sound effects? Here’s what’s on sale right now
You get (at least) 6+ GB free SFX with ANY order right now
Home Sound Effects
Sound Effects
-
Medieval Battle contains a wide variety of sounds taken straight from the battlefield. Unleash the full force of your army with effects from a diverse range of medieval weaponry, crowds, horses and battle charges. There are also battle cries, screams and shouts to make the audience feel like they are right there on the frontlines. To bring you the most organic and natural battle sounds, we recorded actors performing in a quiet exterior location. All sounds were recorded in 24Bit 96kHz, allowing for further sonic manipulation.
If you think your sound collection is in need of some reinforcements then this is the library for you! Medieval Battle is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.
Here are the included folders:
Crowds: Crowd rushes and static battle cries in a natural exterior location make these effects perfect for building the bed of a huge Medieval warzone.
Female Voices: 4 individual female actors perform multiple vocalisations including screams, grunts and efforts.
Sword & Shield Hits: A variety of sword and shield hits performed by weapons and combat experts.
Male Voices: 4 individual male actors perform multiple vocalisations including screams, grunts and efforts.
-
Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
From left, from right, from both sides, single vehicle or several at the same time.Recorded simultaneously with an ORTF and a AB microphone stereo pairs.
Gear used:
Sound Devices 788T
MKH8020 stereo pair
MKH8040 stereo pair -
Crisp, clean, crunchy and closely mic’d impacts with various types of pebble and dust debris.
I recorded all these sounds with my brothers during a trip home to Ireland.
Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.Equipment:
2 Line Audio OM1s
2 Line Audio CM3s
Røde NTG3
Tascam DR10025 %OFF -
Recording of a BSA M20 WW2 motorcycle with a 1 cylinder 500cm3 engine with 4 gears.
The BSA M20 WW2 motorcycle sound collection features 322 sounds in 12.02 gigabytes of audio. It showcases a British 1940 Birmingham Small Arms Company military bike and the sound of its 1 cylinder 500cm3 engine with 4 gears.
The sound bundle offers 20 synchronized recordings of onboard, exterior, and performed sound fx. The 7 onboard perspectives record sounds from the engine, exhaust, and onboard locations such as the seat and frame, all of which are also mixed into three pre-rendered tracks with driving at steady RPM, ramps, and gearshifts. The 9 exterior perspectives include turning on and off, departing, arriving, and passing from multiple perspectives and distances from slow to fast speeds. These are paired with performed Foley of handlebar clutch and brake, kickstarting, and more.
The package includes Pro Tools and Reaper mixing sessions, as well as full metadata embedded in every clip.
-
Sci-fi Guns Sounds
146 modern guns sound effects divided into more than 15 different types of guns:
– Electric Revolver
– Cannon Gun
– Blaster Rifle
– Low Gun
– Alien Guns
– Automatic Gun
– Old Shotgun and Old Cannon Shots
– Explosive Gun
– Grenades
– Compressed Air Gun
– And many more… Check the Tracklist PDF to see the full list of sounds included in the packSoundcloud Preview
Tracklist PDFMore about the pack:
– Apart from shot sounds, there are reloading & handling sounds
– There’s also the ”Stab” sound and the ”Hit Marker” sound.
– There are single-shot sounds but also loops (Rotary cannon)
– These SFX are suitable for Sci-Fi games but also for warfare, modern warfare ones.
– Intuitive file naming
– All you’ll ever need regarding Sci-Fi Gun Sounds
[Format]
All files are in:WAV – Stereo 44.1 Khz, 16bit
OGG – Stereo 44.1 Khz, 16bit[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
[Professional audio services]
For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com
25 %OFFEnds 1579647599 -
What sounds can you get out of a £5,000 sewing machine?
This library brings you 800 mechanical sounds created entirely from an electronic sewing machine, including: 20 different rhythmic seams all recorded at up to 5 different speeds with 2 microphone positions; over 200 seamless loops; various gradual revvings, ramping up and down, clicks, ticks, movements and warm-up checks – all recorded at the standard 96kHz 24-bit stereo.
An excellent enhancer for mechanical and industrial sounds, or (obviously), for a sewing machine!
10 %OFFEnds 1580511599 -
Suburbs of Chicago: Night is the 8th in the Suburbs of Chicago Series. Included in this pack are recordings from all four weather seasons, and recorded for over a year. All recordings are within the times of 6PM- 6AM.
