reaper sound editor interview Asbjoern Andersen


If you’ve been working with audio in the past few years, it’s been hard to miss Reaper. It’s a constantly-evolving DAW with a lot of flexibility in terms of scripting and customization – and a growing number of sound designers swear by it. I was curious to hear the story behind Reaper, so I managed to get in touch with creator Justin Frankel. Here’s Justin, on making Reaper, his favorite features + his tips for first-time Reaper users:
Hi Justin, please introduce yourself, Reaper and the team behind it:

In the late 1990s I wrote a piece of software called Winamp, it was one of the earlier programs for MP3 playing. In the early 2000s I started playing and recording music for my own enjoyment, and after a few years of using other software for this purpose, I found myself wanting to use something that didn’t exist. So about 10 years ago (in late 2005) I started developing a tool for my own use, which became REAPER. I wasn’t really trying to solve any specific problems, but just to make a tool that was convenient and worked well for my needs.

While REAPER was initially and still developed for my own needs, we also try to make it as useful as possible for as many people as possible.

Since I began the initial development, other people have contributed a great deal to the code, including Christophe Thibault (whom I had previously worked with on Winamp 5), Schwa, and JeffOS. In addition to the code work, I also have the pleasure of working with White Tie (graphic design), Ollie (support), Geoff (user guide), and Kenny Gioia (videos).

While REAPER was initially and still developed for my own needs, we also try to make it as useful as possible for as many people as possible.
 

 

What’s been some of the major milestones in Reaper’s history so far – and when you look at Reaper today, what are some of your personal favorite features?

REAPER’s development has always been so evolutionary, it’s really hard to look at particular milestones as being accomplishments. It is very pleasing seeing more and more people use it, and it’s also very pleasing to have other developers actively support it. When we first started, it was difficult to get responses from plug-in developers (and it took us ages to get the ReWire SDK, for example). Now, to a much greater extent, people take us seriously, which is nice.

My personal favorite features — things I couldn’t live without include:

• Routing power: REAPER’s generic track type (tracks supporting all kinds of I/O including MIDI, routing to other tracks, feedback routing, etc)
• Convenience: I can easily download and install REAPER in some seconds or a minute, install it as a portable install to a USB drive
• Editing: non-destructive audio editing with auto crossfades (which was influenced by Vegas)
• JSFX: user-programmable audio and MIDI processing. This feature pre-dates REAPER, it was an earlier project I did for live use, and it is a joy for me to use (as a programmer). Also, seeing more and more people program makes me very happy.

There are probably a dozen more things that if you took away I would whine loudly, too, but these are the first that come to mind.
 

Try Reaper for free:

Reaper is available as a 60-day trial and comes in 32-bit and 64-bit versions for both Windows and OSX. Download the free evaluation version here.

 

You recently released Reaper 5 – what are some of the highlights in this version?

Some highlights of 5.0 were:

• VST3 and sample-accurate automation support
• Improved scripting (ReaScript)
• VCA-style track grouping
• Programmable video processors and other video improvements
• Automation and take FX improvements

Keep in mind, though, that new things also come in minor releases. 5.01 and 5.02 fixed bugs and added new functionality (including support for RF64, WASAPI loopback recording, higher quality samplerate conversion, multichannel audio units, etc). We’re also preparing a new version which will include a MIDI-controlled audio looper script (which I find to be incredibly fun and powerful as a creative tool), linear (ramped) stretch markers, and other cool things.
 

In general, how do you decide what new features to include? And how’s the community involved in expanding what’s possible with Reaper?

We weigh a bunch of different factors, including:

• Implementation complexity / effort / maintainability (if something is easy and straightforward and doesn’t create a headache going forward, it’s more likely to get done)
• How much we want to use a given feature
• How much the community wants a given feature, as well as how clearly they can articulate what that feature should be
• How consistent that feature can be integrated into the rest of the program

We have to live with the code, and at the end of the day you need a strong vision to lead

The community (our user forums) provides a great deal of good feedback and suggestions, we are very grateful to them! Having said that, we have to live with the code, and at the end of the day you need a strong vision to lead.

Words from a Reaper fan, on what makes Reaper great:

Sound designer Jack Menhorn is a huge Reaper fan – and here, in his own words, is what’s so great about it:

“In the last few years Reaper has grown such a fantastic following and reputation it is hard to ignore. It is the little DAW that could (and can) do anything you need it to with a few settings and scripts. I personally love Reaper for the track parenting and routing more than anything else. Also add to that the ability to re-skin and you have me sold. The Winamp lineage is quite obvious in customizability and control; but I am still waiting for a Dragon Ball Z skin for Reaper like I had for Winamp.”

