Emmy 2022 Sound Nominees Asbjoern Andersen


The 2022 Creative Arts Emmy nominations are in - congratulations to all the nominees! We've compiled sound stories for 14 of the nominated shows for Sound Editing and Sound Mixing for you below, as well as the full list of Creative Arts Emmy nominees:
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Loki • Journey Into Mystery:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

loki_sound

Nominees for Sound Editing: Matthew Wood, Co-Supervising Sound Editor • David Acord, Co-Supervising Sound Editor • Brad Semenoff, Sound Editor • Steve Slanec, Sound Editor • Kyrsten Mate, Sound Editor • Adam Kopald, Sound Editor • Joel Raabe, Sound Editor • Anele Onyekwere, Music Editor • Ed Hamilton, Music Editor • Nashia Wachsman, Music Editor • Shelley Roden, Foley Artist • John Roesch, Foley Artist


Behind the sound of Loki:

Read ‘Behind The Fun, Futuristic-Retro Sound Of ‘Loki’ On Disney+’ here

Star Trek: Strange New Worlds • Memento Mori:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

star_trek_sound

Nominees for Sound Editing: Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Kip Smedley, Sound Designer • Clay Weber, Sound Editor • John Sanacore, Sound Editor • David Barbee, Sound Editor • Matt Decker, Music Editor • Alyson Dee Moore, Foley Artist • Rick Owens, Foley Artist • Chris Moriana, Foley Artist


Behind the sound of Star Trek: Strange New Worlds:

Read ‘Voyage Into The Sound Of ‘Star Trek: Strange New Worlds’ here

Stranger Things • Chapter Seven: The Massacre At Hawkins Lab:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

Nominees for Sound Editing: Craig Henighan, MPSE, Co-Supervising Sound Editor • Will Files, MPSE, Co-Supervising Sound Editor • Ryan Cole, MPSE, Sound Editor • Korey Pereira, MPSE, Sound Editor • Angelo Palazzo, MPSE, Sound Editor • Katie Halliday, MPSE, Sound Editor • Ken McGill, MPSE, Foley Editor • Steven Baine, Foley Artist • David Klotz, Music Editor • Lena Glikson-Nezhelskaya, Music Editor

NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Nominees for Sound Mixing: Will Files, CAS, Re-Recording Mixer • Mark Paterson, Re-Recording Mixer • Craig Henighan, CAS, Re-Recording Mixer • Michael P. Clark, CAS, Production Mixer


Behind the sound of Stranger Things:

The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab:



The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab


Read ‘Tick, Tock: How ‘Stranger Things’ Found Season 4’s Haunting Sound’ here Read ‘How the ‘Stranger Things’ Sound Team Creeps You Out’ here

Arcane • When These Walls Come Tumbling Down:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

arcane_sound_

Nominees for Sound Editing: Brad Beaumont, MPSE, Co-Supervising Sound Editor / Sound Designer • Eliot Connors, MPSE, Co-Supervising Sound Editor / Sound Designer • Shannon Beaumont, ADR / Dialogue Editor • Alex Ephraim, MPSE, Foley Editor • Alexander Temple, Music Editor • Alex Seaver, Music Editor • Dan O’Connell, Foley Artist • John Cucci, Foley Artist


Behind the sound of Arcane:

The Sound & Music of Arcane: League of Legends



The Sound & Music of Arcane: League of Legends


The Music and Sound Design of Arcane League of Legends



The Music and Sound Design of Arcane League of Legends


Read ‘How Arcane’s Sonic Magic Is Made’ here

Cobra Kai • The Rise:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

CobraKai_sound

Nominees for Sound Editing: Patrick Hogan, Sound Supervisor • Daniel Salas, Sound Editor • Jesse Pomeroy, Sound Editor • Gary DeLeone, Sound Editor • Nick Papalia, Sound Editor • Andres Locsey, Music Editor • Mitchell Cohen, Foley Artist


Behind the sound of Cobra Kai:

Read ‘Patrick Hogan (‘Cobra Kai’ supervising sound editor) on the intricacies of dialogue, ADR, sound effects and foley on the martial arts action comedy [Exclusive Video Interview]’ here


Popular on A Sound Effect right now - article continues below:


Trending right now:

  • Cinematic & Trailer Sound Effects Abandoned Oil Tank Play Track 327 sounds included $40

    On a recording trip to the smaller Danish port town Struer, I came across an abandoned empty oil tank. Inside I found two giant wires attached to the floor and the ceiling of the tank, almost like a huge 2 stringed double bass. I’m telling you the reverb in there was longer than the Eiffel Tower on a cloudless day !

