Surround field recording Asbjoern Andersen


Late last week, I spotted that Field Recordist and Senior Sound Designer Rick Hernandez shared some intriguing images from a surround recording project he’d just been undertaking.

He’d been recording in forests, canyons, parks, and wetlands, and I was curious to hear more about the project and his experiences.

He was kind enough to share the story – and not only that: He also shared the recordings he captured, and you can download those for free below! You’re welcome to use those recordings in whatever way you like.


Written by Rick Hernandez



 

My name is Rick Hernandez, I am a Sr. Sound Designer at Respawn Entertainment & Lead Sound Designer and Field Recordist at Melee Sound Design.
I’ve been recording out on the field for many years, but last year I decided to peruse it at a higher level and the result was the soundpack RUPTURE, published by SoundMorph – and I’ve just released the Dimensions door soundpack.
Recently I got inspired to go out on the field again to record surround ambiences when I rewatched the Soundtacker movie, which is a film about iconic audio recordist Gordon Hempton.

I love recording the sounds of nature and ambiences in surround sound, and I’ve been able to capture some really great recordings in the past, but the setup time and the results can be very frustrating. Setting up a tree with five different microphones takes time, a lot of testing and re adjusting, lots of cables and moving from place to place is very time consuming. Even after setting up everything meticulously, the results were mixed due to wind, weather, and inaccurate imaging.

But recently I got the opportunity to demo a DPA5100 Mobile Surround Microphone. The DPA 5100 is a solidly-built, multicapsuled Surround Sound microphone that uses Windtex fabric technology to nest an array of five capsules. The capsules are Omni-directional and make use of the DPA DiPMic (Directional Pressure Microphone). It is incredibly easy to setup and has a very wide and astonishingly accurate 5.1 imaging.


DPA 5100 surround microphone

The DPA 5100 Mobile Surround Microphone

What I like most about the microphone is its wide dynamic range with having low sensitivity to wind noise which is so important when recording exterior ambiences. It also has and incredibly low noise floor and I can conveniently place it on a microphone stand and record surround ambiences in a flash. On to the recording…
 

 

Location 1: Angeles National Forest (Pasadena)

The first location I visited was the Angeles National Forest in Pasadena. It has a pretty big waterfall with a long down stream of water leading up to it.

Video Thumbnail

I wanted to record the more delicate steam rather than the white wash white noise of the waterfall. I got there in the early afternoon before the light drizzle and rains that were occurring that week in LA. As you can see from the videos, I was able to easily mount the 5100 on a mic stand and record both up and down the steam. For this field recording trip I took out my amazing Zoom F8 which has the ability to let me record from about 30 feet away using the F8 Control App on my iPad. After I recorded the steam, I also ended up recording the waterfall once I recorded the stream.. figured I was already there.
 

Recordings from Angeles National Forest:

To hear the 5.1 recordings, click through to Soundcloud for each example and download there:
 
Stream

Foggy Night

 
Here are all the surround recordings – in one go:

Want to save yourself some clicking and get all the 5.1 recordings in this story, in one go? Just enter your name and valid email address below to get the download link + the much-loved A Sound Effect newsletter:

 


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NB: If you don’t receive the email with the download link, please check your spam folder. Oh, and existing newsletter subscribers can of course get the sounds too.
 

Recording in Ballona Wetlands

Location 2: Ballona Wetlands (Playa Del Rey)

After some lunch at the Switzer picnic area, I headed over to the west side to the Ballona Wetlands. It was starting to get darker and the rain that we had gotten in the days prior had brought out the wildlife. There were storks everywhere, frogs were singing and the insects were all about. These wetlands are one of the few remaining in the Los Angeles Basin. These wetlands have been the subject of a battle between developers and environmentalists that has been going on for over twenty years. Hopefully we can preserve this land and its amazing wildlife.
 

Recordings from Ballona Wetlands:

To hear the 5.1 recordings, click through to Soundcloud for each example and download there:

 
 
 

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Recording in Simi Valley Canyon

Location 3: Simi Valley Canyon (Simi Valley)

The next day I went to record at the Simi Valley Canyon. The Simi Valley is a synclinal valley in Southern California connected to the San Fernando Valley. It is an enclosed valley surrounded by mountains and hills. Again there were many birds and other wildlife due to heavy rainfall in the days prior.

One of my favorite things in this location was the local Acorn woodpecker. It’s a small sized bird that when pecking at trees to find food produces a really loud sound the echoes through the valley. I was perched up and elevated on a mountain looking over a neighborhood and the echo on the recordings was very unique.
 

Recording from Simi Valley:

To hear the 5.1 recording, click through to Soundcloud for each example and download there:

 
 

Surround Recording in Two Strike Park

Location 4: La Crescenta Two Strike Park (La Crescenta)

As I made my way back home from Simi Valley it was about 9:00pm and completely dark. It was raining, so I decided to go to a nearby park near my house that has lots of trees and other vegetation. The rain falling and dripping down the dozens of trees in the surrounding area and creating splashes and puddles that created some really interesting sonic textures. I used the OC5100 Outdoor Cover that is included with the mic to protect the mic from rain and unwanted contact mic sounds. In the past I’ve had to rig an enclosure with hair hog in a process that is impractical and time consuming so the OC5100 is invaluable to anyone recording rain on under rainy conditions.

