Watch Ultraclocked’s Overwatch sound design highlight below:
An in-depth audiovisual showcase of every weapon and hero ability from Overwatch before the launch of the sequel, Overwatch 2.
This video archives all weapons, all abilities, all ultimates, as well as the quick-melee attacks for every character from Overwatch. This showcase is all about the various weapon and ability animations, sounds, and visual effects.
It took me multiple weeks to finish this project. 7 hours (182 GB) of raw footage was recorded and edited!
0:00 Ana • 0:34 Ashe • 1:23 Baptiste • 2:13 Bastion • 3:08 Brigitte • 3:47 Cassidy • 4:25 D Va • 5:25 Doomfist • 6:12 Echo • 7:05 Genji • 7:50 Hanzo • 8:42 Junkrat • 9:45 Lucio • 10:46 Mei • 11:42 Mercy • 12:43 Moira • 13:59 Orisa • 15:00 Pharah • 15:36 Reaper • 16:22 Reinhardt • 17:06 Roadhog • 17:56 Sigma • 18:53 Soldier: 76 • 19:42 Sombra • 20:49 Symmetra • 22:04 Torbjörn • 23:01 Tracer • 23:37 Widowmaker • 24:32 Winston • 25:16 Wrecking Ball • 26:21 Zarya • 27:09 Zenyatta
How do you design your own sci-fi sound effects?
Find out with these 5 exclusive sound design guides:
While creating his impressive Advanced Propulsion debut SFX library, seasoned sound designer and audio lead Paul Stoughton came across some highly useful source material, from some rather unusual places. Here they are:
Independent sound effects creator Chase Steele from Sound Spark has posted an interesting, in-depth video outlining how a single sample can be transformed into 1000s of sci-fi sounds. As a bonus, he’s generously sharing some of the resulting sounds, and you’ll find a link to those below too!
How do you create outstanding sci-fi UI sounds? Find out in this in-depth guide by sound designer Ruslan Nesteruk, covering everything from conceptualizing, design insights and ideas, to tools and real-life examples.
And not only that: Veteran sound designers Mark Camperell, Jason Cushing and Ivo Ivanov also share their key advice on what makes for great sci-fi UI sound design, their favorite design techniques and go-to tools. Happy designing!
Looking to create the sound of a futuristic – and perhaps alien – spaceship? Sound designers Ruslan Nesteruk and Gleb Bondarenko have spent the last few months researching and working on excellent spaceship sound effects – and now they’ve made the most in-depth spaceship SFX guide I’ve ever seen.
In this exclusive A Sound Effect guide, they share their tips and ideas on how to get this vital sci-fi sound element just right; from the conceptual phase, the sound sources, tools and methods, to designing the actual spaceship sound itself.
How do you create awe-inspiring sci-fi weapon sound effects? That’s something sound designers Ruslan Nesteruk and Gleb Bondarenko have spent countless hours researching, recording and experimenting to discover – for their game audio work, and for their recent sci-fi weapon SFX library, Lethal Energies.
In this in-depth sound design guide for A Sound Effect, they share their insights on the tools, techniques and tricks + the key elements you’ll want to consider when designing your next all-powerful sci-fi weapon sound:
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Forest and Mountains features nature and wildlife sounds from California, Washington, and Oregon. Included are a number of bird recordings and forest ambiences, along with some insects, winds, rivers, and rain. Â
These were recorded over the past three years in various forests, foothills, and mountain environments.  A lot of these took place in or near Southern California’s Angeles Forest and San Gabriel Mountains, an area that spans 1200 Square Miles and varies vastly in terrain.
Also included are some sounds from Northern California, along with recordings from the Pacific Northwest.
The recording techniques for this varied as sometimes I went with the recorders running unattended to capture night, dawn and early morning. Other times I’d record while being close by.
Working as a Sound Effects Editor I’ve curated this collection with Editors in mind. Background Ambiences and Spotted FX can really bring a location to life and give it so much story and character and that was a lot of the inspiration behind putting this all together.Â
The Locations
California (61 Files) – This is where a majority of the sounds from this library were recorded and specifically Southern California. Variety of areas and different environments, mostly around Angeles Forest, from Lower Elevation Foothills to more rugged mid-elevation Mountain Canyons and then much Higher Elevation and more remote terrain. Also included are a few recordings from the Eastern Sierras and Northern California.
Washington (19 Files) – Southern WA in Gifford Pinchot Forest and various Northwest Forest areas near Puget Sound.
Oregon (16 Files) – Lakeside Recordings in forest and marsh at Klamath Lake in SE Oregon.Â
The BirdsÂ
Prominent / Specific Birds (36) (Closer Mic Perspective and more detailed) (* denotes multiple versions)
Acorn Woodpecker, Barred Owl, Black-headed Grosbeak, California Towhee, *Canadian Geese, *Fox Sparrow, *Great Horned Owl, *House Wren, Northern Flicker, Oak Titmouse, Pacific Wren, Pileated Woodpecker, *Raven, Robin, *Song Sparrow, Spotted Towhee, Swainson’s Thrush
Other Birds Featured (17) (Mixed together from various perspectives, calm to busy depending on time of day, and then closer to more medium and distant sounds.)
Acorn Woodpecker, American Coot, California Quail, California Towhee, Cassin’s Finch, Fox Sparrow, Great Horned Owl, Hose Wren, Mallard, Mountain Chickadee, Northern Flicker, Nuttall’s Woodpecker, Oak Titmouse, Pied-billed Grebe, Common Poorwill, Raven, Red-tailed Hawk, Spotted Towhee, Steller’s Jay, Western Tanager, Western Wood-Pewee, White-breasted Nuthatch, Wilson’s Warbler, Wrentit, Yellow-throated Blackbird, Zone-tailed Hawk
General Forest (9) – A mix of some wildlife (Chipmunk, Deer, Bullfrogs), and more general lighter forest ambiences.
Insects (7) – Crickets from various perspectives and different forests along with some Grasshoppers.
Rain (4) Light to heavier in a canyon with dense vegetation, some with distant birds.
Rivers (5) Smaller detailed creeks to faster moving rivers.
Wind (11)Â A mix of calm to heavier with gusts, vegetation, and tree creaks.Metadata
Detailed with descriptions and markers and photos to easily navigate and allow for options when searching. UCS was used to categorize and various bird species are identified. I’ve also labeled the metadata with what I consider Lower Elevation (up to 1500 feet), Middle Elevation (2000-5000 feet), and Higher Elevation (above 5000 feet).  Included are the season of the year which was mostly Spring and Summer. Using Open-Tier in Soundminer you can use these to help get a bit more specific to particular environments.The Gear
Sound Devices MixPre-3 & 6 | Zoom F3 & 6 | Sony PCM-D100
Mics
Sennheiser MKH 8020 | Sennheiser MKH 8040 |
Sennheiser MKH 30 | Clippy EM 272
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Game Audio Packs - Game Sound Effects Libraries General UI Sounds Play Track 136 sounds included $10Hello Creators!
Here’s my new pack: “General UI Sounds“
I wanted to create a sound pack to cover different situations in an user interface.
I hope you enjoy implementing this sounds in your project!Making-Off
All this sounds were originally recorded with a Zoom H6 (cardiod microphone), and were processed in Logic Pro X, mainly editing the recorded material but also I used the Logix Pro X sampler.
Some considerations
1. Keep in mind this sounds can be used in a variety of situations, I put a name to the SFX but this doesn’t mean it can’t be used in other contexts.
2. The sounds are in 44.1Khz/16 bit format. I have the original files at 96khz/24bit also, if you need this format, please contact me.
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