    On the outside this was just an empty abandoned building, but it turned out it was not empty at all because it was full of sound and a few dead birds. I’m glad I was curious enough to go inside for a closer investigation and not just pass by.

    After several hours of concentrated recording, it was nice to get my ears back out in dry air. I’m happy there are no open sends to Valhalla in real life but experiencing the eternal resonance on the low frequencies from the wires was absolutely amazing.

    Abandoned Oil Tank was recorded with a LOM basic Ucho stereo pair, a Zoom H6 and the LOM Geofon. All files are in 96 kHz/24 bit and contain the original recordings.

    The result is a unique sound effect library including balloon pop impulse responses from a truly unique location that very recently became even more unique since word says that the oil tank is no more and has abandoned this world.

    327 individual sounds – all tagged with Universal Category System (UCS) metadata.

    www.katrineamsler.com

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  • Electricity Sound Effects Polarity Play Track 975 sounds included $72

    Polarity delivers more than 950 sounds of electricity, science and technology – captured in several locations around the world, from electricity museums to science labs. About 50% of the library is all about electricity, with various types of Jacob’s Ladders, Tesla Coils, Ruhmkorff lamp and all sorts of impactful bursts of energy.

    Then we go through welders, plasma spheres, 3D printers, starting to cover a more broad technology theme – like old phones, telegraphs, dynamo wheels, rotary dials, whirling watchers, alarm, lab centrifuges, something scientists call a roller and a rocker, servo sounds, neon lights, a wimshurst machine and sparklers.

    Many sounds in this section were captured from vintage equipment, from a 1928’s tram to old telephone switchboards, high voltage levers and control surfaces.

    All content was recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser 8040 and a Neumann 81i, translating into final assets that have plenty of ultrasonic content, ready for the most extreme manipulation.

    Bonus: Two extra libraries included for free:
    This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
    20 %
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  • Trench Rammers is a one-of-a-kind sound library, created by sound designer Barney Oram. It features recordings of two 20th century Trench Rammers, some of the last operating machines of their kind in the world. The library features 48 files in total, capturing the Trench Rammers using a variety of microphones and perspectives, supplied in 192kHz 24bit WAV file format.

    This library contains multiple recordings of two antique Trench Rammers, the Pegson ER5 and the Warsop Benjo, and also features additional recordings of four antique stationary engines, the Amanco Hired Man (1920s), the JAP 1947, the Lister D (1940s) and the Norman T3000.

    Recorded in Leeds, UK, this library features multi-mic coverage and a range of distance positions captured on all included source content. Microphones used include; Sanken, Sennheiser, Neumann and DPA, captured with Sound Devices and Tascam recorders.

    This library includes detailed SoundMiner metadata and utilizes the UCS system for ease of integration into your library.

    Behind the Scenes Video:


    Trench Rammer


  • Kawaii UI Trailer

Latest releases:

  • Trench Rammers is a one-of-a-kind sound library, created by sound designer Barney Oram. It features recordings of two 20th century Trench Rammers, some of the last operating machines of their kind in the world. The library features 48 files in total, capturing the Trench Rammers using a variety of microphones and perspectives, supplied in 192kHz 24bit WAV file format.

    This library contains multiple recordings of two antique Trench Rammers, the Pegson ER5 and the Warsop Benjo, and also features additional recordings of four antique stationary engines, the Amanco Hired Man (1920s), the JAP 1947, the Lister D (1940s) and the Norman T3000.

    Recorded in Leeds, UK, this library features multi-mic coverage and a range of distance positions captured on all included source content. Microphones used include; Sanken, Sennheiser, Neumann and DPA, captured with Sound Devices and Tascam recorders.

    This library includes detailed SoundMiner metadata and utilizes the UCS system for ease of integration into your library.

    Behind the Scenes Video:


    Trench Rammer


  • The cozy natural rhythms of hums, scrapes, splashes and thuds soundtrack the pottery workshop where the earth meets art. Find the true sound of it with Vadi Sound Library.

     

    About Pottery Workshop

     

    84 sounds that are clean, subtle and capture pretty much every object and action of the magic of fire and earth.

    From the rhythmic hum of the spinning potter’s wheel, to the splash of water, the scrape of clay with the tools shaping and smoothing surfaces, listen up for the symphony of creation.

    You will hear the tapping and thud of ceramic pottery, wooden ribs, wire cutters, loop tools, and sponges, all kinds of rummage, and mud actions on the potter’s wheel. The clicking and whirring of mechanisms during firing cycles add a mechanical counterpoint to the workshop’s natural rhythms.

