Motorcycle sound effects and recordings
For recordings of a hot-tempered ATV (All-terrain vehicle) with a two-stroke engine, check out this sound pack. It consists of a two and a half minute 4-channel recording with two mics on the engine and two on the exhaust. Great for your zipping, sputtering, and revving needs of a fun ride.
HARLEYS… All the makes & models in one place! Sounds of Sturgis Motorcycle SFX pack features 130 sound effects of Harley V-Twin Motorcycles at the world-famous 75th annual Sturgis Motorcycle Rally. Over 700,000 bikers gathered in the town of Sturgis, SD and we were there to record the thundering sounds of thousands of motorcycles…From single bikes rev’ing up to huge packs of bikers riding by.
If you’re looking for the huge Harley sound, this is a must-have.
All sounds were recorded at 96k/24 bit with multiple microphones. Embedded with metadata (Soundminer, Broadcast Wav)
• Large biker groups riding by
• Big and loud American muscle bikes cranking their engines
• Harleys showing off their huge fat sound
• Bike approaches and ride-offs
• Individual bike sounds
The BMW K100 rs Motorcycle library was recorded by placing 2 dpa 4060s on the engine, and two ME4 on the bike itself.
I then used a pair of cm3s to catch drive bys, and a few takes of driving with the boom pointed at the muffler while riding.
It contains wild foley of clicks and gear changes and sound of engine servo before ignition starts.
It is straight forward and has many different varieties so that you will be able to us it for all of your applications. Feel free to inquire about special sounds or takes before you buy here.
Dirt & Asphalt Volume 1 is the first addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from 3 road bikes, with additional bonus content from other road motorbikes.
All 3 bikes have been recorded externally and with onboards to provide a wide range of editing options for film, TV and video game applications. Acceleration and deceleration ramps have also been provided so the content can be replayed using granular synthesis techniques most commonly used in video game applications.
Output Audio have experience in the racing game genre as part of the team that recorded a wide variety of high performance vehicles for the video game ‘Need For Speed Rivals’.
Dirt & Asphalt Volume 2 is the second addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from two motocross events and two practise sessions, with additional bonus content provided as race atmospheres.
AMCA Motocross Classes Included:
MX1/MX2/Experts/Seniors Unlimited classes
Engine Sizes Included:
All bikes have been recorded externally at a range of driving speeds performing stunts and manoeuvres in a competitive race environment. Jumps, pass bys and accelerations from groups and individual riders are all included so the content can be used to recreate a wide range of motorbike driving action!
A collection of ambulance, police and fire truck sirens, captured in Italy. Features both cars, fire trucks and motorcycles – and comes with doppler pass-bys, stationary, close, distant and in-car siren recordings. A bonus selection of car/house alarms is also included, for a total of 15 minutes of howling siren recordings!
An additional 98 alarms and siren recordings have been added to the library, bringing the total number of files to 172 (61 minutes).
The Harley Davidson sound effects library from G4F SFX features high-quality recordings of the Heritage Softail model. All the files have been meticulously recorded, mixed and meta-tagged for rapid use. We used an Aeta 4minx recorder, a pair of Schoeps ORTF and an AKG C414 to boost the center of the stereo sound. An SM58 placed near the exhaust also allows you to add the characteristic “throaty sound” of the Harley that can be mixed to suit your requirements. Each exhaust is on a separate file and is precisely the same length as the ORTF/C414 file for easy synchronization.
Aways – False starts – Accelerations – Gear shifts – On-board camera – Handling of the bike – Horn – Stops / Braking
Get the real Harley Davidson sound from two recording sessions of a Harley Davidson Fat Boy with a 1449 cc V2 engine. The first recording consists of five channels, two exhaust, one engine, one intake and one from a microphone in the sidepocket. It contains start, stop, idle, driving, accelerations, decelerations and more. A surround driveby is added in the end. The recording length is 19 min 23 s.
The second is the older of our two Fat Boy recordings. The classic Harley sound, delivered to you on three channels, two exhaust and one engine. The recording contains several starts, stops, revs, driving and horn. The recording length is 16 min 32 s.
The Iron 883 is not the biggest Harley Davidson bike around, but it has that recognizable HD throttle sound – in a different tone that you might lack in your sound collection.
