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Home Plug-Ins Repair & Denoise

Repair & Denoise

Repair and denoise plugins

  • ReCenter Stereo Repair tool
    ReCenter Stereo Repair tool
    Repair & Denoise ReCenter Play Track $89

    ReCenter automatically repairs off-center stereo recordings while keeping the original stereo width which makes it an invaluable time-saver and a perfect tool for professional post-production. Fix off-centered stereo field recordings, dynamically center vocal artists or musicians that moved around the stage or center hard directional effects like drive-bys and stereo whooshes. ReCenter makes tedious panning automation obsolete so you can focus on your creative flow.

    What is RECENTER?
    ReCenter is a stereo processor that rotates an incoming stereo signal to the center or a given angle without altering the stereo width. Having the incoming signal centered, you can narrow or widen the stereo image within ReCenter. For a better low frequency control you can mono the original signal below a set frequency. A multiband processing option intelligently shifts more complicated signals.

    DYNAMICALLY CORRECT STEREO IMAGES
    Have you ever worked with stereo material that was not centered correctly? Pointing a stereo microphone a hundred percent accurately onto a sound source gets harder the further away the source is. As a result, you get a recording with a constantly shifting center that would require you to manually adjust and automate the panning over the whole recording. ReCenter continuously analyzes the directionality of a stereo or M/S signal and rotates it to a given target angle in real-time – without narrowing the stereo image.

    GOOD-BYE CORRECTIVE PANNING
    Correct poorly aimed or moving stereo recordings while skipping the time-consuming and most often ineffective pan automation process. All you need to do ist tell ReCenter how hard, fast and precisely it should adjust your signal.

    KEY FEATURES
    • Dynamically create convenient stereo images
    • Once the center is restored, precisely alter the stereo image
    • Input stereo or M/S signals
    • Mono filter below certain frequencies
    • Multiband mode for heavy-duty applications
    • Widen or narrow the centered stereo image
    • Shift the output angle to left or right

    USE CASES
    • Easily correct any stereo recording, where the microphone angle was off
    • Dynamically center a vocal artist that moved around the stage while performing
    • Center stereo whooshes, drive- or fly-bys and other hard directional effects
    • Widen instrument recordings while keeping a perfect stereophonic balance

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  • Bird removal sound effects plugin
    Bird removal sound effects plugin
    Repair & Denoise DEBIRD $219

    AUTOMATED BIRD NOISE REMOVAL

    DEBIRD automatically recognizes bird noises in your recordings and removes them with surgical precision.

    THE PROBLEM
    Meet the involuntary #1 enemy of recordists and editors alike: Birds.

    While their lively and delightful song is a true asset in nature ambiences, it ruins just about everything else.

    As a result, countless hours are spent on the rather tedious task of cleaning recordings before one can get back to the fun part and focus on the creative process.

    Meet DEBIRD – your simple but powerful tool that utilizes Deep Learning to do all the cleaning work for you.

    Sit back and relax while DEBIRD effortlessly extracts all the unwanted chatter from your audio file within seconds!

    HOW TO USE DEBIRD?

    1. Select any sound you want to clean up and use DEBIRD on your DAWs audio tracks.

    2. Hit Play and enjoy DEBIRD removing all the birds from your sound in REAL TIME.

    3. You can see the removed bird sounds in the lower spectrum display. Adjust the built-in filters and sensitivity to your likings.

    THAT’S IT?
    Yes! It is really that simple. You need some more features? You can also do the following:

    Would you like to keep certain sounds that would otherwise be removed? No problem! Grab a boundary box or brush and show DEBIRD what to keep.

    Solo and export the extracted bird sounds if needed. DEBIRD can be used in the exact opposite way it was designed for.

    TIMESAVER
    DEBIRD turns hours of work into seconds.

    FAST PROCESSING
    No matter how fast you remove bird sounds, DEBIRD is faster.

    CUT THE SLACK
    No more need to plan recording sessions at night or use invasive methods such as scaring off birds.

    SMART
    DEBIRD‘s Machine Learning capabilities help the tool to improve over time.

    HELP US TO IMPROVE DEBIRD
    DEBIRD works with a neural network that further improves the more input it gets. We will continuously feed the deep learning algorithm with recordings of birds to improve the results and to better handle edge-cases.

    WHAT YOU CAN DO
    You have a file and DEBIRD struggles to properly remove the bird sounds? Contact us via [email protected] and send us your audio file. We will include it into the machine learning routine and DEBIRD will handle such cases better over time.

