Director Coralie Fargeat takes on toxic beauty culture in her film ‘The Substance’. Here, sound designers Valérie Deloof and Victor Fleurant, and foley artist Gregory Vincent, talk about their approach to the film’s body horror, their recording techniques for creating internal POVs, how they used sound to reinforce personalities, to humanize or dehumanize characters, and much more!
‘Joker: Folie à Deux’ re-recording mixers Dean A. Zupancic and Tom Ozanich on working with live on-set performances for the songs, crafting incredibly immersive scenes using panning, reverbs, EQ, and level to sell the movement of the sounds in the surround field, and so much more!
Sound supervisors Matthew Collinge and Danny Sheehan share insights on their sound work for Director Ridley Scott’s ‘Gladiator II’ – from building colossal, reactive crowds to recording custom-made arrows, and much more
Ready for the very latest in sound effects? Check out these new releases from the independent sound community:
Sound supervisors/re-recording mixers Paul Cotterell and James Harrison talk about crafting chaotic and emotionally affecting sound for Director Steve McQueen’s historical WWII drama ‘Blitz’ – streaming on Apple TV+. They discuss their approach to constructing intense bombing sequences as well as touching moments of camaraderie and human connection.
The independent sound community strikes back with a staggering 38 new sound effects libraries for you here:
Supervising sound editors Larry Zipf and Rich Bologna give you the exclusive story behind the sound of ‘The Penguin’:
