Newest film sound stories • Film sound guides & resources • Highlighted film sound stories & interviews
Independent sound effects:
Newest sound effects libraries • Overall most popular sound effects libraries • Search for specific sound effects
More film sound resources:
Books about film sound • Podcasts about film sound • Audio events • Audio jobs • Find film sound talent • Showcase your audio skills • Film sound on social media • Branching out: Free 60+ page guide: How to succeed in 18 types of audio jobs
Film sound guides and resources:
12 interesting film sound tutorial videos:Michael Cullen shares his insights on film sound creation in these 12 tutorial videos:
Award-winning sound designer David Farmer shares tips, tricks & techniques from working 25+ years in sound:
David Farmer gets you tips, tricks and techniques learned from decades in audio post production:
Brandon Proctor talks techniques and tools for re-recording mixing today:
Supervising sound editor and re-recording mixer Brandon Proctor shares stories & insights from his 20+ years in the business:
Doing sound for independent film – tips, tricks & insights from Tom Disher and Paul Zahnley:
Composer and sound designer Tom Disher and re-recording mixer Paul Zahnley share their tips, tricks & insights from many years of doing sound for independent films:
Heikki Kossi on the art and craft of Foley sound
Experienced Foley artist Heikki Kossi shares insights and stories from doing Foley sound on 100s of films:
Herb Ferrette shares thoughts and strategies for running a boutique-sized sound facility
Herb Ferrette shares insights from over 35 years in the media industry:
How to create Pro Tools templates for post production – with Paul Maunder:
Check out this great tutorial on setting up Pro Tools templates for post production:
Lessons learned from 20+ years in sound: Jeremy Peirson on field recording
Jeremy Peirson shares stories, approaches, and lessons learned from a life in sound – with a particular focus on field recording:
Composing for film – with Pinar Toprak, Nainita Desai, and Jonathan Snipes
Award-winning composers Pinar Toprak, Nainita Desai, and Jonathan Snipes share insights on how to succeed as a film composer:
How to succeed in sound design for Film, Documentaries, and Trailers – with Nia Hansen, Peter Albrechtsen, & Karél Psota
Great insights on how to make it in sound for film & trailers, with insights from Nia Hansen, Peter Albrechtsen, & Karél Psota:
How to succeed in Sound Editing, Sound for Advertising, and Production Sound – with Lucy J Mitchell, Chris Pinkston and Irin Strauss:
Hear how to succeed in sound, from some of the brightest minds – and sharpest ears – in the industry:
How To Actually Live as an Audio Freelancer – by Melissa Pons:
Melissa Pons shares insights and thoughts – from herself and others in the community – on living as a freelancer in the sound industry:
Mandell Winter gives us a peek into the world of Sound Supervision
Mandell Winter is a two-time Emmy nominated Supervising Sound Editor who has worked on many films and television series. And in this interview with Doug Siebum, he sheds some light on what the Supervising Sound Editor role involves:
Randy Thom: Designing A Movie For Sound
Here’s Academy award-winning sound designer Randy Thom’s insightful plea for sound to be taken as seriously as visuals in film storytelling:
Randy Thom: Why Is Sound Important?
Randy Thom shares his thoughts on why sound matters:
SIGHT & SOUND: The Cinema of Walter Murch – watch this fascinating feature-length documentary here:
Jon Lefkovitz has released an interesting, feature-length documentary with legendary film editor and sound designer Walter Murch. You can watch the full documentary here:
Sound Designer Tormod Ringnes’ 4-Step Approach to Great Film Sound
Here’s why (and how) Tormod Ringnes applies his 4-step approach to all sound design projects, no matter the size of the production:
Sound for indie film:
Supervising Sound Editor Jacob Bloomfield-Misrach shares insights, tips and lessons learned from overseeing 100+ sound projects per year:
Sound Opinion: Should people in the sound industry work for free?
