The NSL Metal Bundle includes 3Â New Sound Lab sound libraries.
401 high resolution WAV files – 8 GB
Upgrade to Pro-Q4 from Pro-Q1, 2 or 3
About FabFilter Pro-Q 4
Since its original release in 2009, FabFilter Pro-Q has become the trusted workhorse EQ plug-in for many engineers and producers around the world, widely praised for its workflow, sound quality and feature set. With version 4, we’re bringing exciting new features to Pro-Q, introducing spectral dynamics, the instance list, EQ Sketch, vintage saturation and much more.
FabFilter Pro-Q 4 gives you the highest possible sound quality, a complete feature set, and a gorgeous, intelligent interface that is designed to help you get ‘that’ sound quickly and easily.
About FabFilter Pro-Q 4
Since its original release in 2009, FabFilter Pro-Q has become the trusted workhorse EQ plug-in for many engineers and producers around the world, widely praised for its workflow, sound quality and feature set. With version 4, we’re bringing exciting new features to Pro-Q, introducing spectral dynamics, the instance list, EQ Sketch, vintage saturation and much more.
FabFilter Pro-Q 4 gives you the highest possible sound quality, a complete feature set, and a gorgeous, intelligent interface that is designed to help you get ‘that’ sound quickly and easily.
Beautiful Bells Vol 2 contains the solo sound of 135 different stationary bells, captured in 39 bell towers, chapels, carillons, churches, cathedrals and clock towers across France, with unprecedented quality. Most of the sounds were recorded inside bell towers.
Stationary bells are struck by external hammers. They have a steady and rich tone, with a long sustain. They are mostly used as musical instruments in carillons, to indicate the hour in clock chimes or to alert the population in tocsins.
Every bell size and pitch is represented in this library, from huge 8 ton bourdon to tiny carillon bells weighing a few kilograms. You will find bells founded from 14th to 21st century with a great variety of timbres and tunings, over a range of 5 octaves (from G2 to G7).
The library contains 2 carillons with 54 bells and 10 bells, available as sound files and virtual instruments (NI Kontakt and EXS24 with round robin).
All the sounds in this library were recorded in bell towers or as close as possible to provide great sonic precision and optimal signal-to-noise ratio.
Over 12,000 kilometers were traveled during six months to get you one of the most exhaustive stationary bell, chime and carillon sound collection ever recorded.
• A total of 135 different bells, sorted by note from G2 to G7
• Wide variety of bells (size, age, tuning)
• 2 carillons virtual instruments
• Contains a collection of 10 small ancient bells
• All notes from G2 to G7
• Metadata with detailed information about each bell
• 96KHz/24bit
• Very low noise
• Metadata UCS-compliant
• Mainly recorded with Sennheiser MKH 8040
Experience true horror with SwishSwoosh’s Kontakt Instrument – AMBER
The cinematic tension software instrument from SwishSwoosh. Take control of your soundscapes and bring your horror scenes to life with AMBER’s powerful and customizable features.
Animal Hyperrealism Vol II is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 2000 individual sounds in 283 files.
The sounds were partly recorded with animals trained for media production, partly recorded in zoos and wildlife centers. The asset list includes but is not limited to: amur leopards, bottlenose dolphins, californian sealions, pacific walruses, red ruffed lemurs, owls, parrots, dwarf little fruit bats, hamsters, guinea pigs and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
A special section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was actually used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Animal Hyperrealism Vol I is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1300 individual sounds in 290 files.
The sounds were partly recorded with animals trained for media production, partly recorded in zoos and wildlife centers. The asset list includes but is not limited to: african lions, bengal tigers, horses, donkeys, cows, exotic birds, owls, bobcats, pumas, dromedaries, wolves, dogs, geese, lemurs, gibbons and many more.
All the content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image. All files are delivered as stereo bounce of these four mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Swish and Flick is a sound pack featuring a collection of high-quality whooshes, designed whooshes, whoosh source, and tonal content.
This pack features 1992 sounds across 138 .wav files (20 Designed, 118 Source) exported at 192kHz/24bit. Aimed at professional sound designers and editors looking for clean, mastered, ready to use assets with plenty of variation for game audio or linear media.
Recorded on the SD 788T with Schoeps MK 4 & 8 along with the CMD42 digital preamplifiers, as well as an MKH 8040 XY pair (among others), and meticulously cleaned up in iZotope RX while persevering optimal signal to noise and frequency content.
Detailed UCS meta data is embedded.
Thanks for taking a listen!
Unleash pure audio carnage with OVERKILL – a brutally detailed 5.7 GB sound library featuring 3390 hyperreal gore sound effects across 607 files. Whether you’re designing subtle, skin-crawling tension or full-blown splatter mayhem, Overkill gives you the raw, visceral tools to cover the entire spectrum of gore – from nuanced realism to over-the-top brutality.
DESIGN KIT (360 Sounds – 60 Files)
A collection of brutally crafted, drag-and-drop sound effects, organized into game-ready actions and categories.
All of these categories are featured in both a realistic, organic style and an exaggerated, highly stylized, over-the-top version.
In addition the Design Kit features Projectile Impacts from Guns, Shotguns and Arrows.
BUILDING BLOCKS (384 Sounds – 64 Files)
The goal behind our Building Blocks is to provide pre-designed sound layers that streamline your workflow. We’ve created straightforward, easy-to-use categories that let you quickly build new sounds or enhance your own designs.
All following categories are available in both Wet and Dry:
CONSTRUCTION KIT (2653 Sounds – 483 Files)
For our Construction Kit, we wanted to give you the best of both worlds to meet (or should we say meat) all your needs. You’ll get cleaned raw recordings for full flexibility in your own processing, plus pre-processed and layered sounds to spark creativity, fuel inspiration, and give you everything you need for hyperrealistic gore design.
Our Construction Kit includes:
Learn how the game audio team crafted a glorious sonic experience – by developing a dynamic weather system and navigation/parkour system, collaborating with composers Alexis Smith and Joe Henson of The Flight, designing the illusion of a civil war happening around the player, creating thousands of combat-related sound effects, crafting The Animus ‘virtual world,’ creating effective haptic feedback, and so much more!
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Get the story behind the excellent sound of Andor season 2, in this in-depth interview with David Acord and Margit Pfeiffer
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Get a fresh collection of excellent sound effects libraries from the independent sound community:
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