The 2022 Creative Arts Emmy nominations are in – congratulations to all the nominees! We’ve compiled sound stories for 14 of the nominated shows for Sound Editing and Sound Mixing for you below, as well as the full list of Creative Arts Emmy nominees:
Loki • Journey Into Mystery:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Matthew Wood, Co-Supervising Sound Editor • David Acord, Co-Supervising Sound Editor • Brad Semenoff, Sound Editor • Steve Slanec, Sound Editor • Kyrsten Mate, Sound Editor • Adam Kopald, Sound Editor • Joel Raabe, Sound Editor • Anele Onyekwere, Music Editor • Ed Hamilton, Music Editor • Nashia Wachsman, Music Editor • Shelley Roden, Foley Artist • John Roesch, Foley Artist
Behind the sound of Loki:
Star Trek: Strange New Worlds • Memento Mori:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Kip Smedley, Sound Designer • Clay Weber, Sound Editor • John Sanacore, Sound Editor • David Barbee, Sound Editor • Matt Decker, Music Editor • Alyson Dee Moore, Foley Artist • Rick Owens, Foley Artist • Chris Moriana, Foley Artist
Behind the sound of Star Trek: Strange New Worlds:
Stranger Things • Chapter Seven: The Massacre At Hawkins Lab:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Craig Henighan, MPSE, Co-Supervising Sound Editor • Will Files, MPSE, Co-Supervising Sound Editor • Ryan Cole, MPSE, Sound Editor • Korey Pereira, MPSE, Sound Editor • Angelo Palazzo, MPSE, Sound Editor • Katie Halliday, MPSE, Sound Editor • Ken McGill, MPSE, Foley Editor • Steven Baine, Foley Artist • David Klotz, Music Editor • Lena Glikson-Nezhelskaya, Music Editor
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Mixing: Will Files, CAS, Re-Recording Mixer • Mark Paterson, Re-Recording Mixer • Craig Henighan, CAS, Re-Recording Mixer • Michael P. Clark, CAS, Production Mixer
Behind the sound of Stranger Things:
The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab:
Arcane • When These Walls Come Tumbling Down:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brad Beaumont, MPSE, Co-Supervising Sound Editor / Sound Designer • Eliot Connors, MPSE, Co-Supervising Sound Editor / Sound Designer • Shannon Beaumont, ADR / Dialogue Editor • Alex Ephraim, MPSE, Foley Editor • Alexander Temple, Music Editor • Alex Seaver, Music Editor • Dan O’Connell, Foley Artist • John Cucci, Foley Artist
Behind the sound of Arcane:
The Sound & Music of Arcane: League of Legends
The Music and Sound Design of Arcane League of Legends
Cobra Kai • The Rise:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Patrick Hogan, Sound Supervisor • Daniel Salas, Sound Editor • Jesse Pomeroy, Sound Editor • Gary DeLeone, Sound Editor • Nick Papalia, Sound Editor • Andres Locsey, Music Editor • Mitchell Cohen, Foley Artist
Behind the sound of Cobra Kai:
Love, Death + Robots • In Vaulted Halls Entombed:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brad North, MPSE, Co-Supervising Sound Editor • Craig Henighan, MPSE, Co-Supervising Sound Editor • Anthony Zeller, Foley Editor • Jeff Charbonneau, Music Editor • Zane Bruce, Foley Artist • Lindsay Pepper, Foley Artist
Behind the sound of Love, Death + Robots:
Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab:
Ted Lasso • Beard After Hours:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brent Findley, MPSE, Co-Supervising Sound Editor • Bernard Weiser, MPSE, Co-Supervising Sound Editor • Ashley Harvey, Dialogue Editor • Kip Smedley, Sound Effects Editor • Mark Cleary, Sound Effects Editor • Jordan McClain, Foley Editor • Sharyn Gersh, MPSE, Music Editor • Richard David Brown, Music Editor • Sanaa Kelley, Foley Artist • Matt Salib, Foley Artist
Behind the sound of Ted Lasso:
What We Do In The Shadows • The Escape:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Steffan Falesitch, Sound Supervisor • Chris Kahwaty, MPSE, Dialogue Editor • David Barbee, MPSE, Sound Editor • John Guentner, Foley Editor • Sam Lewis, Foley Editor • Steve Griffen, Music Editor • Ellen Heuer, Foley Artist
Behind the sound of What We Do In The Shadows:
Midnight Mass • Book VII: Revelation:
NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special
Nominees for Sound Editing: Trevor Gates, Co-Supervising Sound Editor • Jonathan Wales, Co-Supervising Sound Editor • Kristen Hirlinger, Dialogue Editor • Jason Dotts, Dialogue / ADR Editor • Michael Baird, Dialogue / ADR Editor • Paul Knox, Sound Effects Editor • Russell Topal, Sound Effects Editor • James Miller, Sound Effects Editor • Matthew Thomas Hall, Sound Effects Editor • Mark Coffey, Sound Effects Editor • Amy Barber, Foley Editor • Julia Huberman, Foley Editor • Brett “Snacky” Pierce, Music Editor • Ben Parker, Foley Artist • Jonathan Bruce, Foley Artist
Behind the sound of Midnight Mass:
Moon Knight • Gods And Monsters:
NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special
Nominees for Sound Editing: Bonnie Wild, Co-Supervising Sound Editor • Mac Smith, Co-Supervising Sound Editor • Kimberly Patrick, Sound Editor • Vanessa Lapato, Sound Editor • Matt Hartman, Sound Editor • Teresa Eckton, Sound Editor • Tim Farrell, Sound Editor • Leo Marcil, Sound Editor • Joel Raabe, Sound Editor • Ian Chase, Sound Editor • Anele Onyekwere, Music Editor • Stephanie Lowry, Music Editor • Carl Sealove, Music Editor • Dan O’Connell, Foley Artist • John Cucci, MPSE, Foley Artist
NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie
Nominees for Sound Mixing: Bonnie Wild, Re-Recording Mixer • Scott R. Lewis, Re-Recording Mixer • Tamás Csaba, Production Mixer • Scott Michael Smith, Score Mixer
Behind the sound of Moon Knight:
The Beatles: Get Back • Part 3: Days 17-22:
NOMINATED:
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)
Nominees for Sound Editing: Martin Kwok, Supervising Sound Editor / Dialogue Editor • Emile De La Rey, Sound Editor • Matt Stutter, Sound Editor • Michael Donaldson, Foley Editor • Stephen Gallagher, Music Editor • Tane Upjohn-Beatson, Music Editor • Simon Riley, Foley Artist
NOMINATED:
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)
Nominees for Sound Mixing: Michael Hedges, Re-Recording Mixer • Brent Burge, Re-Recording Mixer • Alexis Feodoroff, Re-Recording Mixer • Giles Martin, Music Mixer
Behind the sound of The Beatles: Get Back:
Succession • Too Much Birthday:
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Mixing: Nicholas Renbeck, Re-Recording Mixer • Andy Kris, Re-Recording Mixer • Ken Ishii, Production Mixer
Behind the sound of Succession:
Pam & Tommy • The Master Beta:
NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie
Nominees for Sound Mixing: Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer
Behind the sound of Pam & Tommy:
The Sound of ‘Pam & Tommy’
Only Murders In The Building • The Boy From 6B:
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Mixing: Lindsey Alvarez, Re-Recording Mixer • Mathew Waters, CAS, Re-Recording Mixer • Joseph White Jr., Production Mixer
Behind the sound of Only Murders In The Building:
The Sound of ‘Only Murders In The Building’
‘Only Murders in the Building’ sound editor Mathew Waters: Dialogue-free ep. ‘like composing music’