Asbjoern Andersen


With a fresh new year ahead of us, I figured it was a good time to highlight some of the great futuristic SFX libraries in the catalog.

So when you need the sounds of the future for your projects, here are 14 SFX libraries that give you everything from robotics and spaceships to strange worlds, slimy aliens and much more:


Spaceships
 
  • The Solar Sky library features a diverse set of state-of-the-art spaceship sounds. Designed for use in any modern sci-fi production, Solar Sky is an essential addition to add to your workflow.

    Designing sound for spaceships can be quite time consuming, and Solar Sky gives you a great set of sounds to get started.

    Solar Sky features more than 2.2GB of 350 24bit/96kHz files, all embedded with Soundminer and Basehead metadata.

    Solar Sky highlights:

    • Ship ambiances and drones
    • 120+ Ship passbys, both large and small
    • Ship power ups
    • Ship power downs
    • Ship door opens and closes
    • Wave Warped passbys

Solar Sky gets you a fantastic collection of spaceship sounds for your sci-fi projects – from in-ship ambiences, drones, passbys and power-ups and power-downs. Be sure to check out the great demo.
 

Robotics
 
  • Robobiotics is an exciting new sound effects collection from The Library by Empty Sea. It delivers 3600+ original sound effects for scifi and robots. We’re talking about almost 3 hours of material here.

    We spent over a year recording and designing Lasers, Robot Vox, Impacts, Servos, Ratcheting Metal, Ambiances, Transformations, Foley, Vehicle Bys and much much more!

If you need robotic sounds, this SFX library features 3600 files to work from – including a large number of designed and raw recordings, servo and transformation sounds.
 

Strange worlds
 
  • Drones & Mood Sound Effects Kyma Ambiences – vol.1 Play Track 56 sounds included, 112 mins total From: $49

    Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.

    The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis.

 The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.

    The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.

    The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).

From sounds fit for abandoned space stations to alien worlds, this sound library gives you great soundscapes to work with. The sounds are generated in Kyma, with some heavy processing applied.
 

Futuristic UI
 
  • The Users of Tomorrow library is the next level of futuristic and high-tech interface sounds, containing 2.2GB and more than 1,800 sounds designed to be used as final assets or layers.

    Users of Tomorrow features more than 2.2GB of 1,800 24bit/96khz files, all embedded with Soundminer metadata.

    Users of Tomorrow gets you:

    • Confirms
    • Calculations and text
    • Drones
    • Environment loops
    • Holograms
    • Glitch
    • Liquid interfaces
    • Beeps
    • Buttons
    • Static and noise
    • Alarms
    • Interface expansions and compressions

     

    Bonus:

    Users of Tomorrow also includes the unique Galactic Assistant Synthesizer Tool to design your own hi-tech interface sounds – it works in stand-alone mode, as well as with Reaktor and Max4Live.
For your high-tech / sci-fi / futuristic interfaces, this library comes packed with 1800 sounds for you to use as-is or tweak further.
 

Sci-fi components
 
Need an inexpensive collection of sci-fi sounds? Glitchedtones has put together this collection of 65 sci-fi sounds suitable for a variety of projects.
 

Communication
 
  • Transmission apparatus is a construction kit designed to create a broad range of communication sounds, from real to “alien” broadcasting signals.

    The library contains more than 2 GB of data, delivered in 373 files of unique sound material. It’s catalogued in five elements: AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches).

    The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.

    The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.

    Transmission Apparatus is available in two versions:

    96 kHz .WAV version• Audio Format: Broadcast Wave Files (.wav)
    • Bit Depth: 24-bit Size: 2.49 GB
    • Download size is 1.82 GB (compressed .rar archive)

    Native Instruments Kontakt 5 version• Audio Format: NI Instruments File (.nki)
    • Sample Rate: 96 kHz
    • Bit Depth: 24-bit Size: 1.66 GB
    • Download size is 1.64 GB (compressed .rar archive)
    • Full version of NI Kontakt 5 required

USO Project’s ‘Transmission Apparatus’ is a library designed for creating alien and sci-fi communication sounds. The sounds are divided into five categories AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches) – so there’s lots to work from.

 

Sci-fi zaps
 
  • Sci-Fi Electric is a collection of sparks, static, drones, hums, zaps and textures! The library features 64 files with over 80 audio clips. Here you’ll find a wealth of processed sounds for your Sci Fi adventure. Source material ranges from beard scratching to lap steel pickup interference.

    Through processing they end up as “alienistic” textures, sparks, static, drones, hums, zaps, ambiences, and whatever else your imagination can come up with! Other sounds include raw microphone feedback, streetlight buzz, and electrical static.

    The source material ranged from beard scratching to lap steel pickup interference… This one was fun to make, and it will be even more fun for you to play with!

For electrical sci-fi sounds, this release from Soundopolis will come in handy. It features a number of spark sounds, static, zaps and textures.
 

