Creating the world’s largest cat sound effects library – with Yarron Katz

The demo for Meow – Cat Essentials

Hi Yarron, how did you come up with the idea for a cat sound library?

Hi Asbjoern. It’s been in the back of my mind for a very long time. Like most Sound Designers I simply recorded everything around me. And it happened to be that I’ve always had cats, and my family had cats. I’ve also volunteered at animal shelters and feed the stray cats outside. On average I’d feed about 12 strays every day, but when the neighborhood cat lady went on holiday, I’d take over and could feed over 40! So naturally over the years I’ve acquired a tremendous amount of cat sounds.

With so many sounds, what approach did you take for the library?

My original plan was to release an absolutely massive library with everything, and perhaps a lite version. But it was a mammoth task that was taking too long and there was demand for a cat library. So I came up with the idea to split it into parts. When deciding how to approach the first one, I realized that most cat sounds were sporadic, overused and scattered around various different libraries. I decided that I’d provide a single go-to library that had all the core sounds in a single package with plenty variation.

When deciding how to approach the first one, I realized that most cat sounds were sporadic, overused and scattered around various different libraries

Once that was decided I could focus on exactly what one would need. I ended up cherry picking from 8 cats to get vocals with sweet, angry, aggressive, sad and begging characters and a plethora of vocalizations, giving you the full spectrum at your fingertips.

JASPER: Jasper – Beautiful on the outside, but crazy on the inside!

Despite the fact that cats seem to be a favorite pet within the sound community, there has been a strange absence of cat libraries – what gives?

I think the problem here is that while there is an abundance of cat owners, not every cat is going to make every sound you need for a library. So you may have a cat, but that cat is going to have a specific character and only produce a particular sound. So you don’t get much of a library out of it.

You may have a cat, but that cat is going to have a specific character and only produce a particular sound

I was in a unique position to be able to capture so many different cats that I ended up having enough of a selection to capture all the essential sounds and with a large variety of characters.

How are the sounds organized?

I based it around the specific cats since each has a particular style. Each folder has the cats’ names with all their vocals. Within the folder the files are named based on the cat and the vocal performance Eg: JASPER Annoyed Meows x 3.

The metadata includes and expands expands on those specifics since a meow could have a begging character, or a sweet character for example. So it’s pretty thorough.

Popular on A Sound Effect right now - article continues below:

 

1

Electric Arcs and Energy

$39.99 $19.99

2

Broken Robot

$12.99 $6.99

3

Stringache

$59

4

Fun Casual Sounds

$15

---

Latest releases:  

• 

  
  Vehicles Skate on Board Play Track 112 sounds included, 22 mins total $49.99

  Skate on Board is an SFX library with the purpose of bringing alive the hidden sounds of skateboarding. This library has 65 stereo recordings with the best sound quality of actions such as jumps, pass by, and grinds over different surfaces like concrete banquets, and rail tubes. Furthermore, this library contains 47 mono audios of P.O.V perspectives which were reordered with different microphones attached to the skateboard to capture the full maneuvers and details of skateboarding.

  Add to cart
• 

  
  Animals & Creatures Discover Oregon – Soundscape Collection Play Track 127 sounds included, 381 mins total $89 $69

  The west is still wild.  A collection of clean and loopable natural ambient atmosphere elements – each 3 minutes long. This collection represents my best content and works great in multitrack layers.

  The core of this collection are natural sounds captured in the wilds of Oregon, USA – Western North America. The wildlife in the forests, streams, lakes, coast, and deserts of Oregon are a good substitute for most US and Canadian states west of the Rocky Mountains, including Washington, California, Nevada, Idaho, Montana, New Mexico, Utah, Arizona, Colorado, British Colombia, Alberta, Alaska, and Wyoming.

  These recordings are from a pristine environment that avoid any human caused sounds.

  22 %

  OFF

  Ends 1566943200
  Add to cart
• 

  
  Animals & Creatures Broken Robot Play Track 87 sounds included $12.99 $6.99

  This library is a small “utility” collection of sounds great for use as Robot/Machines but also great for UI and Weapon design elements.  Servos, various metal objects and analog synths were recorded as source material to create this library.  The library includes raw servo recordings and meticulously performed or designed robotic/machine-like sounds.

  Bonus – Forge Sound Design Tool Sample Map

  If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map.  The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.

  46 %

  OFF

  Ends 1566943200
  Add to cart
• 

  
  Electricity Electric Arcs and Energy Play Track 266 sounds included $39.99 $19.99

  Electric Arcs and Energy is essentially two separate collections of sounds.  The first, Electrical Arcs are more raw.  These arc sounds can be manipulated and mangled to be used as design elements in your project.  They are highly flexible and can easily be pitch-shifted -48 semitones or more.  They remain remarkably useful and clean giving each sound multiple “dimensions”.

  The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups.  Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.

  Recording and Editing

  This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds.  The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz.  All processing and design was then performed at 192kHz.

  Bonus – Forge Sound Design Tool Sample Map

  If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map.  The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.

   

  50 %

  OFF

  Ends 1566943200
  Add to cart
• 

  
  Whooshes liftFX Play Track 275+ sounds included $89 $71.20

  AWE YOUR AUDIENCE WITH RISERS, BUILD-UPS, DROPS AND MORE.
  Risers, build-ups, drops, breaks, downlifters, swells, sweeps, falls – it has never been so easy to hype your audience. Forget samples, just turn the knob or let liftFX even do that for you, automatically, in beat sync at the length you need it to be.