The library contains starts, idling, passbys at different speeds and onboard driving on both gravel and asphalt roads. A bunch of foley tracks, burglar alarm, false starts, on spot revving recordings and more.
The onboard recordings consists of a Shure SM57 on the motor and an Oktava MK012 cardioid pointed at the exhaust pipe. These are conveniently exported together as stereo tracks to ease synchronization and mixing in your daw.
Each clip contains detailed metadata information, with filename, description, microphone, picture and more.
Get the sounds of a moped with the Keeway TX50 Moped Sound Effects Library. This model is from 2011, and features 6 gears and electric start function. The Library contains 22 sound files (External, Foley, OnBoard). External sounds such as passbys and approaches are stereo files, and Foley recordings are in mono.
OnBoard recordings include 2 different channels: Engine and Exhaust. You can layer and mix these 2 channels of OnBoard sounds – they will line up nicely in your DAW or audio editor.
Do you need an inspiring collection of carefully edited expressive engine sound fx loops?
Loopable Motors 1: Small Engines is a huge collection seamlessly looping engine sounds from ten different engines. The package includes steady engine loops with multiple RPMs, recorded in 96 kHz, 24-bit for creative sound design. Matching start and end clips are included for many loops for easy drag & drop game implementation or sound editing.
Finding high quality, steady engine recordings and editing them to usable, looping clips can be a really time-consuming task. This sound library is designed to give you plenty of creative material to work with in your next project.
Special Edition includes all the steady engine loops plus 25 accelerations for LeSound Audiomotors plugin.
Library highlights:- 10 combustion engines
– 444 sound files (148 sound with 3 pitch versions)
– Power generators, ATV, compressors, lawnmowers, water pumps.
– Multiple RPM speeds (see datasheet)
– Start & end clips for many loops
– Special Edition includes 25 accelerations compatible with LeSound Audiomotors plugin
– 96 kHz, 24-bit stereo WAV files
– 2.23 GB
– Carefully edited, seamless loops
– Soundminer & BWAV metadata
The Mopeds SFX library delivers the sounds of no less than 7 different mopeds. Created in a collaboration between Sonicsalute, sound designer Rune Palving (The Girl with the Dragon Tattoo, 1864, and Tordenskjold), and sound designer Peter Albrechtsen (Antichrist, The Queen of Versailles, and The Idealist).
The included mopeds range from new and non-modified models, to many characteristic-sounding (old and wrecked) models – as well as one heavily-tuned moped.
Onboard driving and maneuvering (long onboard drives) • Ambiences • Passbys • Circles • Incoming/aways • Start/stop • Revs • Horns • Fuel covers
A collection of authentic Italian motorcycles and scooters – includes recordings of models like the Guzzi, Ciao Piaggio, Vespa and Ducati. Recordings include pass-bys, onboard, starting, idle, stopping, horn honking – and even skidding (see the full track list below).
This library has just been updated with 72 new recordings (47+ minutes) of motorcycles & scooters such as the APRILIA 150cc, LAMBRETTA 125cc, MALAGUTI 50cc, MOTOMORINI Scrambler 1200cc, MV AGUSTA F3 600, PIAGGIO X9 500cc and a VESPA 125 ET3 PRIMAVERA
Get the sounds of an old Piaggio Zip 49cc, a 2 stroke scooter from 1999. Its peculiar sound makes it an inestimable tool for film and games, whether it is a karting game, a sandbox or a drama movie.
The library contains 72 onboard, 36 external and 38 foley recordings. Onboard recordings consist of 3 channels (two exhaust and one engine). A mix of these 3 channels has been included. Each single channel is included as well, so it can be layered as you please and make a different mix of the onboard recordings. External files include a stereo setup and a following shotgun.
The riding recordings, where many different actions are happening, contain descriptive markers to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper and Soundminer. The markers are also included as .txt files in a separate folder.
All files come in 96 kHz/24 bit with embedded metadata.
Gear used: Zoom F8, DPA 4066, Sanken Cos11, Sennheiser 416, Sony D100.
False starts, startups, shutdowns, idles, revving, accelerations, decelerations, constant RPM at different speeds, passbys at different speeds and distances, approaches, driving away, kick starts, kickstands, horn, switching on and of with and without keys, light switch, opening and closing storage compartment.
