Asbjoern Andersen


What’s the fastest, easiest way to get started using Soundly to add, find, and transfer sound effects into your projects?

This post is a quick-start guide to help you begin searching and using your sound library in minutes. It focuses on the broad strokes to complete tasks easily and swiftly. Future articles will share extra features, options, and detailed how-to guides.


Written by Paul Virostek.
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Animal Hyperrealism IV Is Here!
 

The Soundly How-To Series:

This is the second part in the Soundly series by SFX guru Paul Virostek – here are the other ones:

1. An introduction to Soundly
3. How to Organize Sound Libraries with Soundly
4. How to Find and Use Sound FX Clips with Soundly
5. 5 Killer Features in Soundly


If you want to take Soundly 2 for a spin, download it for free for Windows here, and Mac here.

Installing Soundly

Getting started with Soundly is easy. First, let’s begin by downloading the Soundly app to your computer.

MacOS

Soundly supports MacOS 10.6.8 and later.

  1. Visit www.getsoundly.com.
  2. Click the Apple icon beneath the “download for free” text. This will begin downloading the installation app to your default download location on computer.
  3. Go to your default download location.
  4. Double click Soundly.dmg. A new window will open.
  5. Drag and drop the Soundly icon to the Applications folder.
  6. Go the Applications folder.
  7. Double click the Soundly icon. This will launch Soundly.

Windows

Soundly supports Windows XP and later.

  1. Visit www.getsoundly.com.
  2. Click the Windows icon beneath the “download for free” text. This will begin downloading the installation app to your default download location on computer.
  3. Go to your default download location.
  4. Open Soundly-setup.exe.
  5. Follow the setup wizard and select the destination folder for Soundly.
  6. Go to destination folder for Soundly.
  7. Double click the Soundly icon.

Creating a Soundly Account

Soundly isn’t burdened by copy protection schemes. Instead, using the app requires only a simple email account. As soon as you launch Soundly you will be asked to create an account.

  1. Open Soundly.
  2. Click Register.
  3. Type your email and create a password.
  4. Click the button next to “I have read and agreed to the EULA.”
  5. Click Select Subscription. A new page will appear.
  6. Choose your subscription from the three options: Free, 24hr Pass or Pro Monthly.

    If you have selected a subscription with fee (24hr Pass or Pro Monthly):

    1. Fill out your Billing details.
    2. Click Payment.
    3. Fill out your credit or debit card information.
    4. Click Purchase.

Note: if you have selected Pro Monthly, a monthly fee ($14.99) will be charged to your credit or debit card.

An Introduction to the Soundly Workspace

Once you have created an account, the main Soundly workspace will appear. This is where you will spend most of your time using Soundly.

(There are other areas, such as the Store, News, and Settings pages, which will be discussed in later posts.)


Sound libraries and playlists are shown in the left pane.

This area is used to add and remove sound libraries and folders of sounds, and gather them in playlists or “Starred” favourite lists.

This area is a way to see entire sound collections, clip libraries, and global groups of sounds.

Search results are displayed in the large pane to the right. This shows sounds in a chart view that displays the name, description, and sound stats.

The bottom area presents a selected sound’s waveform, complete with play/stop and rewind transport controls, volume, speed, and selected sound file stats.

The window can also be organized in “Dock-Mode.” This presents all panes organized left-to-right at the base of the OS desktop. This is a helpful way of saving screen space. It is also a valuable way to allow Soundly and editing apps to work side-by-side.
 

Adding Sound Libraries to Soundly

The easiest way to add sound libraries to Soundly is to simply drag and drop them on the main Soundly window.

  1. Select a folder of sound files from a hard drive.
  2. Drag and drop the folder onto the main Soundly browsing window. A new window will appear.
  3. Release the folder on the Local area of the window. A new window will appear.
  4. Click Import. The files will be indexed and added.

That’s it! The files will be added to Soundly. You can find them by clicking the arrow to the left of Local in the left pane, then clicking the name of the sound library. This will display all sounds from that folder.

Finding Sound FX in Soundly

How can you find the clips you need? The easiest way to find sound fx is:

  1. Click the white field next to the magnifying glass in the upper left of the main window.
  2. Type keywords for the sound you want to find.
  3. Press the return key. Results will be displayed in the right pane.

 

Auditioning Sound Clips in Soundly

Soundly has powerful tools to play and manipulate clips. The simplest way to listen to clips is to click on a row in the search results. The sound will begin playing immediately. Press spacebar to stop and restart playback.