  KEY FEATURES:
  • Playable in real-time with instant auditive and visual feedback
  • Any length, tempo, pitch range and root note possible
  • Tempo sync or time (s) duration
  • Control key parameters independently or automatically (+ reversed)
  • Automation and modwheel (cc1) support for each parameter
  • 275 nifty presets included
  • Optional time lock and control lock to try different presets with current setting
  • High cut and low cut filters, reverb and delay
  • Lightweight plug-in, as it relies on synthesis
  

  USE CASES:
  • Build captivating uplifters, downlifters, drops, rhythmic, percussive builds and more effects out of the box
  • Any electronic genre such as EDM, Trap, Dubstep, Pop, Hip Hop, Drum’n’Bass, House, Techno, and more
  • Cinematic and experimental sound design
  • Beef up your synthesizers with tonal layers or harmonic overtones to achieve a fat, rich sound
  • liftFX requires a free iLok account (click to learn more)
  
  20 %

  OFF

  Ends 1567116000
  Add to cart

What was your recording setup – and how did you get the cats to “perform”?

My recordings started as far back as 2009. My earlier set up then was primarily my Røde NT4 fed into a Fostex FR2-LE. Later in the game, however, I knew I’d be recording vocals and not just cats at home but in the field and wanted to step it up, since I knew this library was going to become a flagship cat library. I did some tests and found the Røde NTG3 worked wonderfully on cats, because of its rich low end. I added a Fethead to the set up, which opens the sound up a bit, bringing its top end a touch closer to Senn416 territory while preserving the bass the Røde captures. I would have preferred a more narrow pattern on the Røde shotgun though, since at times I’d record strays in some noisy surroundings. Post Production could became a bit of a nightmare. Oh and a few lucky takes were caught with the SONY PCM-D100. Don’t leave home without it!

Regarding getting the cats to perform…

I was originally going to say, you simply have to be patient and take what you can get… but when I think about it, that’s not really true. Cats pick up on many signals, just like humans do. They can read facial expressions, body language and voice tone. Truth is I’m sure I was intuitively inspiring them to perform using all of the above. I made them them feel comfortable with me and already had a relationship with them so to speak by feeding them every day or recording family pets.

I’m known as something of a “cat whisperer”. A lot of experience I guess. And I have to live up to my surname you know

Cats are finicky creatures, you really have to earn their trust and affection. If they don’t like you they will ignore you, but at the same time if they do like you, they will make it clearly known. In many cases they were being vocal simply to get my affection. I’m known as something of a “cat whisperer”. A lot of experience I guess. And I have to live up to my surname you know.

AFORI: My (well-fed) Russian Blue. Also a rescue!

Any fun anecdotes from the making of the library?

For sure. This one cat who I named “Bastard Cat” (In the library he’s Bastardo) comes to mind. One of those mean nasty feral tomcats. He would beat up on all the other cats and steal their food. Anyhow, one time he got particularly violent while I was filling their water. Since cats hate water, I splashed some on him to get him scamper away from the other poor cats. He didn’t even move! He just looked at me as if to say, “Yeah… and well else you got?” I just stood there astounded. Despite his deplorable character, I was quite fond of him and him of me. He would follow me around for miles when I took late night walks. He wasn’t the only one. I enjoy going out at night between 3:00am and 5:00am recording sounds outside while it’s quiet. I’ve had to remove many a meow from “Fangs” in Post Production as he’d follow me around crying for me to pet him while I was trying to record crickets, crows or whatever.

FANGS: Fangs shows us how he got his name.

What’s one of your favorite recordings in the library?

Tough question picking a favorite, but I can tell you which sounds had the most impact on me. “Marty” the blind cat. The most astonishing cat I’ve ever met. He became part of the library because of his sad longing mewl. Don’t let the meows fool you though. He is a very happy and amazing fellow. I found him in a parking lot blind and starving. He was wild and wouldn’t let me catch him initially so I simply put food down for him and planned to get a cage to catch him somehow. However, he actually found his way to my street where the strays are fed.

He became part of the library because of his sad longing mewl. Don’t let the meows fool you though. He is a very happy and amazing fellow

Eventually I caught him, got him neutered and checked out at the nearby SPCA. We tried to give him a home at the SPCA offices but he was utterly miserable and would just cower in fear. He was a wild cat, and was completely unfamiliar with interior settings and human interaction. Sad to say but the people working at these places deal with so much cruelty day to day they become jaded. Everyone was working, and no one was helping him acclimatize.

Me and that cat lady I mentioned earlier decided we should put him outside near us and keep a very close eye on him. I was very hesitant but gave it a shot. I’d follow him as quietly as a possible from a far and was absolutely amazed! He knew all the nooks and crannies to get where he wanted. He’d also climb up and down walls and knew where stairs started and finished. I couldn’t believe it! Eventually he settled down two houses down from me and has been a familiar face to the locals for a few years now. He is now quite fat, lets me pet him and is even picky with his food. He specially gets tinned food mixed into his dried food just the way he likes it. So a sad tale but with a happy end especially considering the odds.

MARTY: Marty the amazing! A story of an indomitable spirit!

Now that you’ve provided all the core sounds, what can we expect next?

A lot of the more unusual cat sounds. I’ve got cats sneezing, vomiting, coughing, a cat in heat, scratching, drinking, eating and a bunch more – another comprehensive library but this time of the obscure. Not to mention kittens!

A big thanks to Yarron Katz for sharing with us the creation of ‘Meow – Cat Essentials’! Be sure to check out the library and listen to these amazing cats!

Please share this: