Nathan Moody talks about his process of using modular/hardware synthesizers to create sound design elements for his new library ‘Analogue Ordinance.’ Plus, he offers advice, tips, and techniques on getting creative with synths (virtual and hardware)!
Read More14 great new sound libraries: Death Valley Canyons, violent storms, protesting crowds, old magicians and more!
Explore the very latest in sound effects with these 14 new sound libraries from the indie community:
Read MoreBehind the sound of all the 2024 Creative Arts Emmy Award winners for ‘Sound Mixing’ & ‘Sound Editing’
The 76th Primetime Creative Arts Emmy Awards winners for ‘Sound Mixing’ and ‘Sound Editing’ were recently announced – a big congrats to the winners and all the nominees! Here, we share the stories behind their Emmy-winning sound:
Read MoreBehind Alien: Romulus’ Awe-Inspiring Sound – a film sound deep-dive with Lee Gilmore and Will Files
FILM SOUND DEEP DIVE: ‘Alien: Romulus’ Sound Supervisor/Sound Designer Lee Gilmore & Re-recording Mixer Will Files on their approach to creating new sounds that felt true to the original Alien (1979) film, mixing a vintage feeling film for modern-day cinemas, the sounds of Xenomorphs, the adversarial android Rook, and much, much more!
Read More24 great new sound libraries: Electric vehicles, ’70s cars and ’50s Jeeps, deep underwater designs, Sri Lankan trains, and much more!
The independent sound community is back in force with these 24 new sound effects libraries:
Read MoreAirwiggles launches the Game Audio Implementournament – here’s how to take part:
Want to hone your game audio skills? The Game Audio Implementournament is here: Find out how you can take part, showcase your skills and win some great prizes:
Read MoreDesigning a Retro Vibe for ‘Riddle of Fire’ – with Garrard Whatley, Hamed Hokamzadeh, and Reece Miller
Director Weston Razooli’s award-winning indie film ‘Riddle of Fire’ – available now on VOD – is a fun, children-led adventure that calls to mind nostalgic films ‘Goonies’ and ‘The Neverending Story.’ The film’s warm, grainy look (it was shot on Kodak 16mm film) had a huge impact on the sound team’s approach. Here, Garrard Whatley (supervising sound editor/re-recording mixer), Hamed Hokamzadeh, MPSE (Studio Manager at MelodyGun), and Reece Miller (foley artist) talk about finding sonic inspiration from ’70s and ’80s-era films, designing sound to capture the nostalgic feel of the film, recording foley props on and off the foley stage, and so much more!
Read More24 great new sound libraries of hunting calls, martial arts, anime combat, Portuguese nature, Moroccan vocal phrases, synthetic bounces, and much more!
Want the freshest sounds for your projects? Check out these 24 excellent new releases from the independent community:
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