Emmy 2022 Sound Nominees Asbjoern Andersen


The 2022 Creative Arts Emmy nominations are in - congratulations to all the nominees! We've compiled sound stories for 14 of the nominated shows for Sound Editing and Sound Mixing for you below, as well as the full list of Creative Arts Emmy nominees:
Please share:

Loki • Journey Into Mystery:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

loki_sound

Nominees for Sound Editing: Matthew Wood, Co-Supervising Sound Editor • David Acord, Co-Supervising Sound Editor • Brad Semenoff, Sound Editor • Steve Slanec, Sound Editor • Kyrsten Mate, Sound Editor • Adam Kopald, Sound Editor • Joel Raabe, Sound Editor • Anele Onyekwere, Music Editor • Ed Hamilton, Music Editor • Nashia Wachsman, Music Editor • Shelley Roden, Foley Artist • John Roesch, Foley Artist


Behind the sound of Loki:

Read ‘Behind The Fun, Futuristic-Retro Sound Of ‘Loki’ On Disney+’ here

Star Trek: Strange New Worlds • Memento Mori:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

star_trek_sound

Nominees for Sound Editing: Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Kip Smedley, Sound Designer • Clay Weber, Sound Editor • John Sanacore, Sound Editor • David Barbee, Sound Editor • Matt Decker, Music Editor • Alyson Dee Moore, Foley Artist • Rick Owens, Foley Artist • Chris Moriana, Foley Artist


Behind the sound of Star Trek: Strange New Worlds:

Read ‘Voyage Into The Sound Of ‘Star Trek: Strange New Worlds’ here

Stranger Things • Chapter Seven: The Massacre At Hawkins Lab:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

Nominees for Sound Editing: Craig Henighan, MPSE, Co-Supervising Sound Editor • Will Files, MPSE, Co-Supervising Sound Editor • Ryan Cole, MPSE, Sound Editor • Korey Pereira, MPSE, Sound Editor • Angelo Palazzo, MPSE, Sound Editor • Katie Halliday, MPSE, Sound Editor • Ken McGill, MPSE, Foley Editor • Steven Baine, Foley Artist • David Klotz, Music Editor • Lena Glikson-Nezhelskaya, Music Editor

NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Nominees for Sound Mixing: Will Files, CAS, Re-Recording Mixer • Mark Paterson, Re-Recording Mixer • Craig Henighan, CAS, Re-Recording Mixer • Michael P. Clark, CAS, Production Mixer


Behind the sound of Stranger Things:

The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab:



The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab


Read ‘Tick, Tock: How ‘Stranger Things’ Found Season 4’s Haunting Sound’ here Read ‘How the ‘Stranger Things’ Sound Team Creeps You Out’ here

Arcane • When These Walls Come Tumbling Down:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

arcane_sound_

Nominees for Sound Editing: Brad Beaumont, MPSE, Co-Supervising Sound Editor / Sound Designer • Eliot Connors, MPSE, Co-Supervising Sound Editor / Sound Designer • Shannon Beaumont, ADR / Dialogue Editor • Alex Ephraim, MPSE, Foley Editor • Alexander Temple, Music Editor • Alex Seaver, Music Editor • Dan O’Connell, Foley Artist • John Cucci, Foley Artist


Behind the sound of Arcane:

The Sound & Music of Arcane: League of Legends



The Sound & Music of Arcane: League of Legends


The Music and Sound Design of Arcane League of Legends



The Music and Sound Design of Arcane League of Legends


Read ‘How Arcane’s Sonic Magic Is Made’ here

Cobra Kai • The Rise:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

CobraKai_sound

Nominees for Sound Editing: Patrick Hogan, Sound Supervisor • Daniel Salas, Sound Editor • Jesse Pomeroy, Sound Editor • Gary DeLeone, Sound Editor • Nick Papalia, Sound Editor • Andres Locsey, Music Editor • Mitchell Cohen, Foley Artist


Behind the sound of Cobra Kai:

Read ‘Patrick Hogan (‘Cobra Kai’ supervising sound editor) on the intricacies of dialogue, ADR, sound effects and foley on the martial arts action comedy [Exclusive Video Interview]’ here


Popular on A Sound Effect right now - article continues below:


Trending right now:

  • MAGIC SOUND EFFECTS REDEFINED
     
    Enter the world of MAGIC – ARCANE FORCES, where supernatural entities can be heard raging with ultimate power and fury. The distinctly forceful and kinetic character of this comprehensive sound effects library and its designs is supported by countless pristine source recordings of the elements being pushed to their limits. Whether in post production or sound design for games, MAGIC – ARCANE FORCES gives you the edge on the other side.

