Home Sound Effects
This audio library features low-frequency drones, powerful impacts, metallic scrapes, resonant vibrations, and other rare audio textures.
All sounds were recorded using the LOM Geofón, a device that captures low-frequency surface vibrations that conventional microphones cannot detect.
The recordings were made with the TASCAM Portacapture X8 at 192 kHz/32 bit, ensuring maximum detail and sound quality.
A field-recorded collection from Vietnam, Cambodia and Thailand capturing the sounds of tropical environments, urban life, transport and religious sites.
Southeast Asia includes jungle ambiences, heavy monsoon rains, street markets and traditional ceremonies.
Last September, I spent 3 weeks vacationing in Southeast Asia, visiting Vietnam, Cambodia and Thailand.
During my stay, I recorded everything I thought could be characteristic of those cultures: from tropical to urban environments, religious ceremonies and places of worship, modes of transportation (from boats to tuk-tuks), spoken language, monsoon rain, etc.
The recordings are situational, meaning I didn’t prepare anything before starting to record. If I found myself in a location that seemed suitable, I simply pressed REC.
I used my Tascam DR100 MK3 or the Zoom F6 with a pair of Line Audio OM1 omnidirectional microphones
Audio files are 96kHz/24 Bit. Cleaned and edited for professional use, with UCS naming and full metadata.
Walla, public places recorded in ambisonic B-format (ambix) and binaural.
Including some actions like walking, running around mic etc.
Recorded with Sennheiser Ambeo VR microphone and Sound Devices recorder. See the track list for additional info.
The download contains each recording in B-format (RAW-4ch.) and as Binaural Stereo files. The audio preview is binaural and should be listened to with headphones. All files are tagged with Metadata.
This authentic South African Walla library will give any production a true sense of South African flavour with a variety of voices and languages.
Featuring in-studio recordings with all South African cast, for a real South African feel without the distractions of exterior noise. These organic crowd murmurs, ambient dialogues, and background chatter reflect a variety of local languages, dialects, and cultural settings, making them perfect for film, TV, games, and immersive audio experiences. Elevate your sound design with the unmistakable authenticity of South African walla!
Anime Weapon Sound Effects – 681 Stylized Sounds for Your Game!
Bring your game to life with 681 high-quality anime weapon sound effects, carefully designed for easy implementation in any project. Whether you’re crafting an anime RPG, action-packed hack-and-slash, or futuristic mecha shooter, this sound pack delivers everything you need to create satisfying and immersive combat audio.
Each weapon type comes with game-ready, clearly named files, making it simple to drop them into your project and features variations from light to heavy, critical, and epic, giving you full control over intensity and impact:
🔹 Swords & Spears – Swings, swooshes, impact hits, and special skills
🔹 Bows – String draw, arrow release, and impact sounds
🔹 Lasers & Mecha – Power-up charges, shots, impacts, and skill effects
🔹 Guns – Designed anime-style gunshots with skill variations
The New York City Street Ambiences Library includes atmospheres from downtown Manhattan. These include recordings of street life from a 3rd floor perspective, Clivner=Field Square, New York City subway platform ambience and trains, and a lively Irish pub crowd.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. The library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
The download includes two versions (UCS and non-UCS).
96KHZ 24BIT • 658MB • 367 FILES • UCS
Welcome to a world of dark synthetic motion—where sound bends, morphs, and evolves into something cinematic, intense, and deeply textured.
Cinematic Synth Movements is a collection of 367 meticulously crafted sound effects (658MB, 96kHz/24-bit), designed to bring movement, weight, and depth to any project. From slow, ominous bass movements to high-energy impacts and whooshes, this library thrives in the space between tension and release.
Divided into two sections:
Both Designed and Source sound effects are completely reverb-free, giving you full creative control to shape it to any mix or environment.
Whether you’re crafting futuristic weaponry, spells, trailer sequences, or larger-than-life cinematic moments, Cinematic Synth Movements delivers dark, modern, and evolving sounds that push beyond the ordinary.
DESIGNED IN: VCV Rack, Reaktor, Bitwig
EDITED AND MASTERED WITH: Bitwig, Pro Tools
In the end of 2024 and the beginning of 2025, the whole Serbia was protesting against the current government, organizing the largest protests in the history of the country. Every city center was full of unsatisfied citizens, they brought drums, sirens, whistles and horns to create the noise of disappointment. I created this library not just to help others use these sounds for their future projects, but also to preserve a sound of one time, a historical event and, hopefully, changes for the better. All files are recorded 32bit, 192 kHz, with FEL Pluggy XLR EM272 microphones, Zoom F3 recorder.
