Asbjoern Andersen


The team at Designing Sound runs a vitally important resource for insightful, original sound articles, guides and news from and for the sound community. But it’s pretty rare that that we actually get to hear about the work and thoughts the team pours into this unique resource.

So today, I’m really happy to bring you this exclusive interview with the site’s hard-working, cat-loving editor-in-chief Jack Menhorn.

Here, he shares what’s driving the team at Designing Sound, his favorite moments – and how you can help make the community even stronger:

 

Jack Menhorn

Designing Sound editor-in-chief Jack Menhorn

Hi Jack, please give a brief overview of what Designing Sound is all about

“Designing Sound is a resource dedicated to the art and technique of sound design, with the aim of sharing information and knowledge for free.”

We do news, reviews, interviews and in-depth articles about sound design for film, games, TV, and anywhere else creative use of sound can be found. We currently have 11 Contributing & News Editors and we are constantly sourcing articles and posts from members of the film, TV and video game industries which gives us a broad coverage of topics and discussion.
 

How did you get involved with DS, and what’s your role?

I was posting news and articles on Creating Sound for a little while before I was approached by Designing Sound’s founder – Miguel Isaza – about taking over the Editor-in-Chief role on DS.

I humbly accepted and have been trying to keep my head above water ever since. While Miguel was running things, he did everything and did it all very well!

Since my arrival the role has been democratized out so that we are more of a hive mind than a hierarchy.

We all try to contribute as much as we can when we can and some have specialized roles and talents or interests above that. For example: Varun Nair is our Wordpress and webhosting master in addition to being an overall audio programming master. Shaun Farley has done a great job hosting webinars and wrangling interviews with huge names in the film sound industry.

I try to still have the “editor” hat on and keep us all organized and moving, in addition to being the point of contact for emails and questions/suggestions.
 

What’s your vision for DS, and how do you and the team set the direction for the site?

There is no *one* vision for DS. I am 1 of 11 equal and important voices that make up the decision process on Designing Sound.

I would say collectively we are trying to continuously have great articles, interviews and insights into what we all do professionally.

We take pride in helping enrich the audio community as best we can

We try to follow “quality over quantity” and focus in on great topics and discussions, even if they take some time to put together. We aren’t doing this for page views or click-thrus. We take pride in helping enrich the audio community as best we can.

DS has monthly topics which we try to plan out months in advance. That process is just throwing ideas out and see if anyone likes them and if there’s enough meat on the bone for multiple articles.

From there everyone is free to write or find someone to write articles on the subject. Additionally, we aren’t limited to that month’s topic and take/make articles, interviews, reviews as they come.
 

Fact box: The Designing Sound team
Cormac Donnelly, Doron Reizes, Erica Basnicki, Jack Menhorn, John Black, Joshua Kaplan, Marie Tueje, Peter Albrechtsen, Sam Ejnes, Shaun Farley, Varun Nair
 

What’s been your best moment being involved with DS?

Mine personally is a tie:

– Interviewing Capcom Audio Director Tomoya Kishi was a delight. It took a little while to put it all together but I think it was worth it. I am a huge fan of many Japanese games and especially their interesting aesthetics visually and aurally.

I feel a dialogue between East and West sound design communities would be a great benefit to both sides of the ocean. I think – for whatever reason – Japanese sound design is overlooked in the West when it comes to awards or recognition.

I hope I was able to contribute slightly to raising the visibility of some great talent and work.

– Going to GDC 2013 and meeting Designing Sound readers! It was truly amazing to introduce myself and see people get super excited and talk about how much they love Designing Sound!

I live in the middle of nowhere so it’s difficult to get to many meetups and engage the corporeal sound community.

While we have analytics that show us how many readers we have; it’s totally another wonderful and humbling thing to meet people who read and learn from words we posted from a home office while petting a cat.
 

Do you see any emerging trends within the sound design community?

There is definitely more of a positive online presence to our community. Blogs (like the one you’re reading right now), Creating Sound, Designing Sound, in addition to things like Social Sound Design and Tonebenders Podcast, have increased the amount of information and interaction dramatically.

The #gameaudio hashtag on Twitter is another example of the community freely exchanging ideas – while still policing itself from those who would self-promote their new remix album or DJ gig that plagues many-a sound-related forums and Facebook groups.

