Blog | Page 74 Of 230 | A Sound Effect

Posted March 7, 2022 by Jennifer Walden in Television sound

Crafting Unsettling Audio for Netflix’s ‘Archive 81’ – with Mark Relyea, Daisuke Sawa, Alexandra Fehrman and Richard Weingart:

Mark Relyea, Daisuke Sawa, Alexandra Fehrman and Richard Weingart take you behind the scary sound of ‘Archive 81’:

Great new podcasts about film sound and game audio

Posted March 7, 2022 by Asbjoern Andersen in Game audio

8 new podcast episodes worth hearing: Game Audio Business, Oscar nominees explored, game music, working in film sound – and the concept of mastery

Check out these excellent new podcast episodes about sound:

Posted March 4, 2022 by Jennifer Walden in Game audio

Creating an Aural Adventure for ‘Angry Birds Journey’

The ‘Angry Birds Journey’ game audio team talks non-violent sonic destruction, audio branding, character voices, sound rewards, environments, Wwise, and so much more:

Posted March 3, 2022 by Jennifer Walden in Film sound

Making the Nostalgic ’90s Sound of Netflix’s ‘Mixtape’ – with Odin Benitez

Sound supervisor Odin Benitez on bringing the sound of the ’90s to life, building believable club crowds, mixing remotely, influences and evolution + much more:

Posted February 23, 2022 by Asbjoern Andersen in A Sound Effect, Sound community highlights

The Indie Sound Awards finalists are here! Vote for your favorites:

Time to vote for your favorite (and possibly win 5 excellent SFX libraries!):

Posted February 21, 2022 by Asbjoern Andersen in Game audio

How to use Dolby Atmos in game audio:

Check out these 3 tutorials on how you can make use of Dolby Atmos and object audio in your game:

Posted February 18, 2022 by Asbjoern Andersen in New sound effects libraries, SFX interview

Creating the Wild Sounds of Dinosaurs for ‘Extinct Animals – The Jurassic’ – with Vincent Fliniaux and Tibo Csuko:

Find out how this impressive dinosaur sound effects library was created:

Posted February 8, 2022 by Jennifer Walden in Film sound

Finding the Sound of Netflix’s ‘The Lost Daughter’ — with Leslie Shatz

Supervising sound editor/re-recording mixer Leslie Shatz discusses the subtle sonic choices on Maggie Gyllenhaal’s directorial debut ‘The Lost Daughter’:

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