Here’s why you might want to rethink your networking mindset:
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How to use AI in Audio (without making yourself redundant)
Sound designer and recordist Ana Monte on how we can use AI creatively:
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Why you shouldn’t wait to find game audio work
Are you starting out in sound and haven’t begun looking for work? Sergio Ronchetti thinks you should start today. Here’s why – and how:
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How To Be Collaborative and Creative in the Game Audio Industry – with Gary Miranda
Award-winning Audio Designer Gary Miranda shares his approach to collaborating with game teams to craft immersive sonic universes. He talks about effectively collaborating with in-house game audio departments, shares his views on creating immersive game audio, getting the most from middleware, what changes he’d like to see in game audio, and more!
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Philosophical Principles for Audio Leadership – by Glenn Gullskjegg Goa
As an audio director, how do you guide your team with wisdom and integrity? Glenn Gullskjegg Goa shares inspiring insights here:
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Sound Design Strategies: Purposefully Being A Bad Imitator – by Juan Pablo Uribe:
Juan Pablo Uribe shares his insights on a fruitful creative approach that he’s used ever since starting out in sound – and continues to use to this day:
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How much gear and software do you need to be a good sound designer? Food for thought by Juan Pablo Uribe:
Juan Pablo Uribe on how much (or how little) gear and software you need to succeed in sound design:
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You don’t need to know everything about sound – by Juan Pablo Uribe
Senior Sound Designer and A Sound Effect columnist Juan Pablo Uribe on just how much you need to know to get started and work in audio:
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