    WHAT’S INSIDE:
    INCLUDED SOUNDS – KEYWORDS
    ACID, ARCANE, BARRIER, BREATH, BUFF, CURSED, DEBUFF, DIVINE, ELECTRIC, ENERGY, FIRE, GLASS, ICE, IMPACT, LIGHT, LIQUID, METAL, PROCESSED, PROJECTILE, RUMBLE, SEQUENCE, SUMMON, SWEETENER, SWISH, TELEPORT, TEXTURE, VOICE, WATER, WHOOSH, WIND
  • Human Sound Effects Encore! Concert Audiences Play Track 155+ sounds included, 72 minutes mins total $100

    Encore! Concert Audiences is packed with vibrant cheers, applause, and walla to bring your concert crowds to life. The variation from small lounges to outdoor music festivals allows you to cover a multitude of projects. We wanted to put you “in the audience” with this library, so we got nice and close to all the emotion emanating from these crowds. In addition, there are plenty of distant perspectives to give you more general sounding crowds.

    The post process:
    Great care was put into the editing phase of this library in order to maintain clean heads and tails for many of the recordings. We seamlessly sewed together multiple takes for those perfect sounding effects. We also took the time to edit out any and all extraneous noises such as stage sounds, distracting audience voices, offensive nearby claps, and more. In order to maintain the greatest dynamics, these sounds were all mastered at theatrical monitoring levels, giving you the most options in post. Metadata has been thoroughly fleshed out for this library which makes searching for these sounds quick and easy, allowing more time for your creative process.

    Gear Used: Sennheiser MKH30/40 in MS setup, Sound Devices 744t, Sony PCM-D50, Tascam DR-100 mkII

  • African Wildlife is an utterly unique collection of pristine wildlife and nature sounds, recorded in the wilderness of Zimbabwe, Botswana and Namibia over a period of 4 months, 2015. It comes in four categories, covering Mammals, Birds, Ambience and Insects recordings.

    It features animals such as elephant, baboon, jackal, lion, rhino, buffalo, hippo, impala, zebra, bat and hyena, as well as insects and 45 species of birds. 50 minutes of ambience recordings are also included.

    The diversity of African wildlife sounds is widely reflected in this library, with the material including but not limited to screaming, barking, growling, roaring, breathing, grunting, feeding, hooting, warbling, screeching, farting, guffawing, whooping, gurgling, rutting, yapping, snorting, tweeting, trumpeting, chattering and squeaking.

    Extensive metadata including detailed information on location, species, habitat, behaviour and usage is included, formatted for Soundminer. Metadata sheets in .xls and .csv formats are also provided.

    Recording equipment: Sennheiser MKH8040-ST (ORTF) / Sony D100 / Telinga MK2 / Sound Devices USBPre2 / Tascam DR-680

  • Bundles Mattia Cellotto – Complete Bundle Play Track 11100+ sounds included $1,187

    Mattia Cellotto’s extraordinary sound libraries are some of the most popular releases in independent sound effects – and here’s your chance to get them all at a nice discount. Here’s what’s you get:

    NEW: CATACLYSM is a collection more than 1400 sounds in 400+ files of recorded, synthesized and designed sounds created to support important destructive moments and add a stronger sense of extreme consequence to any sound.
     

    ANIMAL HYPERREALISM VOL I is a library containing themed animal vocalisations & sounds, from real to designed creatures totaling more than 1300 individual sounds in 290 files.
     

    ANIMAL HYPERREALISM VOL II is a library containing themed animal sounds & vocalisations, from real to designed creatures totaling more than 2000 individual sounds in 283 files.
     