The indie sound library scene has exploded in the last few years

This free exchange of ideas is empowering and gratifying to be a part of.

Also, the indie sound library scene has also exploded in the last few years and I don’t see that really slowing down.

We might reach a critical mass of the number of sfx producers the industry can sustain – but when people like Frank Bry, Tim Prebble and many others keep putting out such great content, we’ll keep buying it!

This has a side effect of lowering the barrier of entry for aspiring sound designers to pick and choose source sounds they need for a project only when they need them, as opposed to throwing down thousands of dollars up from for a behemoth library.

If these cheaper alternatives hadn’t popped up a few years ago like they did, I might not have been able to break into sound design!


Popular on A Sound Effect right now - article continues below:


Trending right now:

  • MAGIC SOUND EFFECTS REDEFINED
     
    Enter the world of MAGIC – ARCANE FORCES, where supernatural entities can be heard raging with ultimate power and fury. The distinctly forceful and kinetic character of this comprehensive sound effects library and its designs is supported by countless pristine source recordings of the elements being pushed to their limits. Whether in post production or sound design for games, MAGIC – ARCANE FORCES gives you the edge on the other side.

    WHAT’S INSIDE:
    INCLUDED SOUNDS – KEYWORDS
    ACID, ARCANE, BARRIER, BREATH, BUFF, CURSED, DEBUFF, DIVINE, ELECTRIC, ENERGY, FIRE, GLASS, ICE, IMPACT, LIGHT, LIQUID, METAL, PROCESSED, PROJECTILE, RUMBLE, SEQUENCE, SUMMON, SWEETENER, SWISH, TELEPORT, TEXTURE, VOICE, WATER, WHOOSH, WIND
  • Magic & Fantasy Sound Effects Magic Elements vol.1 Play Track 770 sounds included $119

    Please Note: You get a better deal by buying this library in the Magic Elements vol 1 – 2 bundle here

    ‘Magic Elements’ is a detailed collection of designed & source sounds of organic elements, actions, characters, items, spells & atmospheres in the realm of Magic.


    DESIGNED:
    In the designed section you will find 326 carefully crafted sounds.
    Volume 1 of this magic saga is comprehensively focused on 6 elements:
    Earth, Ice, Fire, Air, Black, and Generic.

    Each element comes with a variety of spells, actions/movements such as whoosh, impacts, atmospheres, projectiles, along with many variations in intensity and speed.

    All these sounds are carefully designed, edited and meta-tagged.

    The ‘generic’ category contains handy neutral go-to sounds that are useful for any project.

    SOURCE:
    The source folder is packed with 444 useful sounds that cover a large spectrum; thoroughly edited and meta-tagged. They will support your creativity with materials such as choirs, dissonant metal, creatures, papers, debris, drones, cracks, textures, friction, LFE sub sweeteners,…

    What’s inside:

    • Impacts, Whoosh, Air Swirls,
    • Fireball, Deflagration, Flame Thrower, Deep Sub Whoosh
    • Aura, Energy Stone, Old Grimoire, Healing,
    • Earthquake, Constant Debris, Falling Rocks, Ground Friction,
    • Haunted Books,Laboratory, Magic Box, Potion
    • Huge Ground Opening, Eerie Drones,
    • Dark Choir, Ominous Creatures, Dark Dissonant Metal Scrape,
    • Iceberg Destruction, Ice Scrapes, LFE Sub Sweeteners,


    Choose how you want your sounds!
    2 DOWNLOAD OPTIONS INCLUDED:

    • GLUED (Multiple variations of the same sound glued in one file)

    • SEPARATED (Each variations of sound are separated in different files)

  • Metal Sound Effects MetalMotion Play Track 2000+ sounds included, 239 mins total $110

    MetalMotion is a sound design construction kit that contains four hours of moving metal mayhem: clicks and clanks, rolls and drags, wronks and squeals, scrapes and rattles, ranging from from tiny to monstrous. Nathan Moody’s unique performances with unusual combinations of props produce everything from Foley-like movements to intense groans and howls.

    Whether you’re covering a robot’s movements, sweetening weapon Foley, making crafting or pick-up sounds in a game, placing unusual layers beneath a kaiju’s roar, or crushing a submarine with undersea pressure, this collection covers the full range of subtle to raucous. Each file has many performance variations for creative choice and game audio asset creation.