Recordings include:
Fall
– Front Porch During Rain, Hitting Roof
– Traffic Rumble, Rustling LeavesWinter
– Snow Against Cars, Windshield Interior
– Snowing Parking LotSpring
– Subdivision, Park
– Bedroom Room Tone, Thunder CrackSummer
– High School Baseball Game
– Raining Outside, Open WindowAll tracks are recorded using the Sony D100 Portable Recorder, recorded at 192kHz, 24 bit. Over 5 hours of recordings, metadata tagged using Basehead and Soundly. As in all the other packs in this series, you will hear distant traffic and planes throughout.
-
The Creepy Cello SFXs Instrument: A Big collection of Creepy SFXs live Cello, recorded from 3 mic positions with a Neumann U87. This is the best cello collection for your horror trailer tracks, recorded by Vesislava Todorova.
Features 1.61 GB uncompressed content, 720 sounds in 24 bit / 96 Khz. Includes 11 instruments for the FULL Kontakt version 5.6.0 and the AIFF Version .
-
Get Recordings from the amazing Monza Rally Show, a motoring event at the Autodromo di Monza where some of the most famous rally drivers and track racing experts compete in different races:
• The R5 class rally cars
• The WRC 1.6 T.Trophy for WRC 1.6 Turbo rally cars from 2011-2016
• The Historic section for historic rally cars from 1972 to 1990.The cars are recorded in different track locations to have the best chances to capture the right sound: Corners, straights, chicanes, as well distant and trackside perspectives. There also include pit ambiences with cars revving.
The sounds are recorded with a steady stereo XY setup (2 Sennheiser 8040), together with a Shotgun microphone (Sennheiser 8060), following the cars to capture more focused sounds.
Each file has the suffix “LR” for the XY stereo files and “SG” for the shotgun mono files.
-
DESCRIPTION:
• In Alaska: Wind, get an expansive collection of forest winds from the pristine wilderness of Alaska. Hear the power of the Alaskan Range as gusts whip down from the high mountains. Hear blustery blasts whipping through the birch and cottonwood canopy and scrappy tundra spruces straining to stay vertical.
• This library offers you a large collection of arctic wind. I hope you enjoy listening to the natural music of the wind as it sings through the boreal forests of Alaska.2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.KEY FEATURES:
• Spring foliage from June 2019
• Cottonwood, birch, and spruce
• Canopy winds
• Swirling gusts
• Squeaky trees and creaking branches
• Close deciduous leaves fluttering
RECORDING STORIES:
Lake Clark is a massive 40 mile glacial lake with a major Alaska Range mountain pass at the north end of the lake. As a result of the area’s geography, wind whips down from the mountain pass and sails across the lake unimpeded. When I arrived in late May at Lake Clark National Park, the spring leaves were budding and the boreal forest had a lovely fresh pop of green from new leaves. When these gusting winds reached the boreal forest made up of cottonwood, birch, and spruce, the foliage came alive.For two days of the trip, a strong storm came through with winds powerful enough to make 6-foot lake swells. This made for ideal wind recording conditions! Although it can be tricky to capture the sound of spring foliage without birdsongs, the secret is to record during the day when there are extremely heavy winds. When winds are strong enough, birds tend to stop singing so under these conditions you can record daytime winds even during springtime. Otherwise, you have to record wind at night while the majority of the wildlife sleeps.
TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
• Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.FILE LIST & METADATA:
• View larger version or Download CSV
• A spectrogram is included for each audio file. Double click on the photo to enlarge.
MORE INFO:
• Read 40+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.GEAR USED:
• Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
• DPA 4060s in AB
• Sound Devices 702
• Sound Devices MixPre-6
• Cinela Pianissimo Double Mid/Side BlimpSTEREO AND QUAD FILES:
• Stereo: front mid/side decoded to left and right.
• Quad: double mid/side decoded to quad.STEREO ONLY FILES:
• These recording were made with two DPA 4060s and do not include a quad version.
• The “stereo only” files are included in the specs for the “Stereo Specs” below. -
DESCRIPTION:
• Alaska: Rain has the vast, beautiful crackling of arctic thunderstorms. Hear soothing rain deep in the boreal forest. Hear massive post-rain drips plopping and the musical call of Swainson’s Thrushes singing in the rain. Hear thunderclaps that ripple across glacial valleys and the soothing noise of a million raindrops on cottonwood leaves.