    ANIMAL HYPERREALISM VOL III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
     

    METAMORPHOSIS is a huge collection of recorded source, synthesized material and hybrid sounds – more than 2300 sounds total.
     

    GLACIER ICE is a library containing over 300 high quality sounds of ice cracking, breaking, shattering in various sizes of blocks – recorded entirely in the Italian Alps over the course of two winters.
     

    POLARITY delivers more than 950 sounds of electricity, science and technology – captured in several locations around the world, from electricity museums to science labs.
     

    ULTRASONIC DRY ICE is a library containing over 600 sounds themed metal resonances, scrapes and all sorts of weird.
     

    ROCKS MOMENTUM gets you more than 1100 sounds of rocks, bricks, wood logs, stones, impacting on different surfaces, rolling, being scraped one against the other and so on. The library was recorded in the Italian alps, and in Inverness, Scotland.
     

    WATER VOLUMES delivers you over 300 sounds of natural hot-springs, bubbles, and liquids of various densities boiling under the effect of dry ice.
     

    METAL GROANS AND SLAMS is a library for which metal was kicked, hammered, bowed and… induced to vibrate through feedback loops?! The collection features 346 unique sounds recorded through field trips in US, UK and Italy.
     

    CRUNCH MODE & THE BORAX EXPERIMENT are also included as a bonus: Crunch Mode features 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust & frozen goods, and The Borax Experiment gets you 158 squishy, gory, slimy, gooey SFX.
     


Latest releases:

  • Inner Sounds Of A Vintage Juke Box is a distinctive sound library that reveals the subtle mechanical noises of the NSM Nostalgia Gold juke box.
    Captured using contact mics and LOM Geofon’s, this collection features deep bass sounds, low-frequency hums, clicks, clanks, soft whirrs and the watery movements of the bubble tube lighting.

    Source Files Info

    Mastered : No
    Normalised : No
    Multi Recording Takes For Varying Nuances
    Multiple Microphone Perspectives
    Recorder : Sound Devices Mix Pre 10II
    Microphones : Stille and Klang spot contact microphones, Organic Audio Cjossul v2, LOM Geofon
    Microphone Perspective : Contact / Magnetic / Suction

    20 %
    OFF
  • The unbridled sound of childhood.

    As both a sound designer and a father of three, I know how challenging it is to capture the spontaneous sounds of children at play in a perfect studio setting. Kids Vol. 1 brings that elusive magic straight to your fingertips, featuring a meticulously curated collection of authentic kids’ sounds—laughing, grunting, playing, screaming, singing, speaking, and more—recorded in both solo and group settings.

    Each file has been carefully treated to remove unwanted noise without sacrificing the character and nuance of the original recordings. The sounds are trimmed and given clear, UCS-compliant filenames and metadata, so you can easily drop them right into your films, games, commercials, or any project that needs an infusion of childlike energy.

    Kids Vol. 1 captures the sound of kids at their best—having fun.

  • Oil-Paper Umbrellas is a collection of sound effects recorded from three sizes of traditional oil-paper umbrellas.
    
It includes various actions such as unfolding, folding, handling movements, creaking, shake-outs, lock mechanism clicks, and grabs.

    Microphones & Recording Equipment:
    Mic (Facing Inward): AKG C414 XLII
    Mic (Facing Outward): Sennheiser MKH 8040

    Recorded at 96kHz/32bit using a Sound Devices MixPre-10 II, and bounced to 96kHz/24bit.

    30 %
    OFF
  • Helicopter Sound Effects Airbus H125 Helicopter Play Track 44+ sounds included, 47 mins total $80

    Over 28 minutes of startups, idling, takeoffs, hovering, approaches, pass-bys, and shutdowns from an Airbus three-blade helicopter, delivered in both stereo and ambisonic formats.

    Also you’ll receive a processed folder containing 24 additional files featuring engine failures, whine ramps, distant fly-bys and other helicopter sound simulations. These have been crafted exclusively from the original source files, showcasing the flexibility of this library and the creative possibilities it offers.