    While there are some tasty impacts within, this library’s true focus is on characterful movements: handling, rummaging, opens, closes, ratchets, swirls, rolls, drags, drops, spins, rubs, zuzzes, and bows. Metal containers, filing cabinets, modern appliances, vintage (and very rusty) tools, cymbals, bells, grills, plates, bars, rods, and tubes, and many other props lent their voices to this collection.

    This UCS-compliant library was recorded with a combination of standard, contact, and ultrasonic-capable microphones through Millennia preamps. Sample rates vary based on the amount of ultrasonic content in each file. The audio files are mastered for realism, ready for extreme processing and pitch shifting of your own, but still useful in more grounded contexts.

  • A comprehensive sound library from the enchanting world of the Middle Ages featuring meticulously recorded elements that come together harmoniously to create a realm of realism that transports your audience back in time, including isolated elements, acoustic impulse responses, noiseprints, and ambience loops.

    Medieval Towns and Villages - Full Library Presentation

Latest releases:

  • Empower Your Compositions with Authentic Medieval Phrases.
    [Note: This product requires a FULL version of Native Instruments’ KONTAKT or Steinbergs free HALion Sonic]

    Embark on a journey through time with the latest addition to the MEDIEVAL PHRASES series: FIDDLE & NYCKELHARPA. With the Fiddle, with its rich and expressive tones, coupled with the Nyckelharpa’s distinctive resonant strings, we invite you to capture the mood of medieval times. Composers and producers can now use dramatic live performances by outstanding performers or freely play their instruments with varied articulations.

    Imagine the bustling markets and vibrant festivals of late medieval Europe, where the rhythm and bounce of the Fiddle & Nyckelharpa set feet tapping and light the hearts of weary travelers. These instruments were the lifeblood of celebration, often heard at markets and taverns above the chatter of merchants and the laughter of children. Their history is woven through countless generations, where they not only provided entertainment but also served as a cultural heartbeat during times of both hardship and prosperity.

    MEDIEVAL PHRASES FIDDLE & NYCKLEHARPA carry within tales of the past, each string resonating with stories untold. The Fiddle’s bow dances across strings to produce a vibrant, rhythmic melody, while the Nyckelharpa’s keyed fiddle design adds an otherworldly depth. These sounds, once echoing through medieval tavern halls and open markets, are now crisply captured for the modern composer. With MEDIEVAL PHRASES, breathe new life into your medieval compositions, delivering an authentic experience that is both profound and exhilarating.

    20 %
    OFF
    Ends 1709765999
  • Volleyball Match Ambience provides three distinct soundscapes spread through long, evolving and captivating sound recordings from Portugal’s primary masculine and feminine leagues, in addition to a regional match.

    This is a highly intense and balanced sport characterized by its fast-paced nature, emphasis on teamwork and strategic play, where players use a combination of spiking, blocking, setting, and serving techniques to gain an advantage and outmaneuver their opponents. The game is played on a rectangular court divided by a net, with each team aiming to score points by grounding the ball on the opposing team’s side.

    All recordings were attained from a centered front-row seat position in crystal-clear stereo, meaning you have all the necessary field-of-play interactions, in addition to varied crowd reactions ranging from diverse support chants, booing, casual conversations, clapping, local team speaker asking for crowd backing, referee whistles, coach instructions and air horns. This versatility of content guarantees full immersion, drama, excitement, intensity and realism for film, television, videogames, podcasts and more. Your audience will be transported courtside in no time.

    The regional match sound files are the longest with a constant stream of clapping and chants from supporters and the players themselves championing their respective team, interspersed with quieter moments, making it ideal for a more balanced volleyball match ambience. Also included in this section are pre-match drills.

    With over three and a half hours of content, this library is your all-access pass to the dynamic, exhilarating world of volleyball.

  • Environments & Ambiences Curated Rain Play Track 39 sounds included, 183 mins total $44.99

    CURATED RAIN – is an extensive sound library containing 39 unique files of rain in varying environments and conditions ranging from city streets, back alleys, parks, forests and windows and heavy walls of rain to gentle and lite drizzles. Including isolated sections of rain as well as rain storms in their entirety. All of our libraries comply with the Universal Category System naming convention standard as well as traditional embedded metadata, allowing for accurate and easy granular searches. Original recordings were captured at 192kHz and 32bit float. Curated Rain (RAW – 192kHz 24bit) comes out to 11.7 GB and 3 hours 3 minutes and 10 seconds in overall length.

    25 %
    OFF
    Ends 1709852399
  • Human Sound Effects Applauses Play Track 50 sounds included, 11 mins total $30
    It took me 2 years to create this sound library and for the first time I used AI to create a cover image! 50 applause recordings made in various interior and exterior places, small and big audience, some with cheering and some with only clapping. All files are recorded 32bit, 192kHz with FEL Pluggy EM272 and Sonorous Objects SO.3 microphones, Zoom F3 recorder. The library is also available in UCS.
  • Environments & Ambiences WINTER SCAPE Play Track 33 sounds included, 148 mins total From: $119

    Feel the coldness of winter landscapes. In the heart of the Cantal mountains in France, immerse yourself in a soothing nature or in the cold winter wind.

    All files are embedded with extensive UCS compliant metadata.

Need specific sound effects? Try a search below:


How can people help and support your work on DS?

Contribute! If you want to support us please contact Shaun or myself if you want to write an article.

Comment on posts or just start a discussion somewhere/anywhere!

Also: Keep reading, commenting and retweeting so more people can learn from and engage with this wonderful and unique sound community we have.
 

What’s next for DS?

We might be in early planning stages of building a robot octopus to attack anyone who uses the Wilhelm Scream.

January is Dialog Month and then February is Animal Recording/Design Month. I am excited about both of these topics and we hope to have a good about of great articles and discussions.

I will also hopefully be at GDC 2014 with some other DS people, so come and find us!
 


A huge thanks to Jack Menhorn for doing this interview – and to him and the whole team at Designing Sound for building and running a fantastic resource for all of us in the creative sound community!

 

Please share this:


 

About Jack Menhorn
Jack Menhorn is a sound designer and occasional composer for video games. He lives in North Carolina and really likes cats. You can check out his website here.
 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Metal Sound Effects MetalMotion Play Track 2000+ sounds included, 239 mins total $110

    MetalMotion is a sound design construction kit that contains four hours of moving metal mayhem: clicks and clanks, rolls and drags, wronks and squeals, scrapes and rattles, ranging from from tiny to monstrous. Nathan Moody’s unique performances with unusual combinations of props produce everything from Foley-like movements to intense groans and howls.

    Whether you’re covering a robot’s movements, sweetening weapon Foley, making crafting or pick-up sounds in a game, placing unusual layers beneath a kaiju’s roar, or crushing a submarine with undersea pressure, this collection covers the full range of subtle to raucous. Each file has many performance variations for creative choice and game audio asset creation.

    While there are some tasty impacts within, this library’s true focus is on characterful movements: handling, rummaging, opens, closes, ratchets, swirls, rolls, drags, drops, spins, rubs, zuzzes, and bows. Metal containers, filing cabinets, modern appliances, vintage (and very rusty) tools, cymbals, bells, grills, plates, bars, rods, and tubes, and many other props lent their voices to this collection.

    This UCS-compliant library was recorded with a combination of standard, contact, and ultrasonic-capable microphones through Millennia preamps. Sample rates vary based on the amount of ultrasonic content in each file. The audio files are mastered for realism, ready for extreme processing and pitch shifting of your own, but still useful in more grounded contexts.

  • A comprehensive sound library from the enchanting world of the Middle Ages featuring meticulously recorded elements that come together harmoniously to create a realm of realism that transports your audience back in time, including isolated elements, acoustic impulse responses, noiseprints, and ambience loops.

    Medieval Towns and Villages - Full Library Presentation
  • Environments & Ambiences Curated Rain Play Track 39 sounds included, 183 mins total $44.99

    CURATED RAIN – is an extensive sound library containing 39 unique files of rain in varying environments and conditions ranging from city streets, back alleys, parks, forests and windows and heavy walls of rain to gentle and lite drizzles. Including isolated sections of rain as well as rain storms in their entirety. All of our libraries comply with the Universal Category System naming convention standard as well as traditional embedded metadata, allowing for accurate and easy granular searches. Original recordings were captured at 192kHz and 32bit float. Curated Rain (RAW – 192kHz 24bit) comes out to 11.7 GB and 3 hours 3 minutes and 10 seconds in overall length.

