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Joker Sound Designer Alan Robert Murray

Published October 13, 2019 at 450 × 675 in Designing the dark and gritty sound of Joker – with Oscar-winning Sound Supervisor Alan Robert Murray:

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Joker Sound Designer Alan Robert Murray

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Highlighted posts:

Television sound:

How the outstanding sound for ‘Stranger Things’ is made
This is how the fantastical sound of Game Of Thrones is made
Behind the sound for the shocking ‘Making A Murderer’
Meet the man behind the sound of the X-Files
Sounds for Superheroes: Behind the Supersonic Sound Design for The Flash
How the rich, lively sound of ‘Better Call Saul’ is made
Creating The Breathtaking Sound Of 'COSMOS: A Spacetime Odyssey'
Creating The Haunting, Sinister Sound Of 'Penny Dreadful'
This is how the dramatic sound of Discovery’s ‘Deadliest Catch’ is created
How the futuristic, gritty sound of ‘Westworld’ is made
→ More television sound stories

Game audio:

Behind the incredible sound of ‘Battlefield 1’
Making the magnificent sound of Mafia III
The most iconic sounds in game audio, analyzed
An Introduction to Game Audio Scripting
Behind Titanfall 2’s Terrific Sci-Fi Sound
Why Procedural Game Sound Design is so useful – demonstrated in the Unreal Engine
Creating the Sound for the Grand, Wild World of ‘The Witcher 3’
Game Audio Guide: How to write a (game-changing) audio design document today
The Future Of Game Audio – with Ben Minto
Making the rich, atmospheric sound of ‘Ghost Recon: Wildlands’
Game audio: Behind the spectacular vehicle sounds for Mad Max
Behind the excellent Star Wars Battlefront trailer sound design
10 Essential Tips for Game Audio Freelancers
Behind the cinematic sound of Blizzard's spectacular Overwatch trailer
Behind the stealthy sound of Dishonored 2
Making the Magical Sound of Ori And The Blind Forest – a talk with Game Sound Designer Andrew Lackey
How To Learn Game Audio Online
The current state of Game Audio - and what lies ahead
10 inventions that changed the history of game sound
Video: An introduction to Audio in Virtual Reality – with Oculus Rift’s Brian Hook
→ More game audio stories

Film sound:

Behind the spectacular sound of ‘Dunkirk’ – with Richard King
Making Baby Driver’s masterfully musical sound design:
Creating The Poetic Sci-Fi Sound Of ‘Arrival’
Behind the horrifying sound of ‘Alien: Covenant'
How sound brought the bricks to life in The LEGO Batman Movie
Designing the sound of the future for ‘Ghost in the Shell’
Behind the sound for 'Moana / Vaiana'
Video: Behind the sound for 'Rogue One: A Star Wars Story'
Creating the dramatic, intense sound for ‘Deepwater Horizon’
The story behind the scary sounds of Blair Witch
Making the sound for 'Star Trek Beyond'
Exclusive Insights From A Trailer Sound Design Expert
Young UK Filmmaker Creates Award-Winning Horror Sound - Here's How He Did It
The 10 Signature Sound Elements of Modern Movie Trailers
How the wild sounds of Jurassic World were made
The beautiful sound design for 'The Little Prince'
Creating the horrific sounds of The Conjuring 2:
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Sound Design Guides:

How To Design Stellar Spaceship Sound Effects – an Essential Sci-Fi Sound Design Guide
How to Set (and Get) the Right Price for Your Audio Work
Make the most of REAPER as a sound design tool
How To Design Superb Sci-Fi UI Sound Effects
How to unlock the creative power of audio in VR
Rule of Thirds: A Sound Design Approach by Barney Oram
The Key to Outstanding Animation Sound Design
How To Design Supreme Sci-Fi Weapon Sound Effects
Welcome to the wonderful world of Ambisonics – a primer by John Leonard
How to create horror sound effects that are truly scary (and gory!)
How to build a powerful Pro Tools rig – without breaking the bank:
The sound effects survey results are in: Here are 90+ ideas for new SFX libraries
Creature Sound Design Insights from David Farmer, sound designer on The Hobbit & LOTR
Creative Sound Design: When Glitches Are A Good Thing
Game Audio: 4 Golden Rules For Technical Sound Design
Charles Maynes’ 10 Inspiring Notions For Great Sound Design
The Ultimate Guide To Making Your Own Christmas Sound Effects
DIY SFX Libraries - A guide to your first sound effects library
Sound Design Guide: Emotional States & Sound Design
→ More sound design guides

Sound community highlights:

The 3 Most Popular Sound Effects Libraries Right Now
Behind ‘Beep’ – the gigantic game audio history project
Building a successful audio post studio
Inside the Creative Mind of Documentary Sound Designer Peter Albrechtsen
The Rise Of Reaper
What the future holds for Pro Tools and VR
A Sound Seminar – From The Inside
Introducing a brand new way to find audio events around the world
Creating the world’s largest cat sound effects library – with Yarron Katz
How inventive, evocative museum sound design is created today
Making sound for Scarehouses
Exploring New Sonic Worlds: Sound For Virtual Reality
How Pyry Survo created the ultimate roller coaster & theme park sound effects library
Sound effect creators, here’s what the new EU VAT rules could mean for you
How the ultimate pub crowd sound effects library was created
From Idea To Sound Library Release: A One-Year Journey With Kpow Sounds
How to create sound for commercials – insights from an award-winning sound team
Here’s how two Icelandic sound designers could change sound effects – forever
Behind The Scenes On Designing Sound - With Jack Menhorn
Sci-fi Sound Effects: 14 Fantastic, Futuristic Sound Effect Libraries
Robot Sound Effects: 6 SFX Packs for Designing Fantastic-Sounding Robots
Horror Sound Effects: 13 Scary Sound Libraries That'll Make Your Audience Shiver
Unique sound effects from Denmark – an interview with Sonic Salute recordist Mikkel Nielsen
→ More sound community highlights

Recording:

How To Find The Best Handheld Recorder
Surround field recording adventures in forests, canyons, parks, and wetlands
How to prepare for a successful field recording trip
The Essential Guide To Recording Weapon Sound Effects – With Watson Wu
Recording and designing the winter sound effects for SNOW
The Essential Primer To Recording Car Sound Effects
5 Useful Tips for Creative Urban Field Recording
How To Record Extremely Loud Things – Randy Coppinger interviews Chuck Russom and Michael Raphael
The Dumb Microphone - And The Lost Art Of Listening
Field Recording: Capturing The Sound Of The UK
→ More recording stories

New Sound Effect Libraries

Woodpile Chaos 10,70 € incl. vat
Dark Environment Sounds and Loops 32,09 € incl. vat
Ford Puma 1997 sports car 69,55 € incl. vat
Red Deer 85,60 € incl. vat

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CIRCUS Horror Strings 8,35 € incl. vat
Explosion Fireworks 17,12 € incl. vat
Expressive Dog 10,43 € incl. vat
Human Stampede 7,49 € incl. vat

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