Soundly also allows playback of a portion of a sound. Simply drag the mouse cursor across an area of the sound waveform. This will highlight the area that will be played. Press spacebar to begin playback of just this section of the whole sound clip.
 

Transferring Sound

Once you have found a clip you like, you can transfer it to other apps, such as video editing apps, desktop folders, or sound editing apps. Here’s how:

  1. Select the sound you want in the right pane of the search results.
  2. Select the part of the sound you want to transfer.
    • To transfer the whole sound, type CMD/CTRL+a to select it all.
    • To transfer part of a sound, drag across a portion of the sound to highlight the area you’d like to transfer.
  3. Click and hold the selected area.
  4. Drag the selection into the destination app or another folder. The sound or clip will be copied and placed in the app or folder.

And that’s it! Those are the basics to begin using Soundly to add and find sounds and transfer and use them in other apps.

Stay tuned for future articles that explore these and other features in detail.

Try Soundly 2 for free:

If you want to take Soundly 2 for a spin, download it for free
for Windows here, and Mac here.
 

Please share this:


 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Strident and Demonic

    Expand the timbre of your horror violins and cellos with CIRCUS, a sinister sample pack featuring 180 WAV sounds of screeching or high-pitched string noises, perfect for horror music and dark sound design.

    Creative Tension

    This collection offers a curated selection of screeches, high-tension tremolo, heavy jeté strokes, dark demonic textures, finger patterns, chaotic string elements, clock loops and bow accents.

    Haunting and Experimental

    Create haunting atmospheres, perfect for horror, thriller or experimental soundtracks. Every element has been designed to unsettle and disturb, blurring the line between music and noise.

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  • This is a unique bicycle library that captures road surfaces from the perspective of super quiet bicycle. These are clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The Extra Surfaces library provides 162 sounds captured on the following road types Large Bricks, Gravel, Grit, Icy Asphalt.

    The four additional ‘onboard road’ surfaces are the perfect extension for your other ‘City Bicycle’ library of taste. Just add it as a layer, mix it and voila your bicycle can move from gravel to bricks to grit or from large bricks to slippery icy asphalt roads.

    Speeds and actions:

    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently brakes to smooth departures.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:

    FREE UPDATE to City Bicycles: now conforms to UCS with new metadata to quickly find your sounds.

    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.

    CategoryFull
    A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.

    UserCategory
    Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.

    OpenTier

    Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.

    Scene &  Performer
    This field contains the type of bicycle or other sound. So you can find the bike you like fast.

    iXMLTrackLayout
    This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.

    MicPerspective

    We have another way to find perspectives but it is more limited to distance to the recorded subject.
    So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!

    UserComments
    We used this field to create the UserData and give you the minimal set of information about the recording in the filename.

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.

    If you have any questions about this, please contact us info@frickandtraa.com!

    Need more?
    The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!

    Here’s a handy comparison table:

     

    'City Bicycles'  Sound Library by Frick & Traa
    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

    City Bicycles sound examples

     

  • This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The GoodBike is a smooth sounding retro bike that doesn’t rattle or squeak, it has a really nice tire sound for a subtle presence in the mix.

    Speeds and actions:
    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:

    FREE UPDATE to City Bicycles: now conforms to UCS with new metadata to quickly find your sounds.

    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.

    CategoryFull
    A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.

    UserCategory
    Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.

    OpenTier

    Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.

    Scene &  Performer
    This field contains the type of bicycle or other sound. So you can find the bike you like fast.

    iXMLTrackLayout
    This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.

    MicPerspective

    We have another way to find perspectives but it is more limited to distance to the recorded subject.
    So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!

    UserComments
    We used this field to create the UserData and give you the minimal set of information about the recording in the filename.

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.

    If you have any questions about this, please contact us info@frickandtraa.com!

    Need more?
    The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!

    Here’s a handy comparison table:

    'City Bicycles'  Sound Library by Frick & Traa

     

    Here’s a handy comparison table:

    'City Bicycles'  Sound Library by Frick & Traa
    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

    City Bicycles sound examples

     

Explore the full, unique collection here

Latest sound effects libraries:
 
  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.