• This library offers you a large collection of arctic rain. I hope you enjoy listening to the natural music of the weather as it sings through the boreal forests of Alaska.2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.KEY FEATURES:
• A Cinela Kelly Rain Cover was used. So, all recordings were captured deep in the forest.
• Rain in the boreal forest of cottonwood, birch, and spruce
• Light, moderate, and heavy rain
• Post-rain canopy drips broken loose by the wind
• Rippling thunderclaps
• All recordings include birdsRECORDING TIPS – HOW TO RECORD RAIN:
• Use microphones known to perform well in high humidity. I use Sennheiser microphones. View my full gear list – here.
• Use cables made with Neutrik X-HD Series waterproof connectors.This keeps water from getting into your cable connection points. Once you have these connectors, you don’t need to wrap your XLR connections in electrical tape.
• Use a dry bag for your recorder. I like the Sea to Summit 65L bags because they have a wide mouth and can easily fit a recording bag through the opening.
• Put your dry bag at least 25 feet away and cover it with local foliage. Otherwise you’ll just record the sound of rain hitting a dry bag.
• Use a Cinela Pianissimo Double Mid/Side blimp with a Kelly Rain Cover.
• Coat the inner cover of the Cinela Pianissimo with NixWax as Cinela directs on their website. This is a water repellant molecule that is also acoustically transparent. The water repellant causes the water to bead up and roll off while also letting the air through. Read more about how NixWax works – here.
• The honeycomb of the Kelly Rain cover disperses drops as they hit the blimp which minimizes thumps. However, don’t use the Kelly Rain cover in areas with lots of insects because they tend to get stuck in the honeycomb, buzz for hours, and ruin recordings. The honeycomb cover also doubles as excellent protection for the blimp if an bear/moose/elk decide to chew on it.
• Find a section of forest with low and dense deciduous leaves. These leaves catch the rain so drips don’t “thump” on the blimp. Occasional thumps during heavy rain are okay because they are easy to edit out in post.
• Waterproofing a microphone blimp is totally game changing. I can now leave my rig out in the elements for 24 hours without fear of rain. Waterproof blimps and a 32-bit float recorders have opened up a whole new world of recording for me and I couldn’t be more excited.
• Build a platform of local foliage to cover the blimp for extra protection. George Vlad has an excellent video on how to build a natural rain canopy – here.
• I learned many of these rain recording techniques from George Vlad, so make sure you check out his work at Mindful Audio.TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
• Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.FILE LIST & METADATA:
• View larger version or Download CSV
• A spectrogram is included for each audio file. Double click on the photo to enlarge.
MORE INFO:
• Read 40+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.GEAR USED:
• Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
• Sound Devices MixPre-6
• Cinela Pianissimo Double Mid/Side Blimp
• Cinela Kelly Rain Cover
STEREO AND QUAD FILES:
• Stereo: front mid/side decoded to left and right.
• Quad: double mid/side decoded to quad. -
There are sounds of forests, swamps and meadows recorded in Ukraine, mostly in spring and summer. Recordings consist of coniferous and deciduous forests, different swamps and few meadows.
Recording gear: Sounddevices 744t, Oktava MC-012
-
The Mini Vocal Pack 05: Minotaur contains over 11 minutes (68 files) of high quality Minotaur styled vocalisation exertions using 1 human actor type & a German Sheppard Mix dog type.
The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.
The included basic construction kit / original recordings enables further vocal details to be created for extra granular focus.
All assets have been recorded & produced at 96kHz/24bit.
Included in this pack:- 1 Human actor set: Attack, Death, Pain, Breath, Scream (Long & Short versions available for Attacks and Pains)
- 1 set of German Sheppard Mix Dog type: Growls, Grunts, Panting, Barks, Sniffs / Sneezes (Close, Medium & Far Distant version available for Barks only)
- Minotaur Individual vocal designed assets created from the construction kit for quick drag and drop access.
- Sets of individual vocal designed assets (e.g. 4+ individual designed assets in one file)
- Exertion Types included: Attack, Breath, Scream/Taunt, Death, Grunt, Pain, Idle, Sniff
- Basic construction kits of the original recordings with 2 microphone versions for all human content. 1 microphone version for dog related content.
-
RAIN DESIGNER is all about (you guessed it) rain. It’s a library like no other and here’s why:
RD allows you to design high quality, dynamic rain sfx/ambiences that won’t end up sounding like a wall of noise.