Doug Siebum shares his story and experiences doing free work in sound – and whether you should do that in the first place:
The Psychology of Sound Design – with Ai-Ling Lee, Will Files & Craig Henighan:
Check out this great panel talk from The Rough Cut, hosted by Matt Feury and featuring Ai-Ling Lee, Will Files & Craig Henighan talking about the fundamentals of film sound:
The Ultimate Beginner’s Guide to Foley Editing
Want to get Foley editing right? Sound supervisor Yuri Pridachin from Foley First shares his essential tips, insights and lessons learned in this in-depth guide:
Tim Nielsen offers insight into the role of Supervising Sound Editor
Film sound veteran Tim Nielsen shares insight on supervising a film:
Tips and thoughts on running your own audio post production house – with William McGuigan:
William McGuigan shares insights on starting and running his own boutique audio post house:
Video: How animal sounds are made for movies and TV – with veteran Foley artist Marko Costanzo:
Find out how animal Foley is done – with veteran Foley artist Marko Costanzo:
Video: How movie sound effects are made – with Foley artist Marko Costanzo:
A great Mashable video featuring Foley artist Marko Costanzo, on the art and craft of Foley
Video: Meet the Foley team at Skywalker Sound:
Check out this excellent video from American Lifestyle on the Foley team at Skywalker Sound, featuring Foley artists John Roesch and Shelley Roden, and mixer Scott Curtis:
Video: The importance of audio post in indie film
Sound designer Ugo Derouard demonstrates five steps of audio post production – and how they affect a given scene:
Videos: Sound Mixing and Sound Editing explained – by the legendary Walter Murch:
Walter Murch explains sound mixing and sound editing – with examples from his own work:
Behind Baby Driver’s masterfully musical sound design:
Here’s how the team did it, as told by supervising sound editor/sound designer/re-recording mixer Julian Slater, and sound effects recordist Watson Wu:
Behind the crystalline sound of Frozen 2:
Supervising sound editor Odin Benitez, music editor Fernand Bos, and dialogue/music mixer David E. Fluhr discuss their approach to weaving sound design, songs, and score into a fluid, immersive soundscape:
Behind the horrifying sound of ‘Alien: Covenant’
Here, they discuss their approach to sound design on Alien: Covenant, from building on original Alien sound concepts to creating new sounds for the Neomorph, the Covenant ship, the radio transmissions from the Prometheus, and more.
Behind the spectacular sound of ‘Dunkirk’ – with Richard King:
Get the full story on how the film’s rich, dense, and immersive soundscape was created, in this A Sound Effect interview with Oscar-winning supervising sound editor Richard King:
Building the brilliant sound for The LEGO Batman Movie
Wayne Pashley takes you behind the scenes on the sound and shares details about how he and his team brought the animated Batman toys to life through sound:
Creating 1917’s Intense, Immersive Sound of War:
We talk with sound supervisor Oliver Tarney about how the visuals impacted his approach to the sound and how he created the film’s immersive, authentic WWI sound.
Creating The Poetic Sci-Fi Sound Of ‘Arrival’:
Critics describe Arrival as ‘a must-see experience for fans of thinking person’s sci-fi’ – and in this interview with the Arrival sound team, you’ll discover why the sound for the film is definitely something else too:
Designing Aquaman’s dramatic deep-sea sound:
In this in-depth A Sound Effect interview, supervising sound editors Peter Brown and Joe Dzuban take you behind the scenes on their sound work for the film
Designing the dark and gritty sound of Joker:
Warner Bros. Sound’s Oscar-winning Supervising Sound Editor Alan Robert Murray shares details on how he and the sound team brought Gotham City to life with custom recordings and era-appropriate effects, and how they subtly blended the sound and score to create a visceral, cruel, and crazy world.
Designing the deeply disturbing sound of ‘Midsommar’:
Supervising sound editor/re-recording mixer Gene Park tells the story on how sound was used to help achieve such a high level of emotional discomfort and disorientation:
Finding the Sound of Soul
Supervising sound editors Coya Elliott and Ren Klyce talk about designing sounds to fit the score, creating the voices of the ‘lost souls,’ recording voices for the unborn souls, and much more!
Horror Special: Behind the sound for 11 of the scariest horror movies out there:
It’s time for a horror special, and to get you in that spooky mood, here are 11 A Sound Effect stories behind the sound for some of the scariest horror movies and series out there:
The gloriously punchy sound of ‘John Wick: Chapter 3 – Parabellum’:
How the fast, precise, and brutal sound for John Wick: Chapter 3 – Parabellum was made, as told by Supervising Sound Editor Mark Stoeckinger:
How ‘First Man’ takes your ears on a supersonic adventure:
In this very in-depth A Sound Effect interview, supervising sound editors Ai-Ling Lee and Milly Iatrou talk about how they used authentic NASA gear to make those flight experiences sound as real as possible
How A Quiet Place’s essential sound was created:
Sound and silence are key elements in A Quiet Place, and for sound designers Ethan Van der Ryn and Erik Aadahl it was an incredibly thrilling – and challenging – project to work on. Here’s how they created the crucial sound of A Quiet Place:
How Ad Astra’s stellar Foley sound was made – with Foley Artist Heikki Kossi
Foley supervisor/artist Heikki Kossi talks about how Foley played a key role in keeping the audience close to McBride, helping to relay his physical and mental experience.
