Asbjoern Andersen


It's May 4th, and let's celebrate that with 11 stories that'll take you on an deep-dive into the world of incredible Star Wars sound:
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How The Mandalorian Score Found The New Star Wars Sound:

Get the story behind Ludwig Görransson’s score for The Mandalorian:



How 'The Mandalorian' Score Found The New 'Star Wars' Sound


The Sound Of The Mandalorian – with Bonnie Wild:

 
In this great interview by the Dolby Institute and the Soundworks Collection, Bonnie Wild – sound effects editor and re-recording mixer of Disney+’s hit show The Mandalorian – takes us behind the scenes for a conversation about achieving cinematic scale and production value on a television budget, balancing the palette of new sound creation with classic Star Wars sounds we all know and love, why mixing in a home theater environment was important for the show, and how to do a Jawa loop group session:



The Sound Of The Mandalorian | Dolby Institute Podcast


Behind the sound for Return of the Jedi – with Ben Burtt:

Check out Mike James Gallagher’s great feature on the sound of Return of the Jedi – with Ben Burtt:



Star Wars: Return of the Jedi sound design explained by Ben Burtt


Twenty Thousand Hertz special – the sound of Star Wars:

In this episode from Audio Podcast Alliance member Twenty Thousand Hertz, the team explores how Ben Burtt created the sonic universe of Star Wars from scratch, one sound at a time – featuring Marshall McGee:


ABC’s fantastic Force of Sound documentary:

Go behind the sound of Star Wars in ABC’s fantastic documentary below:

#StarWarsDay: How ‘The Mandalorian’ found the new Star Wars sound + 10 other Star Wars Sound Stories:
Audio interviews:

 
In this Soundworks Collection interview, supervising sound editors Matthew Wood and David Acord delve into the conceptual and sonic intricacies of evolving “force lightning,” and about working in stages from temp mixes to the final mix in a film with a legacy. They share experiences working playfully and dynamically with director J.J. Abrams, recording lines in actor Adam Driver’s closet, and working on previous Star Wars films.


Matthew Wood and David Acord, co-sound supervisors on Star Wars: The Rise of Skywalker, have been working on the sound of the SW films for nearly two decades. Join us for a wide-ranging conversation on the audio restorations of the original films, the voice of Baby Yoda from The Mandalorian, the importance of sound to George Lucas… and even the controversy about whether Han or Greedo shot first and the notorious “Maclunkey.”
 

(via @Soundworks)

Ben Burtt, on the sound of Star Wars:

Mike James Gallagher has released this brilliant educational video with commentary by legendary sound designer Ben Burtt, giving you the interesting stories behind the making of the Star Wars: A New Hope sound design:

Watch the video here:



Star Wars: A New Hope sound design explained by Ben Burtt


Shaping the satisfying sound of Star Wars Jedi: Fallen Order


How Respawn Entertainment’s sound team designed their first Star Wars game — Jedi: Fallen Order:

 
Read the story here

Go behind the sound of Rogue One here:

Get the story behind he sound for Rogue One: A Star Wars Story in this in-depth feature:



Sound Design for Rogue One: A Star Wars Story


Hear the Rise of Skywalker score here:

Here’s legendary composer John Williams on creating the score for Rise of Skywalker:



John Williams on Star Wars: The Rise of Skywalker Score


Hear the full score below, via Spotify:

Behind the Audio of the Heroes of Star Wars Battlefront II:

EA Dice’s Philip Eriksson shows how the audio team at DICE unified the sound experiences from all eras of Star Wars into one soundscape for Star Wars Battlefront II:



Behind the Audio of the Heroes of Star Wars Battlefront II


 

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  • The Animal Symphony – Flight of the Bees was made possible by the collaboration of Mieles Sandrita, who opened their doors to us and provided exceptional care throughout the recording process.

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    Sound designers Mélia Roger and Grégoire Chauvot have explored the forests of France over the course of 3 years in order to record the diversity of their soundscapes : the dawn chorus during springtime, the trill of insects in the heat of the summer, the quietness of an autumn night or the subtle crackling of frozen trees in winter…

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  • The Door Slam Library 2 includes 10 types of metal, wood, and plastic door sounds from a variety of domestic locations.

  • The Door Slam sound effects library is a small collection made from a recording of a big door in a school building hallway.


   

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