How do you mix a film? Find out in this fantastic tutorial by Thomas Boykin where he takes you through the entire process – from editing to mixing, and balancing everything out:
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Making Mickey 17’s Zany Sci-fi Sound – with Ralph Tae-Young Choi and Eilam Hoffman
How sound supervisor/re-recording mixer Ralph Tae-Young Choi and sound designer Eilam Hoffman blended sci-fi and action with dark comedy in their sound work on Director Bong Joon Ho’s film ‘Mickey 17’:
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Making Sounds of Mayhem for ‘The Monkey’ – with Eugenio Battaglia
Sound supervisor/sound designer/re-recording mixer Eugenio Battaglia talks about bringing a feeling of fun to the mayhem in horror film ‘The Monkey’:
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Airwiggles’ Film Audio Faceoff is live – with over $20,000 in prizes to be won! Take part here:
Showcase your sound skills – and get the chance to win big! – in the Airwiggles Film Audio Faceoff here:
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Behind The Brutalist’s Expressive Sound – with Sound Designer Andy Neil
‘The Brutalist’ sound designer/re-recording mixer Andy Neil on creating a compelling world off-screen, designing a surreal soundscape for the Italian marble quarry, the train accident sequence, the jazz club, and much more!
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Breaking Conventional Boundaries in Sound for ‘If I Had Legs I’d Kick You’ – with Filipe Messeder and Ruy Garcia (Sundance 2025)
Sound supervisor/sound designer Filipe Messeder and re-recording mixer Ruy Garcia discuss their experimental sound work on Director Mary Bronstein’s dramedy ‘If I Had Legs I’d Kick You,’ which premiered at Sundance 2025. They talk about using the entire surround field to place off-screen events, designing an evolving soundscape that stands in for a conventional score, recording vibrations, hum, and a wind wand for textural design elements, and much more!
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Peter Albrechtsen on Crafting Beauty and Sorrow into the Sound of ‘Omaha’ (Sundance 2025)
Sound supervisor/re-recording mixer Peter Albrechtsen talks about telling the heartbreaking road trip story from a young girl’s perspective, showcasing the beauty of the changing landscapes and freeways through the musicality of engines, tires, winds, and other environmental sounds, and more:
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Making the Majestic Sound of ‘Mufasa: The Lion King’ – with Onnalee Blank, Harry Cohen, Paula Fairfield, and Luke Gibleon
The “Mufasa: The Lion King” sound team spent over three years perfecting the sound of the film. Here, Onnalee Blank, Harry Cohen, Paula Fairfield, and Luke Gibleon talk about that incredible sound journey:
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