Blog | Page 4 Of 230 | A Sound Effect

Posted June 25, 2025 by Jennifer Walden in Film sound

Crafting the Sensational Sound of ‘Sinners’ – with Benjamin A. Burtt, Brandon Proctor, Steve Boeddeker, David Butler, and Felipe Pacheco

The SINNERS post sound team dives deep into their approach of capturing live on-set musical performances, worldizing music stems in the Juke Joint filming location, building believably massive Juke Joint crowds using production recordings, foley, and loop group, crafting experiential musical moments, creating a realistic day to night transition using specific insect and bird recordings, designing natural-sounding vampires, perfecting the immersive Dolby Atmos and IMAX mixes, and much, much more!

Posted June 25, 2025 by Adriane Kuzminski in New sound effects libraries

17 great new sound libraries: Atmos drones, fantasy jungles, European birds, RPG UI actions, hardwood floor footsteps, and more

Discover the very latest in sound effects with these 17 new releases from the independent sound community:

Andor Season 2 sound design and sound effects deep-dive

Posted June 20, 2025 by Jennifer Walden in Television sound

Diving Deeper into Andor S2’s Superb Sound: Building Sonic Intensity for Ep. 208 – with David Acord and Margit Pfeiffer

David Acord (Re-Recording Mixer/Sound Designer/Supervising Sound Editor and Margit Pfeiffer (Dialogue & ADR Supervisor/Supervising Sound Editor) at Skywalker Sound break down their sound work scene by scene on Ep. 208 “Who Are You?” — up for Emmy consideration for both Sound Editing and Sound Mixing for a Comedy or Drama Series (One Hour):

Black Mirror Sound Design and Sound Effects

Posted June 18, 2025 by Jennifer Walden in Television sound

Designing Disquieting Sound for ‘Black Mirror’ Season 7 – with Tom Jenkins, James Hayday, James Ridgway, Poppy Kavanagh, and Alex Sawyer

Explore the disquieting sound for ‘Black Mirror’ Season 7 with sound supervisor/sound designer Tom Jenkins, sound designer James Hayday, re-recording mixer James Ridgway, music editor Poppy Kavanagh, and supervising dialogue editor Alex Sawyer, who dive into their sound work on “USS Callister: Into Infinity,” “Eulogy,” “Hotel Reverie,” and “Plaything.”

Posted June 18, 2025 by Adriane Kuzminski in New sound effects libraries

24 great new sound libraries: Bumper cars, celestial drones, Dublin ambiences, engaging click menus, intense demolition, motorcycle race tracks, and more

Hear the very latest in sound effects with these 24 new releases from the independent sound community:

Posted June 17, 2025 by Jennifer Walden in Television sound

Achieving Articulate Chaos on ‘American Primeval’ using the Rolling Mix Method – with Wylie Stateman and Anne Jimkes-Root

‘American Primeval’ sound designer Wylie Stateman and supervising sound editor/music editor Anne Jimkes-Root talk about their “Rolling Mix” approach to crafting organized chaos and contrasting beauty for Director Peter Berg’s limited series set in the American West.

Posted June 11, 2025 by Jennifer Walden in Game audio

Behind the Captivating Sound of ‘Clair Obscur: Expedition 33’ – Huge Interview with the Sandfall Interactive Sound Team!

The ‘Clair Obscur: Expedition 33’ sound team talks all things audio about their approach to music, designing weapons, creatures, and ambiences, creating systems for interactive music, foley and breaths, working with UE5’s audio pipeline, dynamic mixing, and much, much more!