    REQUIREMENTS

    SOFTWARE
    Please note: This plug-in requires an audio host software. It does not work as a standalone application.
    It works with the most common audio host software apps that support VST3, AU or AAX plug-ins:

    SYSTEM
    Windows Windows 7 (64-bit), 8 GB RAM, Intel® Core i5
    Mac Mac OS X 10.11, 8 GB RAM, Intel® Core i5

    ILOK
    Available licensing options:
    Machine License activation and USB Dongle

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  • Equalizer & Filter SA2 Dialog Processor HD v6 $149

    Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!

    The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

    The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

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  • Repair & Denoise Pro-DS $156.22

    Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don’t worry, FabFilter Pro-DS comes to the rescue!

    With its highly intelligent ‘Single Vocal’ detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.

    When using the ‘Allround’ mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes. Try it out yourself!

    FabFilter Pro-DS offers everything you need to get the best result possible, presented in a simple and easy-to-use interface. Wide band or linear-phase split band processing, an optional look-ahead of up to 15 ms, adjustable stereo linking with optional mid-only or side-only processing, up to four times linear-phase oversampling… it’s all there.

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  • Equalizer & Filter SA2 Dialog Processor Native v6 $99

    Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!

    The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

    The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Bundles Wave Arts Master Restoration Suite $159

    – Remove unwanted noise from recordings

    Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.
    These plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application.

    The MR Suite consists of 5 plug-ins:

    • MR Noise – Stellar sounding broadband noise reduction
    • MR Click – Click and crackle filter for vinyl or digital sources
    • MR Hum – Precise hum and buzz removal
    • MR Gate – Expander/gate for quick and simple background attenuation

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  • Repair & Denoise Wave Arts MR Noise $129

    – Great Sounding Noise Reduction Processor

    MR Noise is a broadband noise reduction processor. It distinguishes itself by being both great sounding and incredibly easy to use. Like most noise reduction systems, MR noise works in the frequency domain, and requires that the noise spectrum be learned before noise reduction can commence. If your track starts with a bit of silence then MR Noise will work right out of the box, since by default MR Noise has the Learn parameter enabled, then when you hit play, MR Noise will learn the noise profile and start noise reduction. The default parameters work extremely well for most cases. One of our reviewers thought something was wrong because they opened up MR Noise and the noise vanished – and they didn’t have to do anything.

    When designing MR Noise, we spent considerable effort researching and experimenting with existing noise reduction algorithms. MR Noise combines the best of these with some new innovations, especially our Auto Dynamics mode. This mode automatically adjusts the attack and release times of the noise reduction processor based upon the amount of transients in the input signal. This minimizes artifacts in the noise reduction processing while maintaining sharp transients that would normally be smeared by other methods.
    The user interface makes it a snap to see and hear what is going on. The frequency response display shows the spectrum of the input signal, noise floor, and output signal so you can see at a glance what frequencies are being reduced. A monitor feature allows you to hear the noise that is being removed (with separate volume control). For most cases you simply have to select a preset and hit play, MR Noise will learn the floor and start reduction. Then you can simply adjust the Amount control to set the amount of reduction. For super fine tweaking, the noise floor and all the reduction parameters can be edited as a function of frequency by dragging control points on the frequency response display.

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  • Repair & Denoise Wave Arts MR Hum $39

    – Hum & Buzz Removal & Brickwall Filtering

    Combining hum removal, buzz removal, brickwall filtering, and spectrum analysis into one easy to use plug-in, MR Hum is the perfect tool to clean up recordings with any sort of hum or nasty buzz.

    The hum removal section works by applying a set of notch filters spaced at multiples of the fundamental hum frequency, usually 60 Hz or 50 Hz. You select the fundamental frequency, the number of harmonics you want to eliminate (up to 10), and the width of the notches (the default works fine). There are presets for the usual cases of 60 Hz hum and 50 Hz hum. You can also select any fundamental frequency continuously from 20 to 200 Hz. Sometimes it’s necessary to use a slightly different frequency in cases where the hum has been recorded on analog tape and played back on a different machine, which will cause the hum frequency to change.

    The high resolution spectrum display makes it easy to see the hum frequency and the number of harmonics that are required. The spectrum display can run before processing, to see the input signal spectrum, or after processing, to see the output signal spectrum. The monitor feature allows you to hear the signal being removed, offering another way to set the parameters.

    MR Hum contains a separate processor for buzz. Buzz is a periodic signal with frequency harmonics through the entire audible spectrum, which would require hundreds of notch filters to eliminate. The buzz algorithm uses a different approach which is far more efficient. Often buzz is a nasty case of hum, and hence is at 50 or 60 Hz, but sometime buzz is caused by a motor or some other kind of interference, hence the buzz processor allows any frequency from 20 to 200 Hz.
    Finally MR Hum also provides brickwall filters to eliminate low or high frequency interference.

