The Sandman’s Award-winning sound designers/re-recording mixers Aaron Glascock and Christopher S. Aud on designing sound for realms both fantastical and real, creating creature vocals and vocal processing for immortals, custom building sound devices like a beam, mixing in Dolby Atmos, and so much more!
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Discover excellent new releases from the independent sound community in this new highlight by Adriane Kuzminski:
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Discover the very latest sound libraries from the independent sound community in this new overview:
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Sound designer Priscilla Snow and sound designer/re-recording mixer Kevin Senzaki give you the full story behind the sound for Sam Barlow’s critically-acclaimed interactive film video game ‘Immortality’:
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Nicolas Titeux’s new Ultrasonic Insects Library features extraordinary insect sounds – and here’s the full story on how he recorded them:
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Senior Sound Designer and A Sound Effect columnist Juan Pablo Uribe on just how much you need to know to get started and work in audio:
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Get the story behind the sound of Crip Camp, told by James LeBrecht and Nicole Newnham:
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Supervising sound editor/re-recording mixer Luciano Vignola and sound designer Mariusz Glabinski on the bold sound of horror-comedy film ‘Bodies Bodies Bodies’:
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