‘American Primeval’ sound designer Wylie Stateman and supervising sound editor/music editor Anne Jimkes-Root talk about their “Rolling Mix” approach to crafting organized chaos and contrasting beauty for Director Peter Berg’s limited series set in the American West.
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‘Dope Thief’ sound supervisor Marla McGuire, re-recording mixers Stephen Fitzmaurice and Danielle Dupree, and sound designer Jonathan Golodner detail their work on each episode, talk about designing and mixing realistic gunfights, using sound to set the scene and build tension, and much more.
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Get the story behind the excellent sound of Andor season 2, in this in-depth interview with David Acord and Margit Pfeiffer
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Go behind the sound of “LOTR: The Rings of Power” Season 2 with Glenn Freemantle and Ben Barker – and hear how they designed the battle crowds, the massive Troll, and the rings of power, what went into the siege machine sounds, and more!
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Supervising sound editor Bryan Parker at Formosa Group talks about designing tense, action-packed sound for the emergency room in the series “The Pitt”:
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Award-winning re-recording mixers Jules Woods and James Drake on working with the production sound team on set, capturing ambience, effects, and crowds from the filming locations, mixing ‘true to life’ perspectives with ever-changing panning and processing, and much more!
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Netflix’s political thriller ‘Zero Day’ – starring Robert De Niro – incorporates psychological elements that offered the sound team fun sound design opportunities. Here, sound supervisor Brett Hinton and sound designer Mark Hailstone talk about designing sound for psychological breaks, creating believable newscasts, building dynamic crowds, and much more!
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Award-winning sound supervisor/sound designer Steve Fanagan delves into the creative exploration of his sound work – and a mysterious hum – for BBC series ‘The Listeners’:
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