It gives you full control over the sound – control wetness, drippiness, background noisiness, proximity, surfaces and more.
It’s perfect for adding more detail, sense of proximity to close up or ground level shots, enhancing rain field recordings, design complex rain soundscapes, implementing dynamic rain in FMOD/WWISE and more.Collection consists of three main categories:
CONSTRUCTION-KIT 96/24 (104 SFX)
Heart of the library. 104 high quality sound beds to design and tailor rain sounds that you need for your project
Construction Kit consists of:
14 carefully extracted from real world recordings rain backgrounds and noises
4 synthesized white-noisy sweeps and beds
86 surfaces: rain drops on metal, plastic, water, iron plates, skylight windows, glass, between glass panels, fabrics, tarps,
muffled drops, drizzle drops, fine drops, water movements and more.DESIGNED LOOPS 96/24 (24 SFX)
24 high quality, seamlessly looping, designed ambiences perfect for quick spotting.SOURCE CONSTRUCTION-KIT 192/24 (268 SFX)
268 high quality source files recorded with DPA4060 and MKH8040.
Single drips, multiple drips, water trickles and more.DOWNLOAD INCLUDES:
96-192KHZ 24BIT version (396 SFX/7.09 GB)
44.1KHZ 16BIT version for Unreal Engine (396 SFX/2.07 GB)
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH8060 + ATE208 + DPA4060, PCM D100
EDITED AND MASTERED WITH: RX, Pro Tools, Brufri, DMGAudio, Sound Particles -
This library consists of 80 recordings from the beautiful Italian island of Sicily. Centered around the Eastern coastal city of Catania and surrounding areas, this library includes everything you need to get a real feel of this historical island. It includes everything from town ambiences to beaches, traffic, harbor sounds, markets, church bells, transport and much more.
Over 4.5 hours of audio, with most ambiences over 3 minutes in length.
Perfect for filmmakers, theatre sound designers and anyone who needs that authentic, everyday sound of Sicily and Sicilian life.
All recordings are at 24Bit/96KHz with Soundminer & RIFF metadata embedded.
-
“Collected Ambiences“ – Series description:
Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
All files were cleaned, edited and most of the files loop seamlessly.Collected Ambiences – Volume XII
Countryside, Heavy Duty Gardening, Riverside, Rain, Zeppelin, Garden, Trainstations -
This is Part 01 of the “GlitchFX Percussion Sounds 02” Sample collection: It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.
Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.- 102 x Claps & Snares
- 80 x Kicks
- 45 x Hats & Noise
- 104 x Percussions
- 180 Glitch, Dirty & SFX
-
“Collected Ambiences“ – Series description:
Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
All files were cleaned, edited and most of the files loop seamlessly.Collected Ambiences – Volume XIV
Harvester Cabin, Home Improvement, Busy Exhibition Hallway, Kids Crowds, Farm, Coutryside -
“Collected Ambiences“ – Series description:
Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
All files were cleaned, edited and most of the files loop seamlessly.Collected Ambiences – Volume XIII
As volume X this volume also contains 50 various Stereo Ambiences.
City, Traffic, Car-Horn Chorus, Howling Wind, Roomtones, Train Control Room -
This is Part 01 of the “GlitchFX Percussion Sounds 01” Sample collection It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.
Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.- 102 x Claps & Snares
- 80 x Kicks
- 45 x Hats & Noise
- 104 x Percussions
- 180 Glitch, Dirty & SFX
-
Recording of a German 2001 Volkswagen Golf Sportscombi with a 1.6 litre engine with 5 speed transmission in a total of 14 synchronized takes.
The German 2001 Volkswagen Golf Sportscombi sound fx collection features 358 clips in 29.21 gigabytes of field recordings. It showcases the sound of its 1.6-litre engine with 5-speed transmission in a total of 14 synchronized takes.
The 11 onboard takes feature microphones mounted in the engine, at the exhaust, and the interior (with an Ambisonic perspective) to record driving with gearshifts, steady RPMs, and ramps. In addition, three stereo rendered mixes of each position are included for easy editing. The 8 exterior microphones were positioned at 5 locations to record starting and shutting down, departures and arrivals, and passes (including doppler horn bys) at slow to fast speeds. Also included are performed sound effects of doors, windshield wipers, horns, and more.
The package is complete with Reaper and Pro Tools editing sessions, Altiverb and Waves impulse responses of the cabin interior, and full professional metadata embedded in every clip.