Other planets
 
  • Environments & Ambiences Planets Play Track 20 sounds included, 40 mins total $49

    The Planets SFX library delivers 40 minutes of designed atmospheres from 20 imaginary, extraterrestrial locations. Different perspectives, sometimes close to the ground, sometimes far away. Some locations are buzzing with geological and biological activity others seem distant, cold and lifeless. All sounds are constant, ranging from one to three minutes in duration and can be easily combined to create unique variations, allowing you to dial in your own planets soundscape.

    Library features:

    •Designed planet atmospheres
    •20 extraterrestrial locations
    •Descriptive filenames
    •96 kHz / 24 bit WAV files
    •Embedded Soundminer metadata

    2025 Update
    • New UCS 8.2.1 compliant file names
    • Improved 20+ fields of UCS compliant BWAV/Soundminer/XML metadata
    • Metadata translations in 40 languages (TSV/XLSX files)
This library is dedicated to giving you the soundscape of other planets – some locations are buzzing with geological and biological activity; others seem distant, cold and lifeless. A really interesting approach to sci-fi sound design.
 

Impacts
 
Impact sounds are often very handy for sci-fi settings – whether it’s the sound of futuristic weapons hitting their mark, robots colliding or futuristic vehicles being hit, it’s a handy addition to the sonic toolbox.
 

Servos
 
The sounds of servos are excellent for robot sound design, and, essentially, for a lot of things that move in a sci-fi setting. This library features a very useful collection of sounds to build from.
 

Aliens
 
For your alien characters, Russell Gorsky’s ‘Creatures’ SFX library gives you 242 growls and hisses, roars and screams to build on. To spice things up, you might want to add some grunts and squeals from these recordings too.
 

Slime and goo
 
Aliens seem to have a certain, inexplicable fondness for oozing slime and goo. To get the sound of that right, Mattia Cellotto’s sound effects library – featuring 158 squishy and slimy recordings – will definitely come in handy.
 

Magnetic Fields
 
Stephan Marche’s ‘Humbuz’ features 113 unique recordings of electro-magnetic fields from sources such as fridges, microwaves and many more.
 

Whooshes
 
For passbys, vehicles and designed whooshes, Airborne Sounds’ release gives you 70 sounds to work with – from airy whooshes, buzzing sweeps and more.
 

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THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog
from a myriad of independent sound creators, all covered by one license agreement
- a few highlights:
  • Music Impressionism Play Track 100 sounds included $5

    Impressionism, masterfully crafted by Ni Sound, is a captivating collection of 100 textural music tracks inspired by the evocative soundscapes of Monument Valley and Journey. This cinematic anthology weaves intricate layers of string ensembles, harp, piano, synthesizers, and flute, creating immersive soundscapes that evoke themes of healing, epic grandeur, warmth, and haunting suspense. Tailored for documentaries, art games, advertisements, and projects inspired by literature, Impressionism invites listeners into a world of introspection, adventure, and profound emotional depth.

    Delivered in pristine 96 kHz WAV format, every composition undergoes professional post-production mastering, ensuring exceptional clarity and impact. With a total duration of 2 hours and 26 minutes, Impressionism is the perfect choice for creators seeking to enchant audiences with sophisticated, emotionally resonant sound.

    Additional Features:

    • Easy to use, drag and drop ready
    • AAA mixing and mastering
    • free updates to higher versions, Forever!

    Technical Details:

    • 100 audio files
    • wav format: 24Bit 96khz
    • unpacked size: 5.09GB
    • total run time: 2h 26m 16s

    The content of our sound fx library is free for use in commercial or non-commercial sound production purposes.

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  • Destruction & Impact Sounds Cataclysm Play Track 1482 sounds included $195

    Cataclysm is a vast collection of recorded, synthesized and designed sounds created to support important destructive moments and add a stronger sense of extreme consequence to any sound.

    The recorded section of library features elements such as flash powder explosions, propane cannon blasts and artillery cannons recorded in unique natural environments with violent transients and lush, long and varied tails. It also features falling trees, forge burners, large trebuchet wood groans, rock smashes as well as more ordinary items recorded and designed to feel like an over the top version of themselves such as vacuum cleaner suctions, metal vase holders, ground pounders and more.

    The synthesized section of the library features equally rich textures in the form of explosion sweeteners, other-worldly environmental reflections, scorching energy risers and more.

    Finally, recorded and synthesized content was employed to develop the designed section, where the hyperrealism of the recordings meets the clean yet aggressive textures of the synthesized section in catastrophic assets themed around the library’s title.

    Bonus: Two extra libraries included for free:
    This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
  • Mechanism is a collection of sound effects focused on the movement of mechanical devices. Featuring 763 meticulously recorded sounds, this library captures the tactile character of metal objects—ratchets, levers, gears, spring-loaded latches, and unique mechanical gadgets.

    The collection covers a wide range of mechanical actions: sharp clicks, metallic clacks, rotating gears, sliding mechanisms, and metallic movements. It’s built to support the sound design needs for robotics, sci-fi machinery, user interface interactions, steampunk devices, and more.

    Every sound was recorded using a Sennheiser MKH 8050 microphone and a Zoom F6 recorder and files are delivered in high-resolution 24-bit / 192kHz WAV format.

Explore the full, unique collection here
 
 
   

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