    You will get variations of sounds in different proximity, size, and style of action. This collection is handy due to the clarity and diversity of the raw sounds. They have both Foley and practical usability and room for further sound design.

    You will get intuitive, detailed naming, UCS compatibility and the usual Vadi Sound craft and attention to detail in 84 pristine sounds. Recorded in 24bit-96kHz.WAV format on our favorite Sennheiser MKH 8040 stereo pair and Zoom F6.

     

    Keywords

    Pottery, workshop, electric potter’s wheel, wheel, oven, heat gun, mud, clay, ceramic, glass, wooden, metal, cup, handle, push, pull, move, remove, shape, tap, shake, clank, level, lid, tool, organizer, toolbox, rummage, fiberboard, button, bucket, sponge, plate, Dremel.

     

    What else you may need

    You may also want to check out Drag & Slide for 477 sound files of dragging, sliding, scraping and friction sounds of different objects made of wood, plastic, metal on various surfaces. Our bestseller Crafting & Survival is another good choice to get access to 1000+ survival, gathering, movement and crafting sounds.

  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Introducing Devils Bane Trailer, a chilling symphony of horror encapsulated in 533 meticulously crafted sound files, ready to unleash terror upon your audience. Dive into a nightmare realm where every creak, whisper, and shriek is meticulously designed to send shivers down your spine.

    • 533 files
    • 3.5 GB of game audio assets
    • All in 96k 24bit .wav
    • Dark Horror Movie Trailer Sound Effects Library
    17 %
    OFF
  • Birdsong from the countryside of the Swedish rural region of Värmland.

Need specific sound effects? Try a search below:


Love, Death + Robots • In Vaulted Halls Entombed:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

Nominees for Sound Editing: Brad North, MPSE, Co-Supervising Sound Editor • Craig Henighan, MPSE, Co-Supervising Sound Editor • Anthony Zeller, Foley Editor • Jeff Charbonneau, Music Editor • Zane Bruce, Foley Artist • Lindsay Pepper, Foley Artist


Behind the sound of Love, Death + Robots:

Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab:



Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab


Read ‘Interview with ‘Love Death + Robots’ Supervising Sound Editor, Brad North’ here

Ted Lasso • Beard After Hours:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

TedLasso_sound

Nominees for Sound Editing: Brent Findley, MPSE, Co-Supervising Sound Editor • Bernard Weiser, MPSE, Co-Supervising Sound Editor • Ashley Harvey, Dialogue Editor • Kip Smedley, Sound Effects Editor • Mark Cleary, Sound Effects Editor • Jordan McClain, Foley Editor • Sharyn Gersh, MPSE, Music Editor • Richard David Brown, Music Editor • Sanaa Kelley, Foley Artist • Matt Salib, Foley Artist


Behind the sound of Ted Lasso:

Read ‘Bringing Sound to Life on Ted Lasso Featuring Emmy-nominated Supervising Sound Editing Team’ here Read ‘Brent Findley, Bernard Weiser and Sanaa Kelley (‘Ted Lasso’ sound editors): ‘Everybody’s voice is on the table’ [Exclusive Video Interview]’ here

What We Do In The Shadows • The Escape:


NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation

WhatWeDointheShadows_sound

Nominees for Sound Editing: Steffan Falesitch, Sound Supervisor • Chris Kahwaty, MPSE, Dialogue Editor • David Barbee, MPSE, Sound Editor • John Guentner, Foley Editor • Sam Lewis, Foley Editor • Steve Griffen, Music Editor • Ellen Heuer, Foley Artist


Behind the sound of What We Do In The Shadows:

Read ‘The Sound Design of What We Do in the Shadows’ here

Midnight Mass • Book VII: Revelation:


NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special

MidnightMass_sound

Nominees for Sound Editing: Trevor Gates, Co-Supervising Sound Editor • Jonathan Wales, Co-Supervising Sound Editor • Kristen Hirlinger, Dialogue Editor • Jason Dotts, Dialogue / ADR Editor • Michael Baird, Dialogue / ADR Editor • Paul Knox, Sound Effects Editor • Russell Topal, Sound Effects Editor • James Miller, Sound Effects Editor • Matthew Thomas Hall, Sound Effects Editor • Mark Coffey, Sound Effects Editor • Amy Barber, Foley Editor • Julia Huberman, Foley Editor • Brett “Snacky” Pierce, Music Editor • Ben Parker, Foley Artist • Jonathan Bruce, Foley Artist


Behind the sound of Midnight Mass:

