Supervising Sound Editor Jacob Bloomfield-Misrach shares insights from overseeing 100+ sound projects per year:
Read MoreTapping into the Sound on ‘Another Round’
Award-winning sound designer Hans Møller discusses his approach to sound on Thomas Vinterberg’s Oscar-winning ‘Another Round’:
Read More#StarWarsDay: How ‘The Mandalorian’ found the new Star Wars sound + 10 other Star Wars Sound Stories:
Join us on this deep-dive into the world of incredible Star Wars sound:
Read MoreServing up Super Sound for ‘Zack Snyder’s Justice League’
Behind the sound for Zack Snyder’s Justice League – with supervising sound editor Scott Hecker, sound designer Chuck Michael, and Foley supervisor Gary Hecker:
Read MoreBehind Sound of Metal’s extraordinary – and ‘Best Sound’ Oscar-winning – audio:
How the Oscar-winning sound for ‘Sound of Metal’ was created:
Read More‘Noise’ is key in Chaos Walking – here’s how the sound team solved that huge creative challenge:
Behind the year-long process of designing the ‘noise’ for Chaos Walking’s dystopian sci-fi world:
Read MoreRichard King on Inventing Inverted Sounds for ‘Tenet’:
Oscar-winning Supervising Sound Editor Richard King shares his approach to designing inverted sounds for ‘Tenet’:
Read MoreBehind the Sound of ‘Tenet’ and ‘Wonder Woman 1984’ – Richard King Special! – A Sound Effect Podcast 14:
Oscar-winning supervising sound editor and sound designer Richard King takes you behind the sound of Tenet and Wonder Woman 1984:
Read More