    20 %
    OFF
  • City Life Sound Effects Sonic Snapshot Shanghai Play Track 43 sounds included, 122 mins total $29

    This library features a Sonic Snapshot into the sonic signature of Shanghai, China. Hear traffic ambiences from a city with the world’s highest EV adoption rate, street sweeper bells played by workers driving three-wheeled trucks loaded with cardboard, walla from art galleries and metro stations, and the low-frequency drones of passing ships in the Huangpu River at the Shanghai Bund.

Need specific sound effects? Try a search below:


Love, Death + Robots • In Vaulted Halls Entombed:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

Nominees for Sound Editing: Brad North, MPSE, Co-Supervising Sound Editor • Craig Henighan, MPSE, Co-Supervising Sound Editor • Anthony Zeller, Foley Editor • Jeff Charbonneau, Music Editor • Zane Bruce, Foley Artist • Lindsay Pepper, Foley Artist


Behind the sound of Love, Death + Robots:

Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab:



Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab


Read ‘Interview with ‘Love Death + Robots’ Supervising Sound Editor, Brad North’ here

Ted Lasso • Beard After Hours:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

TedLasso_sound

Nominees for Sound Editing: Brent Findley, MPSE, Co-Supervising Sound Editor • Bernard Weiser, MPSE, Co-Supervising Sound Editor • Ashley Harvey, Dialogue Editor • Kip Smedley, Sound Effects Editor • Mark Cleary, Sound Effects Editor • Jordan McClain, Foley Editor • Sharyn Gersh, MPSE, Music Editor • Richard David Brown, Music Editor • Sanaa Kelley, Foley Artist • Matt Salib, Foley Artist


Behind the sound of Ted Lasso:

Read ‘Bringing Sound to Life on Ted Lasso Featuring Emmy-nominated Supervising Sound Editing Team’ here Read ‘Brent Findley, Bernard Weiser and Sanaa Kelley (‘Ted Lasso’ sound editors): ‘Everybody’s voice is on the table’ [Exclusive Video Interview]’ here

What We Do In The Shadows • The Escape:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

WhatWeDointheShadows_sound

Nominees for Sound Editing: Steffan Falesitch, Sound Supervisor • Chris Kahwaty, MPSE, Dialogue Editor • David Barbee, MPSE, Sound Editor • John Guentner, Foley Editor • Sam Lewis, Foley Editor • Steve Griffen, Music Editor • Ellen Heuer, Foley Artist


Behind the sound of What We Do In The Shadows:

Read ‘The Sound Design of What We Do in the Shadows’ here

Midnight Mass • Book VII: Revelation:


NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special

MidnightMass_sound

Nominees for Sound Editing: Trevor Gates, Co-Supervising Sound Editor • Jonathan Wales, Co-Supervising Sound Editor • Kristen Hirlinger, Dialogue Editor • Jason Dotts, Dialogue / ADR Editor • Michael Baird, Dialogue / ADR Editor • Paul Knox, Sound Effects Editor • Russell Topal, Sound Effects Editor • James Miller, Sound Effects Editor • Matthew Thomas Hall, Sound Effects Editor • Mark Coffey, Sound Effects Editor • Amy Barber, Foley Editor • Julia Huberman, Foley Editor • Brett “Snacky” Pierce, Music Editor • Ben Parker, Foley Artist • Jonathan Bruce, Foley Artist


Behind the sound of Midnight Mass:

Read ‘Making The Mesmerizing Sound Of ‘Midnight Mass’ here Read ‘How Sound Designer Jonathan Wales Gave Us Chills With Netflix’s ‘Midnight Mass’ here Read ‘Midnight Mass interview: The sounds of Crockett Island with supervising sound editor Jonathan Wales’ here

Moon Knight • Gods And Monsters:


NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special

Nominees for Sound Editing: Bonnie Wild, Co-Supervising Sound Editor • Mac Smith, Co-Supervising Sound Editor • Kimberly Patrick, Sound Editor • Vanessa Lapato, Sound Editor • Matt Hartman, Sound Editor • Teresa Eckton, Sound Editor • Tim Farrell, Sound Editor • Leo Marcil, Sound Editor • Joel Raabe, Sound Editor • Ian Chase, Sound Editor • Anele Onyekwere, Music Editor • Stephanie Lowry, Music Editor • Carl Sealove, Music Editor • Dan O’Connell, Foley Artist • John Cucci, MPSE, Foley Artist

NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

Nominees for Sound Mixing: Bonnie Wild, Re-Recording Mixer • Scott R. Lewis, Re-Recording Mixer • Tamás Csaba, Production Mixer • Scott Michael Smith, Score Mixer

moon_knight_sound


Behind the sound of Moon Knight:

Read ‘Making The Mystical Sound Of Marvel’s ‘Moon Knight’ here Read ‘Five Questions With… ‘Moon Knight’ Sound Team Mac Smith, Tim Farrell’ here Read ‘Mac Smith and Tim Farrell (‘Moon Knight’ sound team) on the ‘ballet’ of finding ‘the right sound’ to ‘grab your attention and get your ear’ [Exclusive Video Interview]’ here

The Beatles: Get Back • Part 3: Days 17-22:


NOMINATED:
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)

Nominees for Sound Editing: Martin Kwok, Supervising Sound Editor / Dialogue Editor • Emile De La Rey, Sound Editor • Matt Stutter, Sound Editor • Michael Donaldson, Foley Editor • Stephen Gallagher, Music Editor • Tane Upjohn-Beatson, Music Editor • Simon Riley, Foley Artist

NOMINATED:
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)

Nominees for Sound Mixing: Michael Hedges, Re-Recording Mixer • Brent Burge, Re-Recording Mixer • Alexis Feodoroff, Re-Recording Mixer • Giles Martin, Music Mixer

TheBeatlesGetBack_sound


Behind the sound of The Beatles: Get Back:

Read ‘The Beatles: Get Back Sound Editing Team on Revisiting and Cleaning Up Audio From 50 Years Ago for Peter Jackson’s Hit Docuseries’ here

Succession • Too Much Birthday:


NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Succession_sound

Nominees for Sound Mixing: Nicholas Renbeck, Re-Recording Mixer • Andy Kris, Re-Recording Mixer • Ken Ishii, Production Mixer


Behind the sound of Succession:

Read ‘Shaping The Subdued Sound Of ‘Succession’ here

Pam & Tommy • The Master Beta:


NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

PamAndTommy_sound

Nominees for Sound Mixing: Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer


Behind the sound of Pam & Tommy:

The Sound of ‘Pam & Tommy’



The Sound of "Pam & Tommy"



Only Murders In The Building • The Boy From 6B:


NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation

only-murders-in-the-building_sound

Nominees for Sound Mixing: Lindsey Alvarez, Re-Recording Mixer • Mathew Waters, CAS, Re-Recording Mixer • Joseph White Jr., Production Mixer


Behind the sound of Only Murders In The Building:

The Sound of ‘Only Murders In The Building’



The Sound of 'Only Murders In The Building'


‘Only Murders in the Building’ sound editor Mathew Waters: Dialogue-free ep. ‘like composing music’



'Only Murders in the Building' sound editor Mathew Waters: Dialogue-free ep. 'like composing music'


Read ‘Making The Quietest Episode Of Hulu’s ‘Only Murders In The Building’ here Read ‘SoundWorks Collection: The Sound of Only Murders in the Building’ here

 


See the complete list of 2022 Emmy nominees here

 

 

Please share this:


 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • City Life Sound Effects City & Suburbs Ambiences Play Track 135+ sounds included, 340 mins total $22

    City ambiences, downtown ambiences, suburbs, residential area, harbor, industrial area.. traffic, people in background, urban birds, nocturnal-quiet ambiences etc.