Read ‘Making The Mesmerizing Sound Of ‘Midnight Mass’ here Read ‘How Sound Designer Jonathan Wales Gave Us Chills With Netflix’s ‘Midnight Mass’ here Read ‘Midnight Mass interview: The sounds of Crockett Island with supervising sound editor Jonathan Wales’ here

Moon Knight • Gods And Monsters:


NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special

Nominees for Sound Editing: Bonnie Wild, Co-Supervising Sound Editor • Mac Smith, Co-Supervising Sound Editor • Kimberly Patrick, Sound Editor • Vanessa Lapato, Sound Editor • Matt Hartman, Sound Editor • Teresa Eckton, Sound Editor • Tim Farrell, Sound Editor • Leo Marcil, Sound Editor • Joel Raabe, Sound Editor • Ian Chase, Sound Editor • Anele Onyekwere, Music Editor • Stephanie Lowry, Music Editor • Carl Sealove, Music Editor • Dan O’Connell, Foley Artist • John Cucci, MPSE, Foley Artist

NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

Nominees for Sound Mixing: Bonnie Wild, Re-Recording Mixer • Scott R. Lewis, Re-Recording Mixer • Tamás Csaba, Production Mixer • Scott Michael Smith, Score Mixer

moon_knight_sound


Behind the sound of Moon Knight:

Read ‘Making The Mystical Sound Of Marvel’s ‘Moon Knight’ here Read ‘Five Questions With… ‘Moon Knight’ Sound Team Mac Smith, Tim Farrell’ here Read ‘Mac Smith and Tim Farrell (‘Moon Knight’ sound team) on the ‘ballet’ of finding ‘the right sound’ to ‘grab your attention and get your ear’ [Exclusive Video Interview]’ here

The Beatles: Get Back • Part 3: Days 17-22:


NOMINATED:
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)

Nominees for Sound Editing: Martin Kwok, Supervising Sound Editor / Dialogue Editor • Emile De La Rey, Sound Editor • Matt Stutter, Sound Editor • Michael Donaldson, Foley Editor • Stephen Gallagher, Music Editor • Tane Upjohn-Beatson, Music Editor • Simon Riley, Foley Artist

NOMINATED:
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)

Nominees for Sound Mixing: Michael Hedges, Re-Recording Mixer • Brent Burge, Re-Recording Mixer • Alexis Feodoroff, Re-Recording Mixer • Giles Martin, Music Mixer

TheBeatlesGetBack_sound


Behind the sound of The Beatles: Get Back:

Read ‘The Beatles: Get Back Sound Editing Team on Revisiting and Cleaning Up Audio From 50 Years Ago for Peter Jackson’s Hit Docuseries’ here

Succession • Too Much Birthday:


NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Succession_sound

Nominees for Sound Mixing: Nicholas Renbeck, Re-Recording Mixer • Andy Kris, Re-Recording Mixer • Ken Ishii, Production Mixer


Behind the sound of Succession:

Read ‘Shaping The Subdued Sound Of ‘Succession’ here

Pam & Tommy • The Master Beta:


NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

PamAndTommy_sound

Nominees for Sound Mixing: Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer


Behind the sound of Pam & Tommy:

The Sound of ‘Pam & Tommy’



The Sound of "Pam & Tommy"



Only Murders In The Building • The Boy From 6B:


NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation

only-murders-in-the-building_sound

Nominees for Sound Mixing: Lindsey Alvarez, Re-Recording Mixer • Mathew Waters, CAS, Re-Recording Mixer • Joseph White Jr., Production Mixer


Behind the sound of Only Murders In The Building:

The Sound of ‘Only Murders In The Building’



The Sound of 'Only Murders In The Building'


‘Only Murders in the Building’ sound editor Mathew Waters: Dialogue-free ep. ‘like composing music’



'Only Murders in the Building' sound editor Mathew Waters: Dialogue-free ep. 'like composing music'


Read ‘Making The Quietest Episode Of Hulu’s ‘Only Murders In The Building’ here Read ‘SoundWorks Collection: The Sound of Only Murders in the Building’ here

 


See the complete list of 2022 Emmy nominees here

 

 

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A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Metal Sound Effects MetalMotion Play Track 2000+ sounds included, 239 mins total $110

    MetalMotion is a sound design construction kit that contains four hours of moving metal mayhem: clicks and clanks, rolls and drags, wronks and squeals, scrapes and rattles, ranging from from tiny to monstrous. Nathan Moody’s unique performances with unusual combinations of props produce everything from Foley-like movements to intense groans and howls.