How Nomadland’s beautiful sound was sculpted
Sound supervisor/sound designer Sergio Diaz and sound supervisor/re-recording mixer Zach Seivers talk about their cinema vérité approach to the sound.
How Randy Thom & Al Nelson crafted ‘How to Train Your Dragon: The Hidden World’s sound:
Randy Thom & Al Nelson dive into the creative details of creating sounds for new dragons, such as the Light Fury and the Death Grippers, and how they created new, more emotive sounds for Toothless.
How the incredible sound of ‘Avengers: Endgame’ was made:
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound
How the outstanding sound of ‘Once Upon a Time… in Hollywood’ was made:
In this exclusive interview, Wylie Stateman talks about collaborating with Tarantino, his creative process of ‘rapid prototyping’, the interplay of music and sound design, and a lot more.
Katy Wood, Paula Fairfield & Onnalee Blank, on Crafting the Fun, Colorful Sound on ‘Harley Quinn: Birds of Prey’
Go behind the sound of Harley Quinn’s colorful, manic, psychotic world in ‘Harley Quinn: Birds of Prey’:
Nia Hansen & Shannon Mills: How Raya and the Last Dragon’s superb sound was made:
Shannon Mills & Nia Hansen take you behind the sound for Disney’s mesmerizing animated adventure:
Sounds of the future for ‘Ghost in the Shell’:
Oscar-winning supervising sound editors Karen Baker Landers & Per Hallberg share the intriguing story behind the sound for Ghost In The Shell:
Tiny Superheroes, Big Sound – creating the sound for Ant Man:
Supervising sound editors Addison Teague and Katy Wood, and sound designer David Farmer take you behind the sound for Ant-Man and the Wasp:
How Tim Nielsen & Team Made ‘Moana / Vaiana’ Sound So Good:
Disney’s Moana (also known as ‘Vaiana’ in Europe) is a huge hit at the box office, and in this in-depth A Sound Effect interview, award-winning supervising sound editor Tim Nielsen shares the story on how the computer-generated world of Moana was brought to life with sound.
Perfecting Parasite’s award-winning sound – with Ralph Tae-Young Choi:
Director Bong Joon Ho’s go-to for sound supervision and mixing, Ralph Tae-Young Choi, talks about his approach to designing the contrasting worlds of the wealthy Park family and the working-class Kim family who latches onto them.
Richard King on Inventing Inverted Sounds for ‘Tenet’:
Oscar-winning Supervising Sound Editor Richard King — at Warner Bros. Sound — talks about his approach to designing inverted sounds for director Christopher Nolan’s film Tenet.
Zack Snyder on Music & Sound Design For Film
Netflix just released this interesting video on Army of the Dead, with Zack Snyder sharing his thoughts and insights on music and sound design for film. We’ve added shortcuts below so you can jump straight to the music and sound design segments of the video:
Independent sound effects:
-
Bicycle Sound Effects City Bicycles – Complete Bundle Play Track 633 sounds included, 330 mins total $120The complete package bundles all available City Bicycles-packages and is fully UCS compliant. The ‘Various Passbys + Bicycle Handling’ package is added as a free bonus!
This is a unique bicycle library that captures four characteristic bikes in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings, smooth or skidding stops. This package contains everything you need to create convincing sound design for a City Bicycle.
Contents:
Four bikes with distinct characteristics:
1. Good bike: a smooth sounding retro bike that doesn’t rattle or squeak, really nice tire noise.
2. Bad bike: an old worn bike with severe rattles and cranking, tends to let the chain fly off.
3. Ugly bike: this bike gets you from A to B… but it won’t win awards for it’s looks.
4. Racer bike: a vintage racer that’s pre-owned but still super slick.
Five perspectives:
1. Onboard Front: captures the whirring tire and surface sound.
2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
5. Static XY shot: stereo recording of the passby that emphasizes speed.
Five perspectives:
Overview of perspectives and mic placement*Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration. All 3 onboard mics are edited in sync with one another to make layering easy. All Passbys, Arrivals and Departures move from Left to Right.
