Scarehouse sound design Asbjoern Andersen


I recently discovered that composer and sound designer Marc Straight’s work can be heard in more than 100 scarehouse attractions. And with this being the spookiest of spooky months, here’s Marc with the story on how he creates the sound for scarehouses:
 

Hi Marc, just what are scarehouses exactly – and how did you get involved with creating sound for them?

Scarehouses are haunted attractions. It’s essentially an interactive live theater of horror. I began as an actor in the fourth grade and while acting I heard our music, which was Midnight Syndicate.

It’s essentially an interactive live theater of horror

I loved working in scarehouses and working with music, so naturally I wanted to make music that scared people.
 

Your work is featured in around 100 attractions. What are some of your favorite ones, and why?

Sadly, I haven’t been able to see all of them, that’s a work in progress. But I generally just like the idea of contributing to the industry. I don’t like to say I like one more than an other, when one may exist that is even more to my style.
 

What are some of the scarehouses you’ve worked on?

This year I’ve worked on Richs Fright Farm, Six Flags of America, The Headless Horseman, and assisted with several others. Production time starts around April and ends in early September so summers are a complete nightmare.
 

Say you’re brought in to create the sound for a new scarehouse: How much creative freedom do you get – and what inspires you?

The process usually involves your visiting and being in the rooms I’m going to be working in. I do a small recording of the room to take home and I begin working from there. With creative freedom, it largely depends on what company I work with.

I treat scoring a haunted attraction as I would a video game

Most of the time I make my version, send it to them and they critique what they want added or take away and we have a back and forth from there.

It is very similar to making video games. In fact, I treat scoring a haunted attraction as I would a video game.
 

Could you describe the creative process behind your work on a recent scarehouse project (or perhaps one of your favorite projects) – from beginning to the final result?

One of my favorite projects was creating music for a 2,500 Sqft, two story room (WITH A SLIDE!) that was made to be overtaken by nature and these horrific monsters. So, I’m going to attempt to describe that process:
I had been visiting the grounds to work on the other 30ish tracks that we were using for the scenes so this was the final piece. I got to see the room start out empty and become fully developed over about three weeks. As this happened, I also worked on the audio for it.

I decided to custom design the percussion then work on the sound effects

I started out with piano because at the time the scenes were a bit understated but quickly switched to church organ for a really harsh impact. From there, I wrote the rest of the music except the percussion. The percussion synth I have is, honestly, pretty weak so I decided to custom design the percussion then work on the sound effects.

For the drums:
• I overfilled a tire to the point where it exploded
• Wrapped a condom around a mic and recorded the sound of a tub upside down inside a larger tub of water while being hit by drum mallets
• Mixed those with a bass drum that I had that was tolerable.

Sidenote: I am sure there are better ways to record underwater but couldn’t think of any.
Once the drums were finished, I took metal cans and scraped them against a mirror, bowed cymbals and gongs to create a really uncomfortable metal underlay. That was probably the worst thing I’ve ever had to mix.

And here’s the story about another one:

One room I did sound for was a dental room gone HORRIBLY wrong. The first thing I did was make an atmosphere layer. For that I took the sound of a refrigerator, slowed and pitched dropped it way down until it felt like a pulse. From there, I combined about 30 different saws, drills and screams to make the dental drill sounds. Afterwards I layered the drills to form different actions – Started the test use, went to the closed mouth and into a sound that seems like you’re drilling through bone.

I combined about 30 different saws, drills and screams to make the dental drill sounds

For the bone part, I used an old pencil sharpener and recorded pencils, plastic and thin rocks grinding in it. Around then I sampled people screaming for an abrasive interrupt layer, cries to add to the refrigerator atmosphere and bowed metals just for flavor. The end result was uncomfortable enough to make me dislike listening to it.
 

Get a haunted house-walkthrough:

Want a tour of a real haunted house attraction? In this video, Marc Straight takes you on an empty walkthrough of Richs Fright Farm during their 2015 season to showcase the music production and set design. All scenes have been changed for their 2016 theme. Nothing that is shown in this video will reveal any information or design about their current season:

ARVE Error: The video is likely no longer available. (The API endpoint returned a 404 error)

What’s been the biggest challenge you’ve faced so far in scarehouse sound design?

Making scary electric music for a giant UFO.
 

From a technical perspective, how’s the sound typically delivered in the scarehouses themselves? Is it all loop-based, or are there certain triggers etc?

