• 0
    $0
    • No products in the cart.
  • 0
    $0
    • No products in the cart.

Home Plug-Ins Equalizer & Filter

Equalizer & Filter

Equalizer and filter plug-ins

  • Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!

    The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

    The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Upgrade to Pro-Q4 from Pro-Q1, 2 or 3

    About FabFilter Pro-Q 4

    Since its original release in 2009, FabFilter Pro-Q has become the trusted workhorse EQ plug-in for many engineers and producers around the world, widely praised for its workflow, sound quality and feature set. With version 4, we’re bringing exciting new features to Pro-Q, introducing spectral dynamics, the instance list, EQ Sketch, vintage saturation and much more.

    FabFilter Pro-Q 4 gives you the highest possible sound quality, a complete feature set, and a gorgeous, intelligent interface that is designed to help you get ‘that’ sound quickly and easily.

  • Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!

    The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

    The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • FabFilter Micro’s single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.
    With the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.
    Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!

    Features

      • Includes the classic, analog-sounding filter from FabFilter One
      • Low-pass and high-pass settings
      • Envelope follower modulating the cut-off frequency
      • Modern interface with large interactive filter display
      • Input and output gain settings to control saturation
      • Includes basic factory presets to get started right away
      • Stereo and mono plug-ins available
      • MIDI Learn
      • Undo/redo
      • Smart Parameter Interpolation
      • Sample-accurate automation
      Full help file with interactive help hints

  • About FabFilter Pro-Q 4

    Since its original release in 2009, FabFilter Pro-Q has become the trusted workhorse EQ plug-in for many engineers and producers around the world, widely praised for its workflow, sound quality and feature set. With version 4, we’re bringing exciting new features to Pro-Q, introducing spectral dynamics, the instance list, EQ Sketch, vintage saturation and much more.

    FabFilter Pro-Q 4 gives you the highest possible sound quality, a complete feature set, and a gorgeous, intelligent interface that is designed to help you get ‘that’ sound quickly and easily.

  • Upgrade to Twin 3 from Twin 2

    Beautiful new interface and improved workflow

    FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

    Improved oscillators and filters

    It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

    Massive FX section and new Arpeggiator

    Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

    Full-featured preset browser

    Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
    Vintage phatness, out of the box
    Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

    Easy drag-and-drop modulation

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

  • Beautiful new interface and improved workflow

    FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

    Improved oscillators and filters

    It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

    Massive FX section and new Arpeggiator

    Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

    Full-featured preset browser

    Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
    Vintage phatness, out of the box
    Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

    Easy drag-and-drop modulation

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

  • FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

    *FabFilter Volcano 3 upgrade from Volcano 2*

    PREVIOUS VERSION REQUIRED FOR UPGRADE.

  • FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

    [Already own Volcano 2? An upgrade is available here]

  • PSP stompFilter is a creative tool designed to provide an exceptionally wide range of modulated filter and gain sounds (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). Its effects include a simple LFO-modulated low pass filter; auto-wah; low-, band-, or high-pass filter; and compressor. Thanks to the smoothly adjustable filter type and flexible cross-modulations of the LFO by the envelope of the signal, PSP stompFilter is able to provide vivid, expressive filtering. Just a pinch of adjustable LFO randomization will provide analog-like “imperfections,” ensuring that you will never get bored of it.

  • PSP RetroQ offers PSP Audioware’s unique take on a musical equalizer with unique sonic character and low phase distortion. This makes RetroQ sound smooth and musically natural. It’s shelf filters are based on fabulous-sounding VintageWarmer’s filters, and PSP RetroQ’s addition of a mid-range filter is designed using the same internal architecture. An adjustable high pass filter is added to make the plug-in a complete program equalizer. It was optimized for use on groups and mixes, but it is equally at home in any situation in which you desire some gentle sweetening in your overall processing chain.

  • PSP preQursor2 offers PSP’s uniquely designed filters with low resonance peaks for reduced ringing artefacts, great band separation, and narrow notching when attenuating. All four filters are bell-type filters when boosting, and have progressive Q factors. The PSP preQursor2 introduces PSP’s Advanced Analog Modelling of preamplifier and filters to accurately recreate an analog-like behavior. The analog modelling algorithm can be enabled and controlled per instance, or globally per group of instances. The latter allows for easy control of the amount of analog- like processing on either selected tracks or all tracks in the mix. All these characteristics result in a processor that not only sounds excellent on acoustic tracks, overall mixes, or any other application, but also allows you to virtually create the input console for all tracks in your mix with easy and convenient controls. In every usage case, PSP preQursor2 will maintain the natural feel and definition of the material.

  • PSP NobleQ combines the features of passive program equalizers with a wide range of frequency settings and extended functionality. To make this plug-in a versatile tool we added several modern features such as an adjustable high pass filter, and the ability to switch high peak and shelf filters to Boost or Attenuation operation.

    The PSP NobleQ stands out for its warm sound, its boost and attenuation low-shelf filters and its combined peak and shelf high frequency processing. The warm and musical sound in PSP NobleQ is made possible thanks to its finest processing utilizing FAT double sampling for a natural analog-like response. We also added an output valve-like rounding algorithm with adjustable processing depth.

    The low shelf filter actually combines two shelving sections: the first one allows you to boost low frequencies while the other one attenuates them but is tuned slightly higher. Together they help to get a rich bottom end without low-midrange muddiness.

    The high frequency range consist of two filters – a peaking filter with adjustable band width (usually set to Boost) and a shelf filter (usually set to Attenuate). Both filters interact in such a way that the more attenuation to high frequency is applied the more selective peaking filter becomes while keeping its center frequency similarly boosted.

  • PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!
    PSP Neon also features one of our most user friendly interfaces ever, offering unparalleled easy of workflow. Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” linear phase equalizer for mastering and other critical audio applications.

    Version 2 of PSP Neon comes in three flavors:

    • PSP Neon HR – compatible with PSP Neon HR version 1, so your sessions will open and your presets will load. Just like its predecessor, It offers linear phase processing as well as three spectral resolution levels.
    • PSP Neon STD – like HR, but with standard (std) spectral resolution. This is sufficient for all but the most demanding mastering purposes (for which you can always grab HR). STD offers greatly reduced latency (by factor of ~3) and much gentler memory requirements.
    • PSP Neon MIX – with its minimum-phase filters (no linear-phase processing) it is very well-suited for mixing, as it introduces almost no latency (just 31 samples), while still providing all other important features such as oversampling, middle-side processing, a spectrum analyzer and the advanced Neon user interface.

  • PSP McQ captures the sonic character and functionality of various classic console equalizers such as the versatile MCI console EQs. However, while PSP McQ was inspired by these analog classics, we added several modern features such as adjustable high pass and low pass filters, steepness (resonance) control for the shelving filters, optional bell filters for the low and high bands, and three nominal Q values for the midrange filters. We packed the PSP McQ full of musical features, such as gain following Q factors for the midrange bell type filters. By this, we mean that the Q factor of these filters gradually increases along with increases in boost or attenuation. The PSP McQ is especially suited for deep track tweaking in order to get a desired sound for a track, or to get great track separation in the mix.

    PSP McQ also includes our unique second generation SAT(uration) option in the output section. This both protects against digital clipping in software or hardware following the plug-in, and adds a smooth, overdriven sound to hard-driven signals. The SATuration algorithm is located after output level control in PSP McQ’s internal chain and its ceiling reference level is setup a fraction of dB below 0dBFS.

  • Usually mastering equalisers are solely focused just on equalization, but PSP MasterQ2 is not merely a masteringEQ; the “Q” stands for “Quality.” We designed it to be a creative tool for mixing and mastering and wherever its features and quality are needed for the job.

    Yes, we can try to impress you with the features: it can operate at sampling rates ranging from 44.1 to 192kHz. It offers seven filters: 12, 24, and 36 dB/oct low cut and high cut filters; low shelf and high shelf filters which can be switched to peaking filters; and low-mid, middle and high-mid peaking filters— all with adjustable frequency and Q over a wide range. The EQ graph displays an overview of the EQ curve, as well as the individual characteristics of each filter. In addition to its powerful filters, PSP MasterQ2 also offers you a selection of limiting and “soft- clipping” algorithms to help you shape your signal and keep it from digitally peaking.

    And yes, we can blind you with the technical details: PSP MasterQ2 employs 80-bit extended floating point computations in all filters to deal with accumulation errors. It also allows for optimal filter operation at even the lowest frequencies with high gain and Q factor settings. PSP MasterQ2, uses our proprietary Frequency Authentication Technique algorithm. FAT is a double sampling technique which allows for proper filter operation at the highest frequencies. FAT utilizes high order linear filters to prevent phase errors and linear errors from the audio bandwidth caused by double order sampling. This technique results in double sampling without sample rate conversion artifacts.

    But we’d rather you experience it for yourself. Use it as a precise, surgical EQ for mastering or a color processor for sound design and mixing. Once you try it, you’ll understand what a creative sound shaping tool the PSP MasterQ2 can be.

  • PSP E27 is a multistage equalizer plug-in (VST3, VST, AAX and RTAS for Windows; AudioUnit, VST3, VST, AAX and RTAS for Mac OSX) modeled after the analog equalizer E27 produced by Avedis Audio Electronics. E27 offers three-band equalization with nine selectable frequencies in a standard 500x package. This equalizer offers +/-16dB of boost/cut at musically selected frequency ranges, and offers gentle saturation. Low and high filters can work in bell or shelf mode with a single click. E27 is suitable for both mixing and mastering. PSP E27 offers additional preamp stage for global level control. This EQ plug-in catches nonlinear behavior of analog devices.

  • PSP ConsoleQ 2 captures the sound character and functionality of various classic British console equalizers including flexible AMEK eqs. Although it takes inspiration from these analog classics we added several features such as an adjustable high pass filter, steepness (resonance) control for the shelving filters, and three nominal Q values for midrange filters. In addition to its other many musical features we designed PSP ConsoleQ’s midrange bell type filters so that they have gain following Q factors. By this, we mean that the Q factor of these filters gradually increases along with increases in boost or attenuation. The ConsoleQ is specially designed for deep track tweaking to get the desired sound for a track, or just to get great track separation in the mix.

  • PSP ClassicQ is inspired by various classic British-style equalizers. It captures the sound and flavor of famously musical high and low filters (such as those in early Neve EQs), melded to very precise mid-range filter. In addition, PSP ClassicQ offers a selectable simulation of class A circuitry and output transformer for a unique, vintage-style color. To its classic features PSP ClassicQ adds extremely useful features such as an adjustable high pass filter, switchable Q for low- and high-shelf filters, and a sweepable midrange bell-type filter. The design of PSP ClassicQ lends it especially well to fixing and shaping individual tracks.

  • McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    Analog Channel Native v5
    CompressorBank Native v5
    FilterBank Native v5
    MC2000 Native v5

    Formats
    • Native v6: AAX Native, AU, VST

  • The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • Native v6: AAX Native, AU, VST

  • The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.

    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

Your location

Please share this

New Sound Effects

Best Sellers

Recent Reviews

What others are saying:

\n