You can hear from Austin Wintory about his upcoming work, listen to a conversation about the sound of Battle of the Sexes, and even experience a robot/human mastering face-off which compares the “ears” of LANDR, Aria and iZoTope Ozone with the likes of Sterling Sound and Steven Slate. And that's not even half the episodes! Happy listening!
Episode outline: ‘In this exclusive podcast we talk with Sound Supervisors Ai-Ling Lee and Mildred Iatrou Morgan who worked on the Fox Searchlight film, Battle of the Sexes. This conversation took place on Friday, November 10th at Fox Studios and was moderated by Michael Coleman of SoundWorks Collection.’
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Episode outline: ‘Can robots really master our music? Kenny Gioia set up poll on Facebook to see, asking people to choose between six different masters of the same song – three by humans (including Sterling Sound and Steven Slate) and three by machines (LANDR, Aria and iZoTope Ozone).
The great thing is, the test was blind, and loudness matched – so no-one knew which master they were listening to, and loudness didn’t influence the way the masters sounded.
And the results of the poll were fascinating. In this show Kenny reveals which master was which, and we discuss the results – including:
* Why this is not a scientific test
* Ian’s blind comments on the masters, including his instincts about which was which
* Why the poll results are probably skewed
* When automated makes sense
* What the robots still can’t do – and maybe never will’
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Episode outline: ‘René and Timothy take a crack at answering questions sent in by listeners. Topics range from how to tackle a short film if you are doing it all yourself, best ways to find freelance work outside of the big post audio centers, google alerts for field recording and more.’
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Episode outline: ‘We talk about Austin’s recent work on Absolver and Tooth and Tail, as well as looking forward to Journey Live and Banner Saga 3. We also talk a little bit about developing your voice as a composer and being true to yourself, enjoy!’
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Popular on A Sound Effect right now - article continues below:
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Electricity Sound Effects The Arcane Electric Spells Play Track 622 sounds included, 78 mins total $50622 meticulously processed stereo electric and lightning spells sound effects recorded in 96 khz and 24 bits for high audio definition.
The collection comes with hundreds of variations, more than 1 hour of content and many different type of spells. It also includes raw files for more flexibility for your projects.
This collection is perfect for any films, video games or trailers.
The library is fully focused on electric, thunder and lightning spells. You will find simple one shot electric impacts, powerful high level thunder spells, magic weapon enchantments and so on. Spells such as lightning strike, electric blast, thunderbolt, magnetic field, thunder hammer, electric sword, lightning projectile, etc. are included in this library.
Recorded assets: Thunder, big and small adhesive tapes, inflated balloon, styrofoam, cellophane, various clothes, baseball glove, winter gloves, metal objects, aluminum foil, oven door, etc. Analog/digital synths and ultrasonic/geophone usage for more variety.
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Cinematic & Trailer Sound Effects Magic – Alchemy Play Track 4213 sounds includedFrom: $135From: $108SONIC SPELLS WITH REAL PERSONALITY MAGIC – ALCHEMY is a professional sound effects library built from real chemical reactions and elemental forces. It delivers short, character-rich magic sound effects perfect for spellcasting, magical UI design, and fantasy storytelling. Designed to sit cleanly in a mix and shimmer with personality, these spell sounds are ideal for games, trailers, audio dramas and more. Real reactions, recorded with obsessive detail.
Magic Sounds from Real Chemical ReactionsNo digital fakery here. Every sound in MAGIC – ALCHEMY began as a live experiment — alcohol burning in jars, butane growling through pipes, fuses igniting, water swirling in glass. These are true-to-life textures, captured in a lab-grade recording setup. The result? Magical sound with depth, realism, and spark..
Short, Sharp, and Ready to UseThese are not long, cinematic flourishes. This library is about immediacy — short, dry, punchy magic effects that are easy to slot into your project. Ideal for game asset design, magical feedback sounds, and trailer moments where clarity counts.
Three Spell Flavours: Holy, Cursed, NeutralNeed a healing chime, a cursed hex, or something more ambiguous? The Designed section is grouped into Holy, Cursed, and Neutral categories — giving you emotional options that match your scene’s intent, whether you’re crafting a fantasy RPG or a subtle magical interaction.
Built for Professionals, Whatever You CreateWhether you’re layering magic for a fantasy film, adding interactive audio to a mobile game, or creating rich textures for audiobooks or theatre, MAGIC – ALCHEMY fits right in. It’s mix-ready, flexible, and full of sonic character.
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Episode outline: ‘In this month’s The New Audio Podcast, iZotope’s Community Manager Sean Greenhalgh and Product Specialist Geoff Manchester interview a pair rarely found in the wild together: a mix engineer and a mastering engineer. More specifically, Brooklyn Producer/Engineer Aaron Bastinielli (Noah Cyrus, Matt and Kim, The Roots, Bono, and The Hold Steady) and his mastering partner in crime, LA Mastering Engineer Michelle Mancin (Fitz and The Tantrums, Portugal The Man, Fifth Harmony, Jessie J, and Noah Cyrus). These two have spent many years enhancing and finishing each other’s musical ideas. Sean and Geoff chat with them about the careful conversations between mix and mastering engineers, achieving depth and dynamics in their work, as well as touching on how male engineers might be allies to female engineers in audio production.
Alright audience, kick back, relax and be whisked away to the magical world of The New Audio Podcast.’
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Episode outline: ‘In this show, music industry guru Bobby Owsinski gives you his personal insights into the industry of music covering industry news, reviews, analysis and tips as well as offering an amazing interviews with prominent industry movers and shakers every show! If you know Bobby, you know you are in for an enlightening and engaging treat. So enjoy the show!’
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Episode outline: ‘A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where you’ll find in-depth coverage and opinions related to game audio.’
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Cinematic & Trailer Sound Effects Magic – Alchemy Play Track 4213 sounds included
From: $135From: $108SONIC SPELLS WITH REAL PERSONALITY MAGIC – ALCHEMY is a professional sound effects library built from real chemical reactions and elemental forces. It delivers short, character-rich magic sound effects perfect for spellcasting, magical UI design, and fantasy storytelling. Designed to sit cleanly in a mix and shimmer with personality, these spell sounds are ideal for games, trailers, audio dramas and more. Real reactions, recorded with obsessive detail.
Magic Sounds from Real Chemical ReactionsNo digital fakery here. Every sound in MAGIC – ALCHEMY began as a live experiment — alcohol burning in jars, butane growling through pipes, fuses igniting, water swirling in glass. These are true-to-life textures, captured in a lab-grade recording setup. The result? Magical sound with depth, realism, and spark..
Short, Sharp, and Ready to UseThese are not long, cinematic flourishes. This library is about immediacy — short, dry, punchy magic effects that are easy to slot into your project. Ideal for game asset design, magical feedback sounds, and trailer moments where clarity counts.
Three Spell Flavours: Holy, Cursed, NeutralNeed a healing chime, a cursed hex, or something more ambiguous? The Designed section is grouped into Holy, Cursed, and Neutral categories — giving you emotional options that match your scene’s intent, whether you’re crafting a fantasy RPG or a subtle magical interaction.
Built for Professionals, Whatever You CreateWhether you’re layering magic for a fantasy film, adding interactive audio to a mobile game, or creating rich textures for audiobooks or theatre, MAGIC – ALCHEMY fits right in. It’s mix-ready, flexible, and full of sonic character.
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