The download includes two versions (UCS and non-UCS).
100+ Toys, 1500+ Designed Sounds – From Childhood Playthings to Cinematic Gold. TOYED has it all.
This release might just change your mind—and blow your mind at the same time! TOYED is an exclusive sound library from the Founder of SoundMorph, Jason Cushing. With a 25-year career spanning AAA games, anime, cartoons, and film, Jason has designed for Electronic Arts, BioWare, and Epic Games, contributing to titles like the Mass Effect Trilogy, Skate Trilogy, and Unreal Engine’s weapon sound design. His deep expertise in cinematic sound design, UI creation, ambient textures, and weapons makes TOYED a versatile, high-end collection of professionally crafted sounds.
Jason’s meticulous approach to field recording and sound selection ensures that this library isn’t just about capturing toy sounds—it’s about unlocking rich, unique sonic textures that are ideal for games, film, animation, and futuristic sound design. With contributions from longtime SoundMorph sound designers Andrew Pals, Tibo Csuko, and Vincent Fliniaux (GORE 2, WATER, Robotic Lifeforms 2), TOYED is built to deliver exceptional quality and usability across multiple production styles.
This sound library is a collection of various actions with game audio in mind from a Ford Mustang 2021 Ecoboost convertible, recorded in parts of rural California in November 2024.
The Mustang features a 2.3L Inline-4 (I4) turbocharged engine, which was quite the character captured with a lot of emphasis in the multichannel recording session.
For help to record this beauty I enlisted the aid of my friend Diego Hodge who helped with both his arsenal of microphone options, rigging up the ‘Stang, and planning for the session. You can learn more about Diego’s work here: https://diegohodgeaudio.com/
The library contains captures of idling, all the way up to 5000 RPM and beyond. Both single rev cycles as well as laying on the pedal for a consistent, sustained loop was a key part of our capture log. We even tried some sporadic flares of the engine in the style of Fast and the Furious, so your scene/game can be complete with that classic aggressive turbo-charged muscle sound to signal to the competition that you mean business.
For the rest of the session, we captured some burnouts, some close-miked details of the tire on dirt roads, the classic passbys at various speeds, as well as the typical foley and actions associated with vehicles: doors, windshield wipers, buttons, etc. The microphones used: Clippy EM272M and Primo EM258 capsules from Micbooster for the car interior, a pair of Tascam TM-78 condenser mics in the engine bay, a pair of ND468 dynamic mics on the exhaust, and the Rode NTG5 shotgun mic.
The content is offered in 96 kHz 24 bit for the engine recordings and 192 kHz 24 bit for the actions performed inside the vehicle. Polywavs are naturally provided for the multichannel mic arrays. This library is fully UCS compatible and Soundminer-friendly with richly embedded metadata. It contains 25 WAV files in total with a runtime of close to 28 mins of audio.
Thank you for listening. I sincerely hope you enjoy my work and have lots of fun making new creations for the world to hear! Also be sure to post or send me what you’re working on with the assets. Attribution is appreciated, but not required.
Electromagnetic Drones is a collection of 171 recordings that capture the invisible electromagnetic landscape produced by electronic devices. Using the Soma Ether, a specialized wide-band receiver, we captured hums, pulses, and static produced by phones, microwaves, fridges, TVs, computers, Wi-Fi routers, and more. Unlike traditional radios that filter out interference, Ether acts as an “anti-radio,” capturing a broad spectrum of electromagnetic activity from hertz to gigahertz, revealing the sonic textures generated by electronic equipment.
The library features both raw recordings directly from the Soma Ether device, as well as designed sounds, giving you a versatile range of textures to work with. These recordings were transformed into deep, evolving drones, ranging from gritty industrial hums and eerie, synth-like tones to rhythmic machine pulses and dissonant, unsettling tones.
Captured at 192kHz, these sounds maintain exceptional clarity, allowing for extreme pitch manipulation and creative sound processing. With its dark, atmospheric qualities, Electromagnetic Drones is well-suited for horror, suspense, drama, sci-fi, and experimental sound design in film, television, and video games. Whether you need haunting ambiences, dystopian textures, or immersive low-frequency drones, this collection provides a rich sonic palette drawn from sounds of the electromagnetic world.
Massive Fireworks – 815 files of Commercial Fireworks sound effects, at varying distances and intensities. From small pops and sparkles in the distance to screeches and bombastic mortar fire front and center. Massive Fireworks comes in at over 5 hours and 50 minutes of short and long displays of fireworks for every occasion. Recorded during several New Years and Holiday Celebrations. Massive Fireworks’ filenames are in the Universal Category System format with additional Metadata baked-in.