    Whether you’re covering a robot’s movements, sweetening weapon Foley, making crafting or pick-up sounds in a game, placing unusual layers beneath a kaiju’s roar, or crushing a submarine with undersea pressure, this collection covers the full range of subtle to raucous. Each file has many performance variations for creative choice and game audio asset creation.

    While there are some tasty impacts within, this library’s true focus is on characterful movements: handling, rummaging, opens, closes, ratchets, swirls, rolls, drags, drops, spins, rubs, zuzzes, and bows. Metal containers, filing cabinets, modern appliances, vintage (and very rusty) tools, cymbals, bells, grills, plates, bars, rods, and tubes, and many other props lent their voices to this collection.

    This UCS-compliant library was recorded with a combination of standard, contact, and ultrasonic-capable microphones through Millennia preamps. Sample rates vary based on the amount of ultrasonic content in each file. The audio files are mastered for realism, ready for extreme processing and pitch shifting of your own, but still useful in more grounded contexts.

  • Kawaii UI Trailer
  • Ice Sound Effects Ultrasonic Dry Ice Play Track 635+ sounds included, 71 mins total $38.40

    Ultrasonic Dry Ice is a library containing over 600 sounds themed metal resonances, scrapes and all sorts of weird.
    All the content has been recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser MKH8040 and a MKH416.
    The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.

    Bonus: Two extra libraries included for free:
    This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
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Explore the full, unique collection here

Latest sound effects libraries:
 
  • Trench Rammers is a one-of-a-kind sound library, created by sound designer Barney Oram. It features recordings of two 20th century Trench Rammers, some of the last operating machines of their kind in the world. The library features 48 files in total, capturing the Trench Rammers using a variety of microphones and perspectives, supplied in 192kHz 24bit WAV file format.

    This library contains multiple recordings of two antique Trench Rammers, the Pegson ER5 and the Warsop Benjo, and also features additional recordings of four antique stationary engines, the Amanco Hired Man (1920s), the JAP 1947, the Lister D (1940s) and the Norman T3000.

    Recorded in Leeds, UK, this library features multi-mic coverage and a range of distance positions captured on all included source content. Microphones used include; Sanken, Sennheiser, Neumann and DPA, captured with Sound Devices and Tascam recorders.

    This library includes detailed SoundMiner metadata and utilizes the UCS system for ease of integration into your library.

    Behind the Scenes Video:


    Trench Rammer


  • The cozy natural rhythms of hums, scrapes, splashes and thuds soundtrack the pottery workshop where the earth meets art. Find the true sound of it with Vadi Sound Library.

     

    About Pottery Workshop

     

    84 sounds that are clean, subtle and capture pretty much every object and action of the magic of fire and earth.

    From the rhythmic hum of the spinning potter’s wheel, to the splash of water, the scrape of clay with the tools shaping and smoothing surfaces, listen up for the symphony of creation.

    You will hear the tapping and thud of ceramic pottery, wooden ribs, wire cutters, loop tools, and sponges, all kinds of rummage, and mud actions on the potter’s wheel. The clicking and whirring of mechanisms during firing cycles add a mechanical counterpoint to the workshop’s natural rhythms.

    You will get variations of sounds in different proximity, size, and style of action. This collection is handy due to the clarity and diversity of the raw sounds. They have both Foley and practical usability and room for further sound design.

    You will get intuitive, detailed naming, UCS compatibility and the usual Vadi Sound craft and attention to detail in 84 pristine sounds. Recorded in 24bit-96kHz.WAV format on our favorite Sennheiser MKH 8040 stereo pair and Zoom F6.

     

    Keywords

    Pottery, workshop, electric potter’s wheel, wheel, oven, heat gun, mud, clay, ceramic, glass, wooden, metal, cup, handle, push, pull, move, remove, shape, tap, shake, clank, level, lid, tool, organizer, toolbox, rummage, fiberboard, button, bucket, sponge, plate, Dremel.

     

    What else you may need

    You may also want to check out Drag & Slide for 477 sound files of dragging, sliding, scraping and friction sounds of different objects made of wood, plastic, metal on various surfaces. Our bestseller Crafting & Survival is another good choice to get access to 1000+ survival, gathering, movement and crafting sounds.

  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Introducing Devils Bane Trailer, a chilling symphony of horror encapsulated in 533 meticulously crafted sound files, ready to unleash terror upon your audience. Dive into a nightmare realm where every creak, whisper, and shriek is meticulously designed to send shivers down your spine.

    • 533 files
    • 3.5 GB of game audio assets
    • All in 96k 24bit .wav
    • Dark Horror Movie Trailer Sound Effects Library
    17 %
    OFF
  • Birdsong from the countryside of the Swedish rural region of Värmland.


   

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