  • Sirens VEHICLE SIRENS: Europe Play Track 450+ sounds included $115

    VEHICLE SIRENS: EUROPE is the ultimate emergency siren collection, featuring more than 20 authentic tones from across Spain, France, Italy, the UK, Germany, and the Netherlands. From police, ambulance, and fire services, every signature tone has been captured with clarity and precision to deliver the most comprehensive European siren library ever made.

    Every wail, yelp, hi-lo, polytone and air horn has been captured from multiple perspectives: static takes in close, medium and distant, pass-bys, approaches, aways, ambisonic interiors, and natural reflections across diverse environments – from narrow village alleys to vast mountain valleys – all carefully captured to deliver true-to-life acoustics.

    A year of research, field recording, and editing – distilled into a single library.

    15 %
    OFF
  • A collection of sounds of opening and closing drawers from various desks and cabinets.

    Includes:
    • Cabinet Drawer
    • Desk Drawer
    • Drawer
    • Dresser Drawer
    • Kitchen Drawer
    • Office Desk Drawer
    • Paper Drawer
    • Wardrobe Drawer
  • Foley Sound Effects Elevator Sounds Play Track 69 sounds included, 14 mins total $10
    This pack includes the following sounds:
    • elevator operation while moving;
    • elevator doors opening and closing;
    • elevator buttons and the elevator call button.
  • Door Sound Effects Door Sounds Play Track 93 sounds included, 3 mins total $9

    This small sound collection includes:

    • Door Lock Opening and Closing (6 sounds)
    • Interior Door Opening and Closing (12 sounds)
    • Iron Door Opening and Closing (4 sounds)
    • Knocking Door (14 sounds)
    • Old Wooden Door Opening and Closing (17 sounds)
    • Squeaking and Creaking Doors (40 sounds)

   

5 thoughts on “The Soundly Quick-Start Guide

  1. Hi there! I really appreciate this guide, but I have a question – where can I find bins? I noticed you mentioned those in your previous intro guide to Soundly, and the Soundly FAQ also references pressing the ‘b’ key to send a clip to a bin, but so far, it doesn’t seem to work for me (for reference, I’m using the Pro/subscription version)

    To elaborate, I really like using the drag-and-drop functionality with Reaper – however, when right-clicking and viewing the file destination, it’s referencing the asset in the library, rather than an aliased copy. I’m thus concerned about the possibility of destructive editing. As a result, I’ve been manually drag-dropping each sound into a folder, then drag-dropping the assets from that folder into Reaper. I’m looking to streamline that process by tagging and exporting clips en-masse. Any advice would be greatly appreciated!

    Otherwise, I’m enjoying the software – the libraries are nice and the UI is very user-friendly. Thanks for your time!

  2. Hi Jonathan, Peder from Soundly here.
    Thank you very much for your nice comment!

    I think I’ve got a very good solution to streamline your workflow, but first I’ll answer your bin question.

    The “bin” is Pro Tools terminology, and refers to something you’d find in that app, not in Soundly. Basically, there are three ways to send files to Pro Tools – drag to the app, spot to the playhead timeline in the actual edit tracks, or just add it to the list of files Pro Tools collects and users may draw from. This last item is what’s know as the “bin” – Soundly can send selected files directly to this location in Pro Tools. As such, it’s not applicable to Reaper users.

    I believe you can drag files straight into Reaper if Reaper is set to copy files on import. In “Media->copy imported media to project media directory”. Does that work?
    We are working on tighter integration with Reaper, so you’ll have more transfer options in the future, and you can always get in touch with us on mail@getsoundly.com if you have any questions!

    Thanks!

  3. Hi Peder, thanks so much for your reply!

    The drag and drop functionality works great with Reaper – I’ll try to tweak the import settings, and should be good for now. If you’re able to implement a spot to track function with Reaper in the future, that would be awesome, though!

    To clarify re: bin, I meant “taglist,” and was using the wrong term. I.e. I was looking for a way of tagging multiple assets at once, and then transferring them over in bulk with a keystroke rather than drag-dropping. Thank you for the term clarification.

    Looking forward to seeing what you all come up with next!

  4. Hi Peder, from Canada. I have just signed up and have an account but there seems to be no simple way to login. I find myself downloading the program to get back in. Can you please direct me to what I hope will be an simpler way to login and out. Thanks in advance John.

    • Hi John, I’m not Peder, but quick question: Since it’s installed on your computer, isn’t there a Soundly icon available on your desktop or in a start menu or similar? If so, try clicking that and I’d guess it’d log you in automatically.

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