Recordings from Two Strike Park:

To hear the 5.1 recordings, click through to Soundcloud for each example and download there:

Recording with surround ambiences was a blast with the DPA 5100. All the gear I needed was my Zoom F8, the DPA 5100 with its cable and both the Outdoor Cover/Windjammer and a microphone stand.


The Zoom F8 Recorder and Zoom F8 Control on an iPad

The Zoom F8 Recorder and Zoom Control


The recordings I was able to capture with the Zoom F8 and DPA 5100 were amazing and I’m really happy with the imaging I got from the locations recorded.

Technology is an amazing thing, and with the latest advancements that DPA and Zoom have done in recent years it is now possible to go out on the field and capture pristine sounding Surround Recordings without having to live out of your van.
 

A big thanks to Rick Hernandez for sharing his recording experiences! Read more about Meleee Sound Design here, and hear more about Titanfall 2 from Respawn Entertainment, a project he’s been Senior Sound designer on.

 

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  • ‘Magic Elements’ is a detailed collection of designed & source sounds of organic elements, actions, characters, items, spells & atmospheres in the realm of Magic.


    DESIGNED:

    In the designed section you will find 326 carefully crafted sounds.
    Volume 1 of this magic saga is comprehensively focused on 6 elements:
    Earth, Ice, Fire, Air, Black, and Generic.

    Each element comes with a variety of spells, actions/movements such as whoosh, impacts, atmospheres, projectiles, along with many variations in intensity and speed.

    All these sounds are carefully designed, edited and meta-tagged.

    The ‘generic’ category contains handy neutral go-to sounds that are useful for any project.

    SOURCE:

    The source folder is packed with 444 useful sounds that cover a large spectrum; thoroughly edited and meta-tagged. They will support your creativity with materials such as choirs, dissonant metal, creatures, papers, debris, drones, cracks, textures, friction, LFE sub sweeteners,…

    What’s inside:

    • Impacts, Whoosh, Air Swirls,
    • Fireball, Deflagration, Flame Thrower, Deep Sub Whoosh
    • Aura, Energy Stone, Old Grimoire, Healing,
    • Earthquake, Constant Debris, Falling Rocks, Ground Friction,
    • Haunted Books,Laboratory, Magic Box, Potion
    • Huge Ground Opening, Eerie Drones,
    • Dark Choir, Ominous Creatures, Dark Dissonant Metal Scrape,
    • Iceberg Destruction, Ice Scrapes, LFE Sub Sweeteners,


    Choose how you want your sounds!
    2 DOWNLOAD OPTIONS INCLUDED:

    • GLUED (Multiple variations of the same sound glued in one file)

    • SEPARATED (Each variations of sound are separated in different files)

    20 %
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    Ends 1532469600
  • Welcome to the sonic world of electromagnetic fields – sounds that are everywhere but rarely heard!

    This library consists of a collection of 82 sounds, with each sound ranging from 6 seconds in length up to almost 7 minutes, exploring the buzzing, clicking, and general weirdness that is found to be emitted in the electromagnetic fields of 21 devices. These include a washing machine, guitar effects pedal, Ford Focus, and a factory Security System.

    These recordings range from a variety of straight buzzes and hums to sounds the morph and change over time. They are be great for something as simple as adding a hum to a refrigerator, to creating more complex soundscapes for your sci-fi projects, or to use as samples for music. This collection has been put together using little-to-no processing so as to give you sounds that can be manipulated however you may need.

    33 %
    OFF
    Ends 1532296800
  • Foley Tactical Backpack Play Track 72 sounds included $7.99 $5.99

    Tactical Backpack is a collection of 72 carefully recorded and mastered backpack sound effects.
    Zippers, straps, buckles, handling, drops, pick ups, velcro straps and more!

    All audio files have been recorded at superb 96KHZ 24BIT, multiple mic positions to capture all the wonderful sonic details.

    RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060
    EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly).

    25 %
    OFF
    Ends 1532124000
  • Environments Hong Kong Ambiences Play Track 18+ sounds included, 75 mins total $49

    Welcome to the Hong Kong Ambience sound effects library (1 hour and 15 minutes long, 1.6gb compressed .rar file, 2.4gb Uncompressed). This package contains sounds of what the Cantonese people hear during their daily commutes and can be used for common Asian scenes, China Town scenes, etc. All 18 ready to use and loop-able stereo wave files were captured in 24 Bit, 96 kHz (each in 3, 4, or 5 minutes long), and include metadata.

  • Rock / Stone Rock Falls Play Track 42 sounds included $19 $15

    Echo Peak presents: Rock Falls: Recorded in the deserts of Southern California, this collection is perfect for anything from precarious cliffside action to superhero punches. Over 40 rock on rock impacts recorded with an MKH416 into a Sound Devices 788T.

    21 %
    OFF
    Ends 1531864800

3 thoughts on “Surround field recording adventures in forests, canyons, parks, and wetlands – with Rick Hernandez:

  1. Nice recordings! Whereabouts in Simi Valley did you go to record? I find it difficult to record good nature ambiences in LA without the ever-present traffic noise.

  2. Hi Rick,
    Great recordings. Do you find the DPA too noisy for very quiet ambience? I did a very quiet recording with stereo kit 4060s recently and thinking I am hearing some self-noise on the mic, it is hard to differentiate from the ambience itself though.
    Thanks

  3. Thanks Rick! From one sound person to another, these will be a nice addition to the 5.1 SFX library.

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