 

Are there any plans to include game audio middleware integration with Wwise or FMOD Studio, like Nuendo currently has?

For the most part we try to add functionality that is useful for as many people as possible. We haven’t ruled out working on such integration, but my preference is generally to make features that are as powerful and open-ended as possible for this sort of thing. For example, allowing rendering to be scriptable and very configurable.
 

The video editing options in 5 look fantastic. How deep are you planning on going with video capabilities in future versions?

Our primary focus is audio, but to the extent we can improve the video functions without getting in the way of audio (or carrying a ton of baggage), we will continue to do so. Working with video alongside audio is very useful! I’ve also enjoyed making my own videos using v5, so I’ll probably keep doing that.

 

Popular on A Sound Effect right now - article continues below:

 

Latest releases:  
  • Horror Giant Pinecones Play Track 500+ sounds included, 44 mins total $79

    • In Giant Pinecones, get a visceral collection of scraped and eviscerated pinecones from the gray pine trees of Northern California. Scrape the razor-sharp hooks of the cone petals and hear guttural scrapes crackling with energy. Hear rolling cones popping and fluttering with rich stuttering tones. Hear fully open cone pedals squeaking with woody vocalizations like supernatural animals and hardy crunches filled with organic grit.
    • This library offers you an extensive collection of sounds from a unique organic sound source. Digger pinecone sounds are incredibly soft and intimate in real life, but when recorded from two inches they morph into a unique wooden sound source brimming with powerful glitchy and stuttering textures.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • Woody vocalizations
    • Rolling, scraping, and stuttering textures
    • Visceral and guttural scrapes
    • Fluttering and popping textures
    • Rich crunches
    • Chalkboard-like squeaks and squeals
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ testimonials for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 and MKH30 in MS
    • Sound Devices MixPre-6
    Add to cart
  • Recording of the American 2017 Polaris Ranger EV. Powered by an electric utility vehicle’s 48-volt high-efficiency AC-induction motor.


    The American 2017 Polaris Industries Ranger EV sound collection shares 44 sounds in 3.49 gigabytes of audio. It showcases the sound of an electric utility vehicle’s 48-volt high-efficiency AC-induction motor in 4 channels with 2 custom stereo mixes.

    The sound pack includes 4 synchronized takes of onboard driving. 4 channels of audio capture the engine and onboard perspectives, with 2 custom stereo mixes provided. Performances include driving slow and fast, with steady RPMs and ramps, starting, stopping, and more.

    The package includes Pro Tools and Reaper mixing sessions, full professional metadata, and metadata import files in 7 languages.

    Add to cart
  • A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.


    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

    Add to cart
  • Cricket – Junior & Senior is our latest SFX library toolkit, created to cater to cricket specific sounds. We have covered a broad range of specific sounds that differentiate Cricket from other batting sports. Included are sounds for Cricket Gear, Movements, Batting, Bowling, Fielding and Other Miscellaneous sounds.

    17 %
    OFF
    Ends 1590530399
    Add to cart
  • An ice hockey game is an exciting, dynamic and powerful sonic experience. From the thunderous crack of a puck hitting the boards at full speed to the gentle scrape of a stick on the ice, this library contains a complete range of the game’s on ice sounds, all captured with natural reverb in an indoor arena.

    Included are a range of performances of skate, stick, puck, and whistle sounds, as well as rink door opens and closes, and various board, glass, and ice impacts.

    The skate sounds include starts, stops, turns, and pass bys, as well as single steps and scrapes for detailed editing and layering. Stick sounds include different kinds of shots, passes, drops and scrapes, and impacts with other sticks, the boards, and the ice. Puck sounds include impacts with the ice, boards, skates, the goal metal and net, and even goalie pads. Rink sounds include the opening and closing of doors, impacts with the boards and glass, and a goal horn. Two different types of whistles were recorded, with varying durations.

    Each sound effect performance was recorded from multiple perspectives – a stereo ORTF pair of Lewitt LCT 540s microphones, a closer wide XY from an Audio Technica BP4025, and a close mono Schoeps CMC6/MK41 – either stationary or following the action on a boom, depending on the type of sound. The ratio of direct to reverberant sound differs between these perspectives, offering a variety of options when editing to picture.

    Also included are quad-channel room tones from two different ice rinks, and a special onboard recording of a puck, made by taping a Sony PCM-M10 to a puck and sliding it across the surface of the ice.

    The actions were performed at a range of speeds and energy levels, with multiple takes for variety. Please refer to the sound list pdf below for details. Captured at a sampling rate of 96kHz, these recordings contain detailed information above 20kHz, expanding the possibilities for manipulation when slowing and pitching them down.

