For the first time, get the story behind the sound of all four seasons of Stranger Things in one place:
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Paul Hackner on Building a ’70s-Influenced Sound for Horror Film ‘The Black Phone’
Behind the sound of ‘The Black Phone’ with Supervising sound editor Paul Hackner:
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Huge Emmy 2022 overview: Here are the sound stories behind 14 nominees for Sound Editing and Sound Mixing:
Get the sound stories behind 14 of the 2022 Creative Arts Emmy-nominated shows for Sound Editing and Sound Mixing:
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Perfecting the Sound of Docu-Comedy Series ‘Players’ — with John Chamberlin and Eric Gillingham
John Chamberlin and Eric Gillingham delve into crafting Players’ reactive crowds, making non-traditional choices for production dialogue, working with gameplay sequences, and so much more!
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Behind the sound of ‘Thor: Love and Thunder’ – and Sound Design for Comedy:
Onnalee Blank, Brandon Proctor, Daniel Laurie, Baihui Yang, and Samson Neslund take you behind the sound of ‘Thor: Love and Thunder’
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Creating 14,000 sound effects for ‘Unpacking’ – Jeff and Angela van Dyck talk game audio with Emily Reese:
Hear about the great effort that went into Unpacking’s game audio:
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Voyage into the Sound of ‘Star Trek: Strange New Worlds’ — with Matthew Taylor, Michael Schapiro, and Kip Smedley
Go behind the sound of ‘Star Trek: Strange New Worlds’ in this in-depth interview with Matthew Taylor, Michael Schapiro, and Kip Smedley:
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Behind the music for Obi-Wan Kenobi – with composer Natalie Holt:
Check out Edith Bowman’s interesting interview with Obi-Wan Kenobi composer Natalie Holt:
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