    25 %
    OFF
    Ends 1709852399
Explore the full, unique collection here

Latest sound effects libraries:
 
  • Empower Your Compositions with Authentic Medieval Phrases.
    [Note: This product requires a FULL version of Native Instruments’ KONTAKT or Steinbergs free HALion Sonic]

    Embark on a journey through time with the latest addition to the MEDIEVAL PHRASES series: FIDDLE & NYCKELHARPA. With the Fiddle, with its rich and expressive tones, coupled with the Nyckelharpa’s distinctive resonant strings, we invite you to capture the mood of medieval times. Composers and producers can now use dramatic live performances by outstanding performers or freely play their instruments with varied articulations.

    Imagine the bustling markets and vibrant festivals of late medieval Europe, where the rhythm and bounce of the Fiddle & Nyckelharpa set feet tapping and light the hearts of weary travelers. These instruments were the lifeblood of celebration, often heard at markets and taverns above the chatter of merchants and the laughter of children. Their history is woven through countless generations, where they not only provided entertainment but also served as a cultural heartbeat during times of both hardship and prosperity.

    MEDIEVAL PHRASES FIDDLE & NYCKLEHARPA carry within tales of the past, each string resonating with stories untold. The Fiddle’s bow dances across strings to produce a vibrant, rhythmic melody, while the Nyckelharpa’s keyed fiddle design adds an otherworldly depth. These sounds, once echoing through medieval tavern halls and open markets, are now crisply captured for the modern composer. With MEDIEVAL PHRASES, breathe new life into your medieval compositions, delivering an authentic experience that is both profound and exhilarating.

    20 %
    OFF
    Ends 1709765999
  • Volleyball Match Ambience provides three distinct soundscapes spread through long, evolving and captivating sound recordings from Portugal’s primary masculine and feminine leagues, in addition to a regional match.

    This is a highly intense and balanced sport characterized by its fast-paced nature, emphasis on teamwork and strategic play, where players use a combination of spiking, blocking, setting, and serving techniques to gain an advantage and outmaneuver their opponents. The game is played on a rectangular court divided by a net, with each team aiming to score points by grounding the ball on the opposing team’s side.

    All recordings were attained from a centered front-row seat position in crystal-clear stereo, meaning you have all the necessary field-of-play interactions, in addition to varied crowd reactions ranging from diverse support chants, booing, casual conversations, clapping, local team speaker asking for crowd backing, referee whistles, coach instructions and air horns. This versatility of content guarantees full immersion, drama, excitement, intensity and realism for film, television, videogames, podcasts and more. Your audience will be transported courtside in no time.

    The regional match sound files are the longest with a constant stream of clapping and chants from supporters and the players themselves championing their respective team, interspersed with quieter moments, making it ideal for a more balanced volleyball match ambience. Also included in this section are pre-match drills.

    With over three and a half hours of content, this library is your all-access pass to the dynamic, exhilarating world of volleyball.

  • Environments & Ambiences Curated Rain Play Track 39 sounds included, 183 mins total $44.99

    CURATED RAIN – is an extensive sound library containing 39 unique files of rain in varying environments and conditions ranging from city streets, back alleys, parks, forests and windows and heavy walls of rain to gentle and lite drizzles. Including isolated sections of rain as well as rain storms in their entirety. All of our libraries comply with the Universal Category System naming convention standard as well as traditional embedded metadata, allowing for accurate and easy granular searches. Original recordings were captured at 192kHz and 32bit float. Curated Rain (RAW – 192kHz 24bit) comes out to 11.7 GB and 3 hours 3 minutes and 10 seconds in overall length.

    25 %
    OFF
    Ends 1709852399
  • Human Sound Effects Applauses Play Track 50 sounds included, 11 mins total $30
    It took me 2 years to create this sound library and for the first time I used AI to create a cover image! 50 applause recordings made in various interior and exterior places, small and big audience, some with cheering and some with only clapping. All files are recorded 32bit, 192kHz with FEL Pluggy EM272 and Sonorous Objects SO.3 microphones, Zoom F3 recorder. The library is also available in UCS.
  • Environments & Ambiences WINTER SCAPE Play Track 33 sounds included, 148 mins total From: $119

    Feel the coldness of winter landscapes. In the heart of the Cantal mountains in France, immerse yourself in a soothing nature or in the cold winter wind.

    All files are embedded with extensive UCS compliant metadata.


   

Leave a Reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.