    Check the sound list for additional info.
    High quality recordings recorded in MS, XY, AB; NOS, etc., mostly with Sennheiser MKH microphones and Sound Devices recorder/mixer. Files are without any dynamic manipulation (compression) with max. peak around -5dBFS.
    19 %
    OFF
  • Whoosh Sound Effects Swish and Flick – High Quality Whooshes Play Track 1992 sounds included $60

    Swish and Flick is a sound pack featuring a collection of high-quality whooshes, designed whooshes, whoosh source, and tonal content.
    This pack features 1992 sounds across 138 .wav files (20 Designed, 118 Source) exported at 192kHz/24bit. Aimed at professional sound designers and editors looking for clean, mastered, ready to use assets with plenty of variation for game audio or linear media.
    Recorded on the SD 788T with Schoeps MK 4 & 8 along with the CMD42 digital preamplifiers, as well as an MKH 8040 XY pair (among others), and meticulously cleaned up in iZotope RX while persevering optimal signal to noise and frequency content.
    Detailed UCS meta data is embedded.
    Thanks for taking a listen!

    20 %
    OFF
  • Animal Sound Effects Animal Hyperrealism Vol III Play Track 1711 sounds included $170

    Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.

    The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.

    The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
    Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
    All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
    The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.

    Bonus: Two extra libraries included for free:
    This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
Explore the full, unique collection here

Latest sound effects libraries:
 
  • Inner Sounds Of A Vintage Juke Box is a distinctive sound library that reveals the subtle mechanical noises of the NSM Nostalgia Gold juke box.
    Captured using contact mics and LOM Geofon’s, this collection features deep bass sounds, low-frequency hums, clicks, clanks, soft whirrs and the watery movements of the bubble tube lighting.

    Source Files Info

    Mastered : No
    Normalised : No
    Multi Recording Takes For Varying Nuances
    Multiple Microphone Perspectives
    Recorder : Sound Devices Mix Pre 10II
    Microphones : Stille and Klang spot contact microphones, Organic Audio Cjossul v2, LOM Geofon
    Microphone Perspective : Contact / Magnetic / Suction

    20 %
    OFF
  • The unbridled sound of childhood.

    As both a sound designer and a father of three, I know how challenging it is to capture the spontaneous sounds of children at play in a perfect studio setting. Kids Vol. 1 brings that elusive magic straight to your fingertips, featuring a meticulously curated collection of authentic kids’ sounds—laughing, grunting, playing, screaming, singing, speaking, and more—recorded in both solo and group settings.

    Each file has been carefully treated to remove unwanted noise without sacrificing the character and nuance of the original recordings. The sounds are trimmed and given clear, UCS-compliant filenames and metadata, so you can easily drop them right into your films, games, commercials, or any project that needs an infusion of childlike energy.

    Kids Vol. 1 captures the sound of kids at their best—having fun.

  • Oil-Paper Umbrellas is a collection of sound effects recorded from three sizes of traditional oil-paper umbrellas.
    
It includes various actions such as unfolding, folding, handling movements, creaking, shake-outs, lock mechanism clicks, and grabs.

    Microphones & Recording Equipment:
    Mic (Facing Inward): AKG C414 XLII
    Mic (Facing Outward): Sennheiser MKH 8040

    Recorded at 96kHz/32bit using a Sound Devices MixPre-10 II, and bounced to 96kHz/24bit.

    30 %
    OFF
  • Helicopter Sound Effects Airbus H125 Helicopter Play Track 44+ sounds included, 47 mins total $80

    Over 28 minutes of startups, idling, takeoffs, hovering, approaches, pass-bys, and shutdowns from an Airbus three-blade helicopter, delivered in both stereo and ambisonic formats.

    Also you’ll receive a processed folder containing 24 additional files featuring engine failures, whine ramps, distant fly-bys and other helicopter sound simulations. These have been crafted exclusively from the original source files, showcasing the flexibility of this library and the creative possibilities it offers.

    20 %
    OFF
  • City Life Sound Effects Sonic Snapshot Shanghai Play Track 43 sounds included, 122 mins total $29

    This library features a Sonic Snapshot into the sonic signature of Shanghai, China. Hear traffic ambiences from a city with the world’s highest EV adoption rate, street sweeper bells played by workers driving three-wheeled trucks loaded with cardboard, walla from art galleries and metro stations, and the low-frequency drones of passing ships in the Huangpu River at the Shanghai Bund.


   

Leave a Reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.