Motorcycles go fast – especially on the racetrack. Here we have the 300cc, 600cc, 1000cc and Moto 3 Classes recorded on the Hairpin Exit, Straight and Fast Turns, with riders going at it solo and some preferring a bit of group action. They sound fast and powerful, except maybe the Moto 3 class which sounds a little like a small prop plane.
The library includes 90 recordings. All files are Sound Miner metadata embedded, 24Bit/48kHz wav files
Road Riders brings a new twist on what you'd normally expect to hear from a motorcycle.
With a focus on capturing the unique sound of Ducati's higher-end motorbikes, the 2012 Ducati Panigale and the 2011 Ducati Monster.
These titans have a unique sound that can be used for many things beyond motorcycles, including spaceships, cinematic whooshes, and a variety of other sci-fi vehicles.
• 2012 Ducati Panigale (pass-bys, revs, idles, ignition, parts)
• 2011 Ducati Monster (pass-bys, revs, idles, ignition, parts)
• designed pass-bys
• Shepard tone loops for accelerations and decelerations
• Bonus files of the 2012 Yamaha FZ8
• Bonus files of the 2001 Honda Shadow
European Sirens is a large collection of 320+ European siren sound effects – captured from ambulances, firefighter trucks and police cars in up to 6 different perspectives.
It features drive-by's, aways, and arriving sirens shot in different perspectives. In-depth recordings of eight different police sirens, three firefighter sirens and three ambulance sirens are included. All sounds are Soundminer metadata embedded.
Get the sounds of the the Honda VTX 1300 – a distinctive cruiser motorcycle.
Its 1300cc displacement is right in the sweet spot between the zippier 750 models and the massive 1800 road warriors. This particular one was equipped with a set of custom Vance and Hines Big Shots exhaust pipes early in its life, giving it a distinctive and throaty note that can be heard up and down the highway. The VTX line is also known for its distinctive transmission, which gives a meaty ‘clunk’ with every shift.
This library is a set of recordings that were made using a combination of onboard and exterior mics at a variety of useful speeds, as well as free running on the highway. Its a smaller set, but very distinctive and useful.
We recorded multiple channels on every movement:
• Onboards consisted of Line audio CM3, Crown PZM and Sanken COS11 mics
• A handheld MKH416 rig covered bys and exteriors
After a half day of recording we had material ranging from idles and slow starts to fast bys and highway runs.
Get the sound of the Tunturi Maxi ‘Pappatunturi’, a Finnish moped model from 1974 with 2 gears and pedals. The library features external, onboard and foley recordings. OnBoard recordings feature 3 different channels: Engine1, Engine2 and Exhaust. All 3 channels of OnBoard sounds can be layered and will line up nicely in your audio editor.
The Ural M72 1943 is 750 cc Soviet WWII motorcycle that is bleeding with class. This sound pack captures this hog with a 4-channel that is nearly six minutes in length. With two mics on its exhaust, one on the engine and one onboard, you get the engine starting, stopping, revving, driving and a surround pass by. This motorcycle sounds just as it looks—beefy!
The second volume of assorted recording sessions and design fragments from Eiravaein Works.
Libraries in the Vaeyan series will be produced over time as new library concepts are explored and researched.
A second helping of intriguing sonic flavor for any sound designer's archive!
A mixture of field recordings from the characteristic Vegas model from Victory motorcycles.
Includes onboard riding takes, as well as exterior passes by, approaches, and departures. Onboard takes are provided in a split left-right configuration as well as a mixed version.
Get the sounds of a Yamaha 24MX 125 cc dirtbike – featuring onboard and exterior recordings.
The recording consists of 11 channels, two exhaust, driver back, chain, two engine, intake and 4 synced exterior channels, left, right, surround and following shotgun. It contains several start, stop, idle, blips, revving at constant rpms without gear, various accelerations and decelerations, driving while braking to get even rpms etc.
Driver back channel is missing for the first startup, and chain channel suffers from bad contact last startup, but we decided to keep those in since they still contain many useful parts. The recording length is 19 min 3 s.
The Yamaha YZ250 Dirt Bike SFX library from Watson Wu delivers the sounds of this 2004 motorcycle with a 250cc 2 stroke engine. Files are divided into external static sounds, external following sounds, foley sounds, and onboard sounds. Captured Onboard – from the driver's point of view. External recordings: External Static is from a fixed stereo microphone. External Following is from an MS Stereo Shotgun mic following the traveling dirt bike.
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