Television Sound | Page 13 Of 24

Posted January 5, 2021 by Asbjoern Andersen in Television sound

Behind the sound of ‘The Mandalorian’ Season 2 – with Re-Recording Mixer Bonnie Wild & Sound Designer/Supervising Sound Editor Dave Acord:

Find out how the sound for ‘The Mandalorian’ Season 2 was created in this new Tonebenders audio interview:

Posted December 29, 2020 by Jennifer Walden in Television sound

Behind the Sound of ‘The Right Stuff’ Series

Emmy-winning supervising sound editor Walter Newman talks about creating The Right Stuff’s 1960s era-authentic-and-NASA-approved sound:

Posted December 10, 2020 by Jennifer Walden in Television sound

Making Mank’s vintage Hollywood-magic sound – an in-depth interview with Ren Klyce:

Ren Klyce shares the surprising stories & methods behind Mank’s vintage sound:

Posted November 17, 2020 by Jennifer Walden in Television sound

Checking out the Sound of ‘The Queen’s Gambit’

Here’s why The Queen’s Gambit is so satisfying from a sound perspective:

Posted November 13, 2020 by Jennifer Walden in Television sound

Behind the Riveting Sound of ‘Ratched’

Hear about the benefits of mixing a music-dominant soundtrack in Dolby Atmos, defining spaces with reverb, designing mind-altered states using various editing and mixing techniques & much more:

Posted October 29, 2020 by Doug Siebum in Film sound, Sound Opinions, Television sound • 2 Comments

Sound Opinion: Should people in the sound industry work for free?

Doug Siebum shares his story and experiences doing free work in sound – and whether you should do that in the first place:

Haunting of Bly Manor Music & Sound Design

Posted October 27, 2020 by Jennifer Walden in Television sound

Making ‘The Haunting of Bly Manor’s menacing music & sound design:

Get the in-depth story behind both music and sound design for The Haunting of Bly Manor:

Posted October 22, 2020 by Jennifer Walden in Television sound

Designing the Disturbing Sound of The Third Day

Oscar-winning supervising sound editor/re-recording mixer Niv Adiri talks about his cinematic approach to designing and mixing the show:

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