Don’t need a Massive amount of Fireworks sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.
Visit Us At: www.MassiveSoundFX.com
Forged in Fury Vol. 1: Modular Sounds for Epic Combat
Break down, customize, and master every detail of your combat effects with Forged in Fury Vol. 1, a collection of 394 brutal sounds in 192kHz/24. Includes katana, heavy axe, metal claws, and layer-by-layer edited vocals for total control.
🔪 Katana (193 sounds):
Double whooshes, precise slashes, impacts, blood splatters.
Mix layers of edge and secondary effects (e.g. combine a quick whoosh with a feminine scream).
🪓 Heavy Axe (96 sounds):
Powerful whooshes, crushing blows, equip sounds, blood effects.
Combine the roar of metal with the sounds of breaking bones.
🔗 Metal Claws (37 sounds):
Mechanical opening/closing, scratching, cutting whoosh.
Ideal for fast movements and surprise attacks.
🗣️ Male & Female Voices (68 Sounds):
War cries, moans of pain, grunts of effort.
Use them alone or synced with weapon effects.
✨ Key Feature:
Each sound includes its own editable layers (e.g. whoosh + impact + blood). Do you want a bloodless ax swing? only the whoosh of a katana?, only blood? Modify it instantly.
🎚️ Studio Quality:
Recorded in 192kHz/24-32 bits, delivered in 192kHz/24 bits. Perfect for toning down, adding distortion or manipulating without losing clarity.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding katana, heavy ax and claw [Use them again & again]
– Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.
Mini Fireworks – 40 files of Commercial Fireworks sound effects, at varying distances and intensities. From small pops and sparkles in the distance to screeches and bombastic mortar fire front and center. Mini Fireworks comes in at over 24 minutes of short and long displays of fireworks for every occasion. Recorded during several New Years and Holiday Celebrations. Mini Fireworks’ filenames are in the Universal Category System format with additional Metadata baked-in.
Looking for a Massive amount of Fireworks sound effects? We offer ‘Massive’ sound effect libraries as companions for all of our ‘Mini’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.
Visit Us At: www.MassiveSoundFX.com
Ambisonic Sounds – Sea Waves Loops Vol.3 – these are the sounds of sea waves recorded on a pebble beach.
360 tracks placed into 18 different categories and folders. Filled with every day sound effects and ambiences to import directly into your project.
Ambiences, transportation, water & liquids, food & kitchen, animals, machines, hits & impacts, burn & flames, misc fx, historical, steam train locomotive, electricity & glitch, footsteps, glass breaking & smash, tools, levers, toys, doors.
These sounds were recorded in the past 10 years and span from Tivoli theme park, kitchen and cooking sounds, animals, huge window glass smashes, gas canisters impacts, to helicopters, steam trains, trucks passing inside tunnels, motorcycles, multiple tracks of thunder, and juicy liquid suction sounds.
Common for all sounds are, that they have been hand picked and mastered for easy use.
All 360 tracks are 96/24, recorded with a various amount of microphones. UCS ready. Bundled version is 13.8GB.
Recorded in the well known New York Public Library, we managed to capture the sounds of the crowds and activity as they enter the public library as well general ambience.
These samples will immerse your listeners into the authentic sounds of this amazing building.
The New York Public Library will give you enough audio to give your project the authentic sound of a Library boosting your project to the next level. The New York Public Library has been edited to allow a drop in ready and Royalty Free sample pack. These Samples can be used in a variety of projects from Sound Designing/Compositions for TV, Film, Documentaries and Video Games. UCS Compliant and Metadata is attached to the samples
Dive into a collection of ambiences recorded across Quebec, with a focus on the beautiful Gaspé Peninsula. Captured during the lively summer and spring months, this library offers a mix of natural and urban sounds that bring the essence of the province to life.
From the haunting calls of a thousand gannets in their colony to the gentle sound of raindrops on dead leaves, you’ll find yourself immersed in the peaceful quiet of Canadian forests and the lively energy of Montréal and Quebec City streets. Hear the chattering of aggressive squirrels, the bustling atmosphere of city life, and the mesmerizing sound of a starling murmuration taking off.
This collection gives you a taste of both Canada’s wild landscapes and its lively urban environments, perfect for creating the right atmosphere in any project.