-
Recording of a Lancia Delta Integrale HF 16v rally car from 1989 with a turbocharged 2-litre Lancia 16v 4 cylinder engine and Garrett T3 turbocharger producing 200 bhp (149 kW) at 5500 RPM and a maximum speed of 137 mph (220 km/h).
The Lancia Delta Integrale HF 16v rally car sound fx collection includes 198 clips in 16.03 gigabytes. It showcases the sound of a 1989 version of the Italian car and its turbocharged 2-litre Lancia 16v 4 cylinder engine and Garrett T3 turbocharger producing 200 bhp (149 kW) at 5500 RPM and a maximum speed of 137 mph (220 km/h).
A total of 11 synchronized takes gather both onboard and exterior recordings. 9 onboard perspectives from the interior, engine, and exhaust share driving with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives present driving away, approaching, passing by, idling, and more from multiple microphone locations. Also included are stereo mixes of the interior perspectives, Pro Tools and Reaper mixing sessions, 18+ fields of Soundminer, BWAV, and MacOS Finder metadata in every clip, and keyword translation import files in 7 languages.
-
Recording of a Volvo PV4 from 1929 with a 1.9 litre, 4-cylinder side-valve, 28 horsepower engine.
The Volvo PV4 sound fx collection features 280 clips and 10.42 gigabytes of an antique 1929 Swedish car. Also known as the Jakob or ÖV4, the library shares a total of 22 takes of its 1.9 litre, 4-cylinder side-valve, 28 horsepower engine.
A total of 25 synchronized channels capture onboard and exterior recordings. Microphones placed at three exterior locations (7 perspectives) depict starting, shutting off, departing, passing, and arriving. The onboard microphones (6 perspectives) were placed inside the cab, around the engine, and at the exhaust to capture driving at steady RPMs and with ramps. Also included is an interior Ambisonic perspective, a number of false starts, and performed effects.
Every clip is embedded with Soundminer, BWAV, and MacOS Finder metadata comments.
-
Recording of a Volvo PV831, the 1954 Swedish vehicle – common as a cab in the 50s and 60s and also known as the Suggan, Sow, and droska, and PV802 – powered by a 3.6 litre ED straight 6 side-valve engine with 90 horsepower.
The Volvo PV831 sound fx collection features 15.37 gigabytes of audio in 306 sound clips. This classic 1954 Swedish vehicle – common as a cab in the 50s and 60s and also known as the Suggan, Sow, and droska, and PV802 – is powered by a 3.6 litre ED straight 6 side-valve engine with 90 horsepower.
The sound library gathers 15 takes of synchronized interior and exterior field recordings. The exterior recordings include 8 perspectives with 17 channels of audio. Those takes have microphones positioned on straightaways and at corners at various distances to capture slow, medium, and fast maneuvers of passing, departing and arriving. The onboard takes (8 perspectives and 12 channels) capture driving with gearshifts, ramps, and steady RPMs from the exhaust, engine, interior, and an Ambisonic microphone. Also included are performed effects of doors, the glove box, radio, and many other specific sound fx.
All clips feature 18+ fields of embedded metadata.
-
Recording of a Dodge A100, a 1965 American pick up truck with a V8 318 C.I. small block Mopar engine.
The Dodge A100 pick up truck sound fx collection includes 312 clips in 18.29 gigabytes of audio. It features the sound of an American 1965 pick up truck with a V8 318 C.I. small block Mopar engine.
The sound bundle includes a total of 14 synchronized takes of field recordings. The 11 onboard perspectives capture driving at steady RPMs, with gearshifts, and with ramps from the engine, exhaust, and interior (including an Ambisonic perspective). The 8 exterior takes share departures, arrivals, and passes at slow, medium, and fast speeds from various distances and positions. Also included are mixes of the interior microphones, and some performed effects of doors.
The package is delivered with Pro Tools and Reaper mixing sessions as well as 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.
-
The Case Puma 180 CVX row-crop tractor sound library showcases the sound of a 2001 version of the American tractor with a 180 horsepower 4-wheel drive engine with automatic gears.
The Case Puma 180 CVX row-crop tractor sound library includes 395 sound effects in 57.57 gigabytes of audio. It showcases the sound of a 2001 version of the American tractor with a 180 horsepower 4-wheel drive engine with automatic gears.
