Asobo Audio Director Aurélien Piters discusses the sonic differences between ‘A Plague Tale: Innocence’ and the new sequel ‘A Plauge Tale: Requiem,’ designing spatialized audio for next-gen systems, creating waves of rats, developing a time-saving approach to foley implementation, designing the sound of Hugo’s ‘Echo’ and ‘Imperium’ abilities, simplifying the mix to maximize emotional impact, and more!
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Supervising sound editor/sound designer Frank Kruse, co-sound designer Markus Stemler, and re-recording mixer Lars Ginzel discuss their approach to making director Edward Berger’s ‘All Quiet on the Western Front’ film feel gritty, scary, and devastating:
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Adriane Kuzminski highlights an impressive 24 new sound libraries from the independent community – don’t miss your chance to hear the very latest in sound here:
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Nia Hansen shares her approach to getting started early on sound design for films — preparation, planning, organizing, designing, delegating reels, and finally supervising sound design to ensure its in line with