Most of the time you make a loop track, because cost is always an issue. You usually get asked to make it a minute of sound, but for the sake of the actors and the environment I strongly suggest 3 to 4 minutes. By having more time there are ways to add more dynamics to the tracks.

The other thing that is used a lot are scream boxes, which are set by motion triggers

You could add in stings or high contrast changes, hard tempo resets, etc. The other thing that is used a lot are scream boxes, which are set by motion triggers. Those play a huge sound to be a scare, usually a scream, so that the audience is able to be caught off guard and actors voices to be temporarily spared.

Looking for scary sound effects?

If you need scary sounds for your projects, these are 3 of the most popular horror sound effects collections on A Sound Effect right now:

  • Foley Angry Door 192 Play Track 1400+ sounds included, 103 mins total $42 $33.60

    The doors are very kind, but don’t make them angry. They could lose their temper resulting in a very noisy bang.

    This library enriches the sfx world with new door and gate objects, both source and designed, with variety of expressive actions and perspectives. The everyday usual noises along with fantasy stimulating sounds – e.g. deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate and so on. To make the slams and smashes even more hard, heavy and dirty, wildly designed “Angry” versions have been added.

    Library highlight:
    18 door and gate objects, recorded in old, gloomy houses and a church
    • 6.29 GB, 645 files, several takes for each action
    • “Close-Up”, “Near”, “Middle” and “Behind” perspectives in selected cases, plus mix of them
    192khz/24 bit including ultrasonic information- the greatest resolution for next design processes
    Sound Devices MixPre6, Sanken CO100K, Sennheiser MKH30, DPA 4007, DPA 4060, Schertler Dyn Uni P48
    Photo reference for each object

    20 %
    OFF
    Ends 1553986800
    Add to cart
  • Genres Magic and Spell Sounds Play Track 682 sounds included, 29 mins total $25

    Magic and Spell Sounds is a custom designed sound library covering many types of magic and spells. From shining in the light to bringing darkness.

    Elements: electricity, energy, fireballs, ice, vines, rock, wind and water. Covering actions such as: blasts, casting, conjuring, impacts, healing and more.

    682 total sounds (422 magic and spell sounds, 260 bonus sounds from Pro Sound Collection).

    ALL sounds from this library Magic and Spell Sounds are included in our full sound library Pro Sound Collection. So if you need more sounds be sure to check it out before purchase.

    Add to cart
  • Introducing TRAILER PULSE CLOCK, featuring 10 different types of designed clocks. Contains 7 Kontakt 5.6.6 Instruments as well as .wav versions.

    Features the following clocks:

    Clocks Instruments • Clock Pulse Clean • Clock Pulse FX 1 • Clock Pulse FX 2 • Clock Pulse FX 3 • Clock Pulse Reverb • Clock Pulse Triola
    Add to cart

Find many more scary sounds in the Horror category


 

How are you using sound to guide, spook (and perhaps even trick?) scarehouse visitors? And if you were to break down the soundscape for a scarehouse, what are some of the key elements?

As far as guiding visitors, the set designers usually handle that. They run all the spacing and make the paths clear to go from point A to B in the area. As far as making it scary, you really just need to gather the intent of the room, the subject matter and everything like that, and make it as if you are basically living in that for a film or video game. I like to think of it as a living, breathing version of Silent Hill.
 

In general, what’s essential to great, scary sound, in your book?

High contrast will always be a huge focus for anyone, but the main thing is getting sounds that are naturally uncomfortable and exaggerating that. Creaky doors, the scrapping of guitar strings in to an amp, everyday sounds that make us uncomfortable. A good example of that is in the opening theme to American Horror Story. All the sounds feel somewhat natural, but still innately foreign and that triggers a good solid response.
 

 

Any special techniques or approaches you’re using to create scary sounds?

A source that I have been using lately that is pretty controversially in the sound design world is the use of Omisphere. I’ll make all of my own sound effects, and they have a really expansive sound effects rack that I like to manipulate to create a lot of my patterns and atmospheres that normally I wouldn’t be able to create. Otherwise, I focus on the standards of panning usage, high contrast and harsh dynamic tones.
 

How has scarehouse sound evolved since you started out – and have you noticed any interesting trends?

