Behind the sound of ‘The Black Phone’ with Supervising sound editor Paul Hackner:
Read More
Huge Emmy 2022 overview: Here are the sound stories behind 14 nominees for Sound Editing and Sound Mixing:
Get the sound stories behind 14 of the 2022 Creative Arts Emmy-nominated shows for Sound Editing and Sound Mixing:
Read More
Perfecting the Sound of Docu-Comedy Series ‘Players’ — with John Chamberlin and Eric Gillingham
John Chamberlin and Eric Gillingham delve into crafting Players’ reactive crowds, making non-traditional choices for production dialogue, working with gameplay sequences, and so much more!
Read More
Behind the sound of ‘Thor: Love and Thunder’ – and Sound Design for Comedy:
Onnalee Blank, Brandon Proctor, Daniel Laurie, Baihui Yang, and Samson Neslund take you behind the sound of ‘Thor: Love and Thunder’
Read More
Creating 14,000 sound effects for ‘Unpacking’ – Jeff and Angela van Dyck talk game audio with Emily Reese:
Hear about the great effort that went into Unpacking’s game audio:
Read More
Voyage into the Sound of ‘Star Trek: Strange New Worlds’ — with Matthew Taylor, Michael Schapiro, and Kip Smedley
Go behind the sound of ‘Star Trek: Strange New Worlds’ in this in-depth interview with Matthew Taylor, Michael Schapiro, and Kip Smedley:
Read More
Behind the music for Obi-Wan Kenobi – with composer Natalie Holt:
Check out Edith Bowman’s interesting interview with Obi-Wan Kenobi composer Natalie Holt:
Read More
Video: Behind the fast-paced sound of F1® 22 – with Brad Porter:
How F1®22’s great game audio was made:
Read More- « Previous Page
- 1
- …
- 66
- 67
- 68
- 69
- 70
- …
- 230
- Next Page »