    30 %
    OFF
    Add to cart


Need specific sound effects? Try a search below:
 

Reaper has a robust theme customization system. Are there any plans to integrate that more into the app for easier browsing and user customization?

Yeah, we have talked about having a resource browser which would allow you to pull all sorts of content (themes, scripts, JSFX scripts, track icons, loops, reverb impulses, …) from online and install locally. One of these days…
 

That Winamp media player:

Before creating Reaper, Justin Frankel was one of the masterminds behind Winamp, one of the most popular media players on the Windows platform for many years. It supported a myriad of formats and pioneered a lot of features we now take for granted in modern media players. I personally still have it on my Windows machine, and use it from time to time – particularly for its great support of the retro tracker formats such as .mod, .s3m and .it. More on Winamp here. Winamp itself can be downloaded here

 

What words of advice do you have for users who are considering moving to Reaper from other DAWs? Any tips that’ll make the transition easier?

I think the biggest advice I could give is to right-click everything. Not compulsively or anything, just any time you want to tweak something in a slightly-more-custom sort of way. For example, if you tweak the pan on a track, and you wonder “what’s the pan law? or what’s the pan mode?” — right click the pan control, and you’ll be presented with configuration for that track’s pan.

REAPER supports a great deal of options and customization, but I would suggest avoiding diving in too deep at first — use REAPER as it is, gradually figuring things out as needed (usually they aren’t too far from where you’d look).
 

David Farmer’s intro overview for sound design in Reaper:


Here’s what LOTR and The Hobbit sound designer David Farmer has to say about Reaper:

Video Thumbnail

(thanks to @Vordio for the heads up about this video)

Overall, how does the DAW landscape look to you today – and where do you see things moving?

We’re just happy to be a part of it! The state of the art in computing, interfaces, controllers, etc, is fantastic, we’re very fortunate to be alive at this time. I’m sure it will continue to get even better (and cheaper), though perhaps those gains will be less meaningful as things are already so good.

 

Please share this:


 

A big thanks to Justin Frankel for the story behind REAPER, and to Jack Menhorn for his input and ideas. Want to try Reaper for yourself? Download a free trial here.

 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:
 
 
  • Sci-Fi Advanced Propulsion Play Track 1191 sounds included $99

    ADVANCED PROPULSION is a next-gen sound design toolkit built for creating dynamic sci-fi vehicle engines and passbys. The designed engine sounds are all seamless loops, making them perfect for use with various plug-ins and interactive applications. All raw source material used to design the engines is included, giving you maximum creative flexibility.

    Add to cart
  • Rocky Impacts is a collection of 262 rock & stone impact sound effects.
    Rock impacts, LFEs, Debris, Moving textures and more

    Collection consist of 150 designed sound effects and 112 source sound effects. All sound effects were recorded with Sennheiser MKH8060
    + ATE 208 in mid-side at superb 192KHZ. Recording session took place in a quiet canyon between mountains.

    All SFX have baked-in Soundminer’s meta data.

    Download includes additional 44.1kHz 16Bit version for Unreal Engine.
    RECORDED WITH: Sound Devices MixPre 6 + 2 x Sennheiser MKH8060 + ATE208 (M/S)
    EDITED AND MASTERED WITH: Pro Tools, BOOM ReCenter, iZotope RX, Brusfri, FabFilter, ReFuse, Reaktor

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  • Need sound effects for your explainer videos? The EXPLNR sounds series is a collection of sfx libraries designed and produced with the classic 2d animated explainer video in mind. These sounds will give quick and useful coverage to the common moves used in this style.

    Vol 1 is an excellent all-around base library that includes whooshes, clicks, pops, swells, ratchets, slides, rips, drags, flicks, crumples, and dings – all custom designed with the playfulness and clean edges required to match the explainer video style.

    To help cover repetitive visual movements, multiple iterations of each sound are included. A host of designed sounds will quickly cover more complex movements.

    The next time you have an explainer video in the house, you know your starting point.