The trends haven’t changed very much yet. Scarehouses have a tendency to follow slowly behind film trends, with that in mind I see more and more of scarehouses moving toward sound designs and atmospheres in the future rather than orchestra. Of course the classic sounds styles will always exist, but the intent and tone that designers are looking for are changing.

My first year bringing music into the industry I did a mix of orchestra instrumentation as well as atmosphere and sound design. Most of the customers were intently looking for orchestration but a few were strongly into my sound design stuff.

The way things seem to be going is very focused on ambient sound, driven by harsh sound design

After a year establishing myself in the community, I released an album that took an extreme hard turn away from anything symphonic. That one is called Nyctophobia and to date, that’s my most successful album.

The way things seem to be going is very focused on ambient sound, driven by harsh sound design – an example would be the opening theme for American Horror Story. Sound like that is gripping and raw. It feels uncomfortable. Soundscapes like that and Silent Hill are the two biggest styles that I get asked about every year. I don’t see that stopping any time soon.

Just to add to this, for people looking to break into the industry, as much as I talk about trends and stuff the biggest thing is to bring your best into it. Stand out and bring your own brand. If you have something that’s unique and fits the medium people will respond to it. Disregard fear. Be the fear.
 

A big thanks to Marc Straight for his insights on scarehouse sound – meet him on Twitter right here

 

Please share this:


 


 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:
 
 
  • The second in a series of WW Audio SFX Sample Packs. This is Volume 2 – Crowds & Ambiences and contains 70 high quality, professional random, sometimes eclectic sound effects for your theatre or film projects.

    Recordings include;
    Marrakech skyline – calling for prayers, fireworks let off on a Spanish beach, the Church of the Nativity Bethlehem – the birthplace of Jesus, the Church of the Holy Sepulchre Jerusalem – the holy crucifixion site, Benidorm Old Town, Go Karting, The Cheesecake Factory – Las Vegas, The Ramblas – Barcelona, Dam Square – Amsterdam, Italian harbour, Leadenhall Market – London, Munich beer hall, London Aquatic Centre, The Old Town Square – Prague, British National Museum, Mersey ferry ambience, Ducks on a canal and much more.

    ​All files include Soundminer, ID3v2.3.0 and Riff Info metadata embedded into the files to make for easy searching in your database of choice.

  • Foley Angry Door 192 Play Track 1400+ sounds included, 103 mins total $42 $33.60

    The doors are very kind, but don’t make them angry. They could lose their temper resulting in a very noisy bang.

    This library enriches the sfx world with new door and gate objects, both source and designed, with variety of expressive actions and perspectives. The everyday usual noises along with fantasy stimulating sounds – e.g. deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate and so on. To make the slams and smashes even more hard, heavy and dirty, wildly designed “Angry” versions have been added.

    Library highlight:
    18 door and gate objects, recorded in old, gloomy houses and a church
    • 6.29 GB, 645 files, several takes for each action
    • “Close-Up”, “Near”, “Middle” and “Behind” perspectives in selected cases, plus mix of them
    192khz/24 bit including ultrasonic information- the greatest resolution for next design processes
    Sound Devices MixPre6, Sanken CO100K, Sennheiser MKH30, DPA 4007, DPA 4060, Schertler Dyn Uni P48
    Photo reference for each object

    20 %
    OFF
    Ends 1553986800
  • Destruction & Impact Punch Play Track 750+ sounds included From: $75

    Ready for some hard-hitting punch sounds? This combat sound library from The Sound Keeper is sure to leave a mark! When reviewed in The Audio Spotlight, the quality was described as staggering. The Punch library is available in available in three versions:


    Punch Sound Effects Combo Pack

    The combo pack includes everything. You'll get the Processed “Hollywood” style punches. You'll also receive all the processed elements used to create those “Hollywood” processed sounds. This gives you more flexibility to mix and match elements in a variety of different ways. Also, you'll receive all the raw unprocessed files. All of the processed sounds come from the raw files. There are also a LOT of unused punches, blocks, whooshes, whips, etc. in the raw unprocessed files! With the combo pack, you'll have total flexibility and control over your sound creations!

