Hear how THE ZONE OF INTEREST’s Best Sound Oscar-winning audio was made, and how OPPENHEIMER’s Best Original Score-winning music was composed:
Read MoreOscars 2024: Go behind the fantastic sound for all the nominees in the ‘Sound’ category here:
Here are the stories behind the Oscar-nominated sound for The Creator, Mission: Impossible – Dead Reckoning Part One, Oppenheimer, Maestro, and The Zone of Interest:
Read More30+ year industry veteran Dave Nelson talks about his experience with building studios, sound for toys, and more:
Audio industry veteran Dave Nelson shares insights and stories from a life in sound:
Read MoreBehind the Refined Mix of ‘Maestro’ – with Tom Ozanich and Dean Zupancic
Re-recording mixers Tom Ozanich and Dean Zupancic discuss their Oscar-nominated mix on Bradley Cooper’s ‘Maestro’ – from mixing big, spectacular scenes like the Ely Cathedral performance recorded live on-set to mixing more dialogue and effects-driving moments like the argument between Leonard Bernstein and his wife Felicia during the parade, and so much more:
Read MoreBehind the Masterful Sound and Music Editing on ‘Maestro’ – with Richard King and Jason Ruder
‘Maestro’ sound supervisor/sound designer Richard King and executive music producer/supervising music editor Jason Ruder talk about capturing and editing the live musical performances on set, editing the recordings of the on-set party crowds, using sound design and effects in a musical way, and much more!
Read MoreDesigning a Myriad of Sounds for ‘Rebel Moon’ – with Scott Hecker and Chuck Michael
Sound supervisor Scott Hecker and sound designer Chuck Michael – at Formosa Group – talk about creating sounds for the myriad of creatures, soundscapes, weapons, and more in director Zack Snyder’s sci-fantasy film series ‘Rebel Moon.’
Read MoreDelivering Detailed Sound for Documentary ‘Never Look Away’ – with Bruno Barrett-Garnier
Sound Designer/Re-recording Mixer Bruno Barrett-Garnier talks about carefully crafting the sound of Director Lucy Lawless’s documentary film ‘Never Look Away’ – in World Documentary Competition at Sundance 2024. The film examines the life and work of unflinching camerawoman Margaret Moth, who captured scenes of war for CNN.
Read MoreSundance 2024: Crafting the Diverse Sound of ‘Love Me’ – with Matt Drake
Award-winning supervising sound editor/re-recording mixer Matt Drake talks about his work on ‘Love Me’ – in US Dramatic Competition at Sundance 2024. Directors Sam and Andy Zuchero used live-action, practical animatronics, classic animation, and game engines to tell this long-spanning love story, and Drake created a unique sonic experience for each act since they are all a different style. He also talks about mixing ‘Love Me’ in Dolby Atmos, as the film was one recipient of the Dolby Institute Fellowship.
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