    Add to cart
 
Explore the full, unique collection here

Latest sound effects libraries:
 
  • Horror Giant Pinecones Play Track 500+ sounds included, 44 mins total $79

    • In Giant Pinecones, get a visceral collection of scraped and eviscerated pinecones from the gray pine trees of Northern California. Scrape the razor-sharp hooks of the cone petals and hear guttural scrapes crackling with energy. Hear rolling cones popping and fluttering with rich stuttering tones. Hear fully open cone pedals squeaking with woody vocalizations like supernatural animals and hardy crunches filled with organic grit.
    • This library offers you an extensive collection of sounds from a unique organic sound source. Digger pinecone sounds are incredibly soft and intimate in real life, but when recorded from two inches they morph into a unique wooden sound source brimming with powerful glitchy and stuttering textures.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • Woody vocalizations
    • Rolling, scraping, and stuttering textures
    • Visceral and guttural scrapes
    • Fluttering and popping textures
    • Rich crunches
    • Chalkboard-like squeaks and squeals
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ testimonials for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 and MKH30 in MS
    • Sound Devices MixPre-6
  • Recording of the American 2017 Polaris Ranger EV. Powered by an electric utility vehicle’s 48-volt high-efficiency AC-induction motor.


    The American 2017 Polaris Industries Ranger EV sound collection shares 44 sounds in 3.49 gigabytes of audio. It showcases the sound of an electric utility vehicle’s 48-volt high-efficiency AC-induction motor in 4 channels with 2 custom stereo mixes.

    The sound pack includes 4 synchronized takes of onboard driving. 4 channels of audio capture the engine and onboard perspectives, with 2 custom stereo mixes provided. Performances include driving slow and fast, with steady RPMs and ramps, starting, stopping, and more.

    The package includes Pro Tools and Reaper mixing sessions, full professional metadata, and metadata import files in 7 languages.

  • A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.


    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

  • Cricket – Junior & Senior is our latest SFX library toolkit, created to cater to cricket specific sounds. We have covered a broad range of specific sounds that differentiate Cricket from other batting sports. Included are sounds for Cricket Gear, Movements, Batting, Bowling, Fielding and Other Miscellaneous sounds.

    17 %
    OFF
    Ends 1590530399
  • An ice hockey game is an exciting, dynamic and powerful sonic experience. From the thunderous crack of a puck hitting the boards at full speed to the gentle scrape of a stick on the ice, this library contains a complete range of the game’s on ice sounds, all captured with natural reverb in an indoor arena.

    Included are a range of performances of skate, stick, puck, and whistle sounds, as well as rink door opens and closes, and various board, glass, and ice impacts.

    The skate sounds include starts, stops, turns, and pass bys, as well as single steps and scrapes for detailed editing and layering. Stick sounds include different kinds of shots, passes, drops and scrapes, and impacts with other sticks, the boards, and the ice. Puck sounds include impacts with the ice, boards, skates, the goal metal and net, and even goalie pads. Rink sounds include the opening and closing of doors, impacts with the boards and glass, and a goal horn. Two different types of whistles were recorded, with varying durations.

    Each sound effect performance was recorded from multiple perspectives – a stereo ORTF pair of Lewitt LCT 540s microphones, a closer wide XY from an Audio Technica BP4025, and a close mono Schoeps CMC6/MK41 – either stationary or following the action on a boom, depending on the type of sound. The ratio of direct to reverberant sound differs between these perspectives, offering a variety of options when editing to picture.

    Also included are quad-channel room tones from two different ice rinks, and a special onboard recording of a puck, made by taping a Sony PCM-M10 to a puck and sliding it across the surface of the ice.

    The actions were performed at a range of speeds and energy levels, with multiple takes for variety. Please refer to the sound list pdf below for details. Captured at a sampling rate of 96kHz, these recordings contain detailed information above 20kHz, expanding the possibilities for manipulation when slowing and pitching them down.

    30 %
    OFF
 
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6 thoughts on “The Rise Of Reaper

  1. I use Reaper for more than 4 years now and It is really amazing. For my music technology course it is the major tool I and my students use. My one and only complaint is that there is no Linux version for it. Congratulations and keep the good job that we will keep supporting and incentivizing it. Thanks!

  2. It’s so exciting and refreshing when I read/see/listen things about REAPER like in this interview! The only thing I regret in “DAW live” is, that I didn’t change to REAPER earlier. I knew it from v0.x but I’m using it almost all day from version v4 on. But hey, it’s never too late. Tips for newbies from myself: check the mouse modifiers when you want to achieve something, do not want too much at first and enjoy the learning curve (I think Geoffrey Francis said that) :-)

  3. I was just recently turned onto Reaper. I’ve heard about it for years, but have made the switch. I’m loving everything about it for sure. The routing manger, and customer FXchains are big winners for me so far.

    Thanks for the interview.

  4. Great interview with the creator of a great piece of software!

    I would like to point to Jon Tidey’s http://reaperblog.net/ is an indispensable resource for learning advanced features available in REAPER.
    To see how it can be customized to enhance a game audio workflow check out this tutorial (shameless plug): http://reaperblog.net/2016/06/advanced-game-audio-sfx-render-workflow/

    love

    Chris

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