    Key features:
    • Most Extensive Punch Library on the market
    • 750+ Sounds
    • Punches, Kicks, Hits, Grabs, Blocks and Whooshes
    • Processed “Hollywood” Punches including:
    – Classic Style (Indiana Jones, Bruce Lee, etc.)
    – Matrix Style
    – Modern Style (John Wick, Daredevil. etc.)
    – And Much More!
    • Processed Element Sounds
    • The Processed “Hollywood” punches broken down into individual elements so you can mix and match for creative freedom!
    • Raw Unprocessed Sounds
    • New David Morgan Indy Whip Recordings
    • All files at 96Khz, 24 bit
    • Metadata included for programs like Soundminer


    Processed Punch Sound Effects Pack

    Just the processed and mastered sound effects that give you the “Hollywood” sound and style. These are the hard hitting and varied sound effects ready to be plugged into a mix with ease!

    Key features:
    • Includes only designed sounds and designed elements
    • 250+ Sounds
    • Punches, Kicks, Blocks, Impacts, Grabs and Whooshes
    • All files at 96Khz, 24 bit
    • Metadata included for programs like Soundminer


    Raw Punch Sound Effects Pack

    All the raw unprocessed sounds used to create the “Hollywood” style sound effects. These are great for the sound designer who needs total flexibility and control for their unique style!

    Key features:
    • Includes only Raw Unprocessed Sounds
    • 450+ Sounds
    • Punches, Kicks, Blocks, Impacts, Grabs and Whooshes
    • All files at 96Khz, 24 bit
    • Metadata included for programs like Soundminer

 
Explore the full, unique collection here

Latest sound effects libraries:
 
  • Foley Angry Door 192 Play Track 1400+ sounds included, 103 mins total $42 $33.60

    The doors are very kind, but don’t make them angry. They could lose their temper resulting in a very noisy bang.

    This library enriches the sfx world with new door and gate objects, both source and designed, with variety of expressive actions and perspectives. The everyday usual noises along with fantasy stimulating sounds – e.g. deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate and so on. To make the slams and smashes even more hard, heavy and dirty, wildly designed “Angry” versions have been added.

    Library highlight:
    18 door and gate objects, recorded in old, gloomy houses and a church
    • 6.29 GB, 645 files, several takes for each action
    • “Close-Up”, “Near”, “Middle” and “Behind” perspectives in selected cases, plus mix of them
    192khz/24 bit including ultrasonic information- the greatest resolution for next design processes
    Sound Devices MixPre6, Sanken CO100K, Sennheiser MKH30, DPA 4007, DPA 4060, Schertler Dyn Uni P48
    Photo reference for each object

    20 %
    OFF
    Ends 1553986800
  • Industrial Motor Fan Play Track 76+ sounds included $58 $40.60

    MOTOR FAN household edition features both Internal & External mechanical sound from household items.
    Motors and compressors found in the kitchen, ACs & outdoor units + heaters and compressors and more.

    Features motor, fan & compressor sounds from sources like:

    Refrigerators, microwaves, toasters, juicers, fans, AC / hvac, washing machines, boilers, compressors, vents, heaters, chain saws & more
    30 %
    OFF
    Ends 1553986800
  • Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease and at unbeatable value. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.

    Video Thumbnail

    Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.

    For vehicle fanatics, Igniter Full Tank comes with 75GB of additional library content including onboard recordings, ramps & static rev bands, Foley sounds, skids, slides and much more!

  • Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.

    Video Thumbnail

    Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 614 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.

  • Aircraft - Jet/Propeller Planes F16 Maneuvers Play Track 70 sounds included, 45 mins total $39 $27

    The F16 Maneuvers library features 36 recordings of F16 Fighter jets, captured at three different locations from the ground perspective. In addition to those, we included :

    – 22 flight formation sounds (up to six aircrafts), designed using Sound Particles 3D software.

    – 8 recordings captured using contact microphones, attached in a nearby parked vehicle, leading up to some low tones and rumbles, that could be useful as sweeteners in aircraft or other complex sounds.

    – 4 mixing sessions, combining ambient and contact mic recordings.

    The product includes a total of 45 minutes of HQ material (24bit/96kHZ) and a total of 70 sounds, including 17 Soundminer metadata fields, such as description, keywords, category/sub-category, microphones and more.

    31 %
    OFF
    Ends 1553814000
 
FOLLOW OR SUBSCRIBE FOR THE LATEST IN FANTASTIC SOUND:
 
                              
 
GET THE MUCH-LOVED A SOUND EFFECT NEWSLETTER:
 
The A Sound Effect newsletter gets you a wealth of exclusive stories and insights
+ free sounds with every issue:
 
Subscribe here for free SFX with every issue

Leave a Reply

Your email address will not be published. Required fields are marked *