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Posted December 13, 2019 by Asbjoern Andersen in Game audio

Creating Call of Duty: Modern Warfare’s Award-Winning Sound – huge sound team interview:

Hear how the award-winning sound for COD: Modern Warfare was made:

Posted December 11, 2019 by Asbjoern Andersen in Film sound

Here’s how the subtle sound of Scorsese’s The Irishman was made:

Posted December 6, 2019 by Asbjoern Andersen in Film sound

How Frozen 2’s sound design, songs and score were woven into a fluid, immersive soundscape:

Land great savings in A Sound Effect’s sale here:

Here’s why multi-user licensing matters (and has never been easier to get right):

This library contains the source recordings of an M3 Grease Gun using several microphones at 4 different distances!

Perspectives include:

Attached – 1 Microphone attached to the weapon to capture the mechanical cycling of the bolt!
Near – 3 Microphones placed near the weapon, within 10 yards.
Mid – 3 Microphones placed a bit further away, usually 20 – 60 yards.
Far – 3 Microphones placed at a distance, usually 100 – 300 yards.

Also included are “comps” which consist of all perspectives assembled together for ease of use!

238 total sounds of multiple variations for your sound design needs!

Multiple firing mods recorded! Single shots with tail/report ring-out. Burst fire, and automatic fire, all from 4 different perspectives/distances!