Speeds and actions:
Three speeds for every bike and every surface (see below). Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.City Bicycles – Perspectives Demo
Five surfaces:
We’ve recorded all Bikes on asphalt from all perspectives (onboard and roadside). Additionally, our most quiet bicycle (the Good Bike) was used to record 4 other surfaces from onboard perspectives.
Five Surfaces:
1. Asphalt: nice and clean, with smooth singing sound.**
2. Large Bricks: nicely textured surface that makes the tires purr like a cat.**
3. Gravel: a fresh crackling surface sound that you might find in a city park.
4. Grit: classic bicycle path surface sounds that layers perfectly with the other surfaces.**
5. Icy road: frozen asphalt with sparkling textures of ice crystals snapping under the wheels.
**these surfaces are also recorded from Roadside Perspectives (passby: static and tracking)
City Bicycles – Extra Surfaces Preview
BONUS files:
There are some sweeteners and extras to give your bike that extra layer of grit:
1. Exterior recordings of various actions in multiple takes from rattles, bounces, shakes to roll-bys. Enough to make your bike sound just a little different.
2. We also recorded 21 additional single passbys of various bicycles, from severely rattling to smooth riding bikes on small brick streets and alleys. Enough to expand your options to create a distinguished sound design.Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle to quickly navgiate to the bike you like.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.Additionally, we added Markers making specific sonic events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us info@frickandtraa.com!
Single Bicycle packages:
We also sell single packages for all the bicycles in this library.
Here’s a handy comparison table:
Reviews:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9.‘The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
20 %OFF -
25 %OFF -
-
-
30 %OFF
-
I’ve Decided to Make This Small Instrument Free—Enjoy!
Enjoy :)Snow Foley Instrument, a collection of pristine snow footsteps samples recorded with the legendary Sony PCM-D100 in the remote mountains of southern France. To enhance your sound design workflow, the samples are accompanied by user-friendly Kontakt and DSsampler instruments.
Whether you’re crafting linear sound designs, immersive interactive experiences, or dynamic game environments, this versatile library has you covered.Â
Key Features:Â
- 8 Different Walking types
- More than 200 unique samples
- Recorded in real snow, in different depths
- Stereo 96Khz 24bit
- Kontakt & DSsampler
- Midi Controlled Knobs
*Runs in Kontakt or Free Kontakt Player version 7.7.3 or higher, and in DecentSampler 1.9.13 or higher.
-
20 %OFFEnds 1733785199 -
20 %OFFEnds 1733785199 -
70 %OFFEnds 1733439599
More film sound resources:
AUDIO JOBS
– find audio jobs around the world:
We’ve shared 1000s of audio jobs on Soundlister, and we continue to share openings each week. The site also gives you a search tool to help you explore past opportunities + a way to see all posts tagged with a specific job title – effectively allowing you to browse by title.
AUDIO PODCASTS
– find great podcasts about sound
The newly-formed Audio Podcast Alliance features a carefully-chosen selection of the absolute best podcasts about sound out there. Discover the cream of the crop of what the community has to offer when it comes to audio-related podcasts below:
AUDIO PROFESSIONALS
– find talented audio professionals from around the world for your projects:
If you’re looking for film sound talent, Soundlister features 1000s of audio professionals from all over the world – including everything from sound designers, re-recording mixers, composers, recordists, to sound editors, voice actors, Foley artists and more:
FILM SOUND BOOKS
– find great books about sound for film:
There are lots of great books about film sound out there – here are a few examples:
• Dialogue Editing for Motion Pictures: A Guide to the Invisible Art – by John Purcell (recommended by Ryan Cota – get the book here)
• Film Sound: Theory and Practice – by Elisabeth Weis (recommended by Mark Kilborn – get the book here)
• Hearing the Movies: Music and Sound in Film History – by James Buhler, David Neumeyer, & Rob Deemer (recommended by Javier Quesada – get the book here)
• Location Audio Simplified – by Dean Miles (recommended by Julien Matthey – get the book here)
• Sound-On-Film: Interviews with Creators of Film Sound – by Vincent Anthony LoBrutto (recommended by Mark Kilborn – get the book here)
• The Foley Grail – The art of performing sound for film, games and animation – by Vanessa Theme Ament (recommended by Julien Matthey – get the book here)
Please share these resources:
If you’re finding these resources useful, please share a link to this page with your network so more people can benefit from them – thanks in advance!
FILM SOUND ON SOCIAL MEDIA
– find groups and conversations on film sound and audio post production:
SHOWCASE YOUR AUDIO WORK
– showcase your skills and be discovered by those who need them, completely free:
As an audio professional, Soundlister lets you showcase your skills and be discovered by those who need them. It offers an easy way to present your showreel, highlight your favorite projects and let visitors know where to find you on social media:
THE AUDIO EVENTS CALENDAR
– find audio-related events around the world – and online:
Looking to find audio-related events such as audio industry conferences, community meetups, special events, Q&As, online courses and more? Check out the Audio Events Calendar, where we’ve shared more than 800+ events since its launch.
BONUS: Expand your skillset with the free Sound Success Guide:
Want to branch out beyond film sound? Learning new sound skills can open up opportunities for additional revenue – and with the (entirely free) 60+ page Sound Success Guide, you get insights from 20 industry experts on how to get started and succeed in 18 different types of audio jobs:
Click to download (.zip)
Click to download(.PDF)
Please share this:
-
20 %OFFEnds 1733785199
-
I’ve Decided to Make This Small Instrument Free—Enjoy!
Enjoy :)Snow Foley Instrument, a collection of pristine snow footsteps samples recorded with the legendary Sony PCM-D100 in the remote mountains of southern France. To enhance your sound design workflow, the samples are accompanied by user-friendly Kontakt and DSsampler instruments.
Whether you’re crafting linear sound designs, immersive interactive experiences, or dynamic game environments, this versatile library has you covered.Â
Key Features:Â
- 8 Different Walking types
- More than 200 unique samples
- Recorded in real snow, in different depths
- Stereo 96Khz 24bit
- Kontakt & DSsampler
- Midi Controlled Knobs
*Runs in Kontakt or Free Kontakt Player version 7.7.3 or higher, and in DecentSampler 1.9.13 or higher.
-
70 %OFFEnds 1733439599
-
Bicycle Sound Effects City Bicycles – Complete Bundle Play Track 633 sounds included, 330 mins total $120
The complete package bundles all available City Bicycles-packages and is fully UCS compliant. The ‘Various Passbys + Bicycle Handling’ package is added as a free bonus!
This is a unique bicycle library that captures four characteristic bikes in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings, smooth or skidding stops. This package contains everything you need to create convincing sound design for a City Bicycle.
Contents:
Four bikes with distinct characteristics:
1. Good bike: a smooth sounding retro bike that doesn’t rattle or squeak, really nice tire noise.
2. Bad bike: an old worn bike with severe rattles and cranking, tends to let the chain fly off.
3. Ugly bike: this bike gets you from A to B… but it won’t win awards for it’s looks.
4. Racer bike: a vintage racer that’s pre-owned but still super slick.
Five perspectives:
1. Onboard Front: captures the whirring tire and surface sound.
2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
5. Static XY shot: stereo recording of the passby that emphasizes speed.
Five perspectives:
Overview of perspectives and mic placement*Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration. All 3 onboard mics are edited in sync with one another to make layering easy. All Passbys, Arrivals and Departures move from Left to Right.
Speeds and actions:
Three speeds for every bike and every surface (see below). Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.City Bicycles – Perspectives Demo
Five surfaces:
We’ve recorded all Bikes on asphalt from all perspectives (onboard and roadside). Additionally, our most quiet bicycle (the Good Bike) was used to record 4 other surfaces from onboard perspectives.
Five Surfaces:
1. Asphalt: nice and clean, with smooth singing sound.**
2. Large Bricks: nicely textured surface that makes the tires purr like a cat.**
3. Gravel: a fresh crackling surface sound that you might find in a city park.
4. Grit: classic bicycle path surface sounds that layers perfectly with the other surfaces.**
5. Icy road: frozen asphalt with sparkling textures of ice crystals snapping under the wheels.
**these surfaces are also recorded from Roadside Perspectives (passby: static and tracking)
City Bicycles – Extra Surfaces Preview
BONUS files:
There are some sweeteners and extras to give your bike that extra layer of grit:
1. Exterior recordings of various actions in multiple takes from rattles, bounces, shakes to roll-bys. Enough to make your bike sound just a little different.
2. We also recorded 21 additional single passbys of various bicycles, from severely rattling to smooth riding bikes on small brick streets and alleys. Enough to expand your options to create a distinguished sound design.Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle to quickly navgiate to the bike you like.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.Additionally, we added Markers making specific sonic events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us info@frickandtraa.com!
Single Bicycle packages:
We also sell single packages for all the bicycles in this library.
Here’s a handy comparison table:
Reviews:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9.‘The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
20 %OFF -
25 %OFF
-
-
-
30 %OFF