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  • Repair & Denoise Wave Arts MR Gate $39

    – Noise Reduction Plug-in

    MR Gate is a full featured expander/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input signal and the gate attenuation, very handy for setting up the parameters. Also, it has a monitor feature that lets you hear the gated signal which is kind of cool for listening to the background without the foreground.

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  • Repair & Denoise Wave Arts MR Click $39

    – Noise Reduction Plug-in

    MR Click combines click and crackle filtering for cleanup of phonograph recordings or other impulsive contamination. MR Click has separate processors for clicks and crackles because of the different nature of the contaminants. We use the term “click” to mean a large disturbance, such as caused by a phonograph scratch or a splice in a digital signal. The click processor automatically detects clicks and reconstructs the audio signal in the neighborhood of the click to eliminate it. We use the term “crackle” to mean the high frequency scratchiness you get from dust or wear in the grooves of a phonograph. The crackle processor automatically detects crackle and eliminates it by smoothing the signal in the neighborhood of the crackle event. The crackle processor also contains an onset detector that will inhibit de-crackling the onset of events like snare hits or cymbal crashes.
    MR Click has a scrolling time display that shows all the click and crackle events detected, so you can easily adjust the detection thresholds. There is also a monitor feature to hear the removed clicks and crackles.

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  • Repair & Denoise Wave Arts Dialog 2 $129

    – Voice and Speech Post Production Tool

    Dialog 2 combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.
    Dialog 2 includes brickwall filters, de-hum, and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.
    The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar-sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.

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  • Dynamic SPC2000 Native v6 $99

    The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

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  • Dynamic SPC2000 HD v6 $149

    The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

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  • Equalizer & Filter NR800 Native v6 $99

    The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • Native v6: AAX Native, AU, VST

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  • Equalizer & Filter NR800 HD v6 $149

    The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.

    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Equalizer & Filter NF575 Native v6 $69

    The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

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  • Equalizer & Filter NF575 HD v6 $119

    The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

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  • Repair & Denoise DE555 Native v6 $69

    The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Repair & Denoise DE555 HD v6 $119

    The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Pitch & Time faTimeAlign $69

    Get your Phase problems fixed in seconds
    faTimeAlign is a reliable workhorse, proven to work with any kind of multi microphone source material. Time Alignment is a delicate and often time consuming task, so you want nothing less than the best possible solution. Easily adjust your tracks, relative to the other tracks, with positive or negative delays and make A/B comparisons to absolutely nail the correct setting.

    But that’s not all! You can also arrange your tracks into different sub-groups and delay them relative to each other to align different instruments or instrument groups.

    Easy to use and flexible
    One of many great reasons you will love faTimeAlign is its unique user interface. The range of the delay knob can be set to any value narrow or wide, which lets you easily sweep through different delay spans. Furthermore, the feature that allows you to enter values in feet, samples, meters or milliseconds gives you all the flexibility you’ll ever need.

    DOWNLOAD faTimeAlign DEMO HERE:
    MAC | WINDOWS

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  • Pitch & Time faGuitarAlign $89

    faGuitarAlign – Automatic Phase Alignment
    faGuitarAlign will radically reduce your workload when recording electric guitars, basses and basically everything with strings attached to it! Its revolutionary X/Y Pad lets you quickly find the right sweet spot between the correct phase and the mix of your different tracks, resulting in a perfect blend of both! To make this task progress even more smoothly there is also an automatic alignment feature, which accurately finds the right phase offset for you! With this reliable tool you’ll be able to save a huge amount of your valuable recording and mixing time, which you can then spend with much more exciting tasks!

    Suited for a wide range of recording situations
    Whether you want to make your phase alignment by ear or automatically, the integrated Phase Density Scope gives you reliable visual feedback in every conceivable situation. This exciting concept is derived from a Vectorscope, which would be used in a stereo tool, and carefully optimized and enhanced for phase alignment purposes. This tool is unrivalled by any other Plug-in on the market.

    Inspire your creativity
    faGuitarAlign is carefully optimized for every kind of recording, whether it involves one sound source and multiple microphones and/or DI tracks. There are a lot of people who use it creatively for recordings with the fiddle, cello, double bass, piano or even choir tracks. Its creative design will inspire you to go beyond the known possibilities of any other alignment tool.

    DOWNLOAD faGuitarAlign DEMO:
    MAC | WINDOWS

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