A total of 15 synchronized takes share both onboard and exterior driving. The 7 exterior perspectives include turning on and off, departing and arriving, passing by, and more at slow to fast speeds from multiple distances and positions. The 14 onboard perspectives include interior (including an Ambisonic perspective), exhaust, and engine locations that capture driving at steady RPMs, with ramps, and gearshifts. Three stereo mixes of the interior, exhaust, and engine are also available for quick and easy editing. Performed effects of doors and buttons and more are included as well.
The package includes Altiverb and Waves impulse responses of the interior cabin, Reaper and Pro Tools mixing sessions, and full professional metadata in every clip.
-
132 sounds to experience the true colors of an office, everything you do on a day to day paperwork
Recorded with
- Sound Devices 633
- Rode NTG3
- Rode NT4
- Seymour Duncan SCR-1
-
The car is a beast and we recorded it in all its beastliness, at varying speeds from its soft metal purr to its ferocious roar, on the test track, inside and out, with all the very best equipment. From many angles, we used the following microphones: Interior – Neumann U 87 and Sennheiser Ambeo; Engine – Schoeps CMC6 MK4, Neumann KM 184; Exhaust pipes – Electro Voice ND 868, DPA fastening; Outside points – Sennheiser MKHs 70 & 416, and also again the Neumann U 87. If your project needs the sound of a great car, recorded in a great way, get it here.
-
Sounds of a tortured, tormented and ultimately destroyed vintage piano.
Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.
Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.
-
Recording of an Italian Lamborghini Aventador from 2014 with a 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.
The Lamborghini Aventador sound library 366 field recordings from a 2014 luxury Italian vehicle totaling 27.48 gigabytes. The clips capture the sound of the 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.
The collection features 19 synchronized takes of onboard and exterior perspectives. The onboard channels (12 channels) offer 11 perspectives of fast, medium, and slow driving from microphones placed at the exhaust, in the engine, and inside the cabin. The 10 exterior perspectives collect 21 channels of the sports car starting, departing, passing, arriving, and stopping. Performances include driving at steady RPMs, with gearshifts, and with ramps. There are also tracks of steady idling, with blips, and steadies in neutral.
Every track is embedded with 18+ fields of detailed metadata. The collection is with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
-
Recording of a 1965 Volvo PV544 Sport with an in-line 4-cylinder ohv 85 horsepower B18D engine with a 4-speed manual transmission.
The 1965 Volvo PV544 Sport sound fx library gathers 329 clips in 18.25 gigabytes of audio. The collection features 19 takes of the Swedish car’s in-line 4-cylinder ohv 85 horsepower B18D engine with a 4-speed manual transmission.
Seventeen channels arranged in four locations both close and distant capture 8 exterior perspective of the car traveling around corners and on straightaways. They depict the car starting, shutting off, idling, and departing, arriving, and passing at slow, medium, and fast speeds. Twelve onboard channels share engine, exhaust, and interior driving of steady RPMs, ramps, and gearshifts. The collection includes an Ambisonic recording of the interior, and extensive performed effects of doors, horns, dashboard elements, and more.
All tracks are embedded with 18+ fields of metadata.
-
Recording of a Volvo PV444 from 1957 with an in-line 4-cylinder ohv B16A 60 horsepower engine with a three-speed manual transmission.
The Volvo PV444 sound bundle showcases field recordings of a vintage Swedish model from 1957. 15 synchronized takes gather 258 sound fx in 17.49 gigabytes of the car’s in-line 4-cylinder ohv B16A 60 horsepower engine with a three-speed manual transmission.
Eight exterior perspectives share 17 channels of audio as the car starts, departs, passes, arrives, and shuts off on straightaways and around corners. Eight more onboard perspectives (12 channels) from the car’s exhaust, engine, interior, and Ambisonic cabin capture driving at fast, medium, and slow speeds with steady RPMs, ramps, and gearshifts. There are also a variety of performed effects of doors, dashboard switches, and more.
Each file has 18+ fields of Soundminer, BWAV, and MacOS X metadata.
New Sound Effects
-
Medieval Battle
$26
-
Vehicles Pass-by
$15
-
Rocks & Debris
$40$30 -
BSA M20 1940 Motorcycle
$249
-
Sci-Fi Guns Sounds
$20$14.99
Recent Reviews
-
Volcano
by Tibo Csuko
-
Amazon Jungle
by Tibo Csuko
-
Lo-Fi Sci-Fi
by Daniele
