Sound Design Guides | Page 15 Of 19

Posted September 7, 2015 by Asbjoern Andersen in Film sound, Sound design guides

Randy Thom on sound design, storytelling – and what’s wrong with sound for animated films today

Sound design legend Randy Thom shares his insights on sound design, storytelling and the state of sound for animated films:

Posted August 25, 2015 by Asbjoern Andersen in Film sound, Sound design guides • 1 Comment

Creature Sound Design Insights from David Farmer, sound designer on The Hobbit & LOTR

David Farmer has done sound design on The Hobbit & the Lord Of The Rings series – here’s how he does creature sound design:

Posted July 31, 2015 by Asbjoern Andersen in Sound design guides

Video: What Windows 10 Means For Pro Audio

Microsoft’s Pete Brown highlights the changes and improvements made to pro audio support in Windows 10:

Posted July 9, 2015 by Asbjoern Andersen in Sound design guides

The sound of a supercar shattering a world record:

Here’s what it sounds like when a supercar goes from 0-300 km/h (and back), shattering a world record:

Posted June 29, 2015 by Asbjoern Andersen in Recording, Sound design guides • 13 Comments

How To Find The Best Handheld Recorder

A good handheld recorder is an essential addition to any audio professional’s toolkit – but finding the right one is tricky. Get a much-needed overview here:

Posted June 1, 2015 by Asbjoern Andersen in Sound design guides

Hear the imagined sounds of Coca-Cola in this Dolby trailer

Jump inside a bottle of Coke and hear the imagined sounds of it (and you) being poured into a glass full of ice:

Posted May 28, 2015 by Asbjoern Andersen in Film sound, Recording, Sound design guides

Recording ‘Mad Max: Fury Road’ – an audio interview with vehicle recordist Oliver Machin

Check out this audio interview with vehicle recordist Oliver Machin, on how they did the vehicle recordings for Mad Max: Fury Road.

Posted May 19, 2015 by Asbjoern Andersen in Recording, Sound design guides

The Essential Primer to Recording Car Sound Effects

Max Lachmann and the team at Pole Position Production have spent a decade perfecting their car recording methods. This is how they do it today:

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