Supervising sound editor Adam Stein and sound designer David Rose share the gory details of their sound design for the death traps in ‘Saw X’:
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35 + year sound veteran, John Dunn shares his perspective on international collaboration for films
Supervising Sound Editor John Dunn looks back at his long career in sound and international filmmaking:
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Crafting the Tense and Terrifying Sound of ‘Talk to Me’ – with Sound Supervisor/Re-recording Mixer Emma Bortignon
Award-winning sound supervisor/re-recording mixer Emma Bortignon takes you behind her approach to immersing the ‘Talk to Me’ audience in the nightmare reality of the characters and keeping them on the edge of their seats:
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‘Gran Turismo’: Recording, Designing, and Mixing The Roaring Sound Of Speed
Charles Deenen, James Evans, John Fasal, Bryan Watkins, Ed Walker, Watson Wu, and Beau Borders take you behind the high-octane sound of ‘Gran Turismo’:
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Making ‘Mission: Impossible – Dead Reckoning Part One’s Meticulous Sound – with Oscar-winning Sound Supervisor James Mather
Oscar-winning sound supervisor James Mather dives into the sound of ‘Mission: Impossible – Dead Reckoning Part One.’ He discusses his approach to creating dynamic, uncluttered, and brutal fight scenes, white-knuckled action scenes, and thrilling chase scenes, as well as how he created the sound of the Entity, and much, much more!
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How Elemental’s Extraordinary Foley was Created – with Shelley Roden, Heikki Kossi, and Scott Curtis
The Foley team at Skywalker Sound – Foley artists Shelley Roden and Heikki Kossi, and Foley mixer Scott Curtis – talk about discovering the sound of element-based characters for Disney and Pixar’s latest feature film ‘Elemental’:
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Designing the Dynamic Sound of Oppenheimer – with sound designer/sound supervisor Richard King
4x-Oscar-winning sound designer/supervising sound editor Richard King discusses his approach to recreating one of the loudest man-made sounds – an atomic explosion – for Christopher Nolan’s latest film ‘Oppenheimer.’
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Building the Fantastic-Plastic Sound of ‘Barbie’ – with Ai-Ling Lee and Dan Kenyon
How re-recording mixer/sound designer/supervising sound editor Ai-Ling Lee and sound designer/supervising sound editor Dan Kenyon used sound to support the humor and heart of ‘Barbie’:
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