Recorded Locations
Montreal • Quebec City • Gaspésie National Park • Forillon National Park • Gaspé • Bonaventure Island • Chaudière Falls Park • Jean Larose Falls • Cap Tourmente National Wildlife Area • Saint-Donast • Mont-Bélair Natural Park • Jacques-Cartier National Park • Bic National Park • Causapscal
Referenced Species
American Crow • American Red Squirrel • American Robin • Black-backed Woodpecker • Black-capped Chickadee • Blue Jay • Boreal Chickadee • Common Grackle • Common Raven • Dark-eyed Junco • Golden-crowned Kinglet • Northern Flicker • Northern Gannet • Red-breasted Nuthatch • Red-winged Blackbrid • Ring-billed Gull • Snow Goose • White-throated Sparrow • White-winged Crossbill • Yellow-rumped Warbler
Gear used
Zoom F3 • LOM Usi Pro
Metadata
This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.
Spaceship Flying By is a unique sound effect that is perfect for creating exciting scenes in science fiction films, cartoons, animations and video games. These sounds convey the feeling of dynamic and fast spaceship flights, immersing the listener in the world of intergalactic adventures.
Are you looking for skid sounds for your next action movie? Well, this sound library is made for you.
“Skid and Drift” is the result of 4 years of recording work. It is a complete collection of skids from various vehicles, recorded from multiple perspectives, on all types of surfaces, and in high quality (dirt, dry and wet concrete, gravel, etc.).
You will find skids from race cars recorded during the French National Drift Championship, skids from go-karts, motocross bikes, bicycles, skateboards, ice skates, rollerblades, as well as foot skids.
These sounds were recorded in both stereo (XY and ORTF position) and mono, depending on the case, using the following microphones: Schoeps CCM4, Neumann U87, DPA4061, Lom MikroUsi. All sounds are recorded in 24-bit. The sampling frequency is 48kHz for scuffing footsteps sounds, and 96kHz and 192kHz for other recordings.
The metadata is precise and complete. All sounds are in UCS format.
This is a sound library with a wide range of science fiction interior ambiences.
Features:
Unleash the power of the low end with this exclusive sample pack! Packed with 229 meticulously crafted sounds (422 MB), this collection delivers a treasure trove of deep, sub impacts and effects designed to bring weight and intensity to your productions.
229 Sounds: A mix of low-end impacts and FX, perfect for adding cinematic depth, sound design flair, or driving energy to your tracks.
High-Quality Audio: Recorded and processed at 24-bit, 96kHz to ensure pristine clarity and maximum headroom for your mix.
Versatile Applications: Ideal for film scoring, video game sound design, trailer production, or any music genre where you need heavy-hitting low-end textures.
From bone-shaking impacts to atmospheric sub-bass FX, this pack is the perfect toolkit to elevate your sound. Download now and feel the boom!
Please keep in mind that downloads through asoundeffect cannot be free. Therefor a 5$ hosting fee was implemented.
AUDIO SUMMONERS
For this collection, we focused on capturing the unique tonal qualities of various wall clocks. We also included a creative sound design section, featuring effects crafted exclusively from the recordings available in this library.
Collection Highlights:
66 original recordings captured in the cozy workshop of a retired clockmaker, who now dedicates his time to collecting wall clocks.
26 designed sound effects, including futuristic mechanisms, fantasy drones, machinery levers, and more.
In the recordings section, you’ll find:
– Carrillon Clock.
– Rafael Navarro Clock.
– Four different types of wall clocks.
– Cuckoo Clock.
– Malfunctioning Cuckoo Clock.
Organization and Quality
As with all our libraries, the audio files are organized with an intuitive naming system, making it easy to switch between recordings made with different microphones. This ensures flexibility in selecting or combining the best options for your projects.
Meticulous Editing
All recordings have been carefully edited to eliminate external noise, such as wind, people, or background hums. Furthermore, the use of ultrasonic microphones ensures that even when lowering the pitch, the richness and fidelity of the frequencies are preserved.
Ideal Applications:
Video games: Add realism and depth to the natural environments of your games.
Cinema and Documentaries: Enrich your audiovisual productions with authentic sounds.
Multimedia Projects: Ideal for any project that seeks to enrich the user’s listening experience.
Technical details:
– Total Audios: 66 recording and 26 designed sounds
– Format: 192kHz – 96kHz/24bit
– Equipment Used: Sound Devices MixPre-6II recorder with Sennheiser MKH 8050, Sanken CO-100K, plus a Zoom H6 recorder for stereo sound.
– Compatible: Win/Mac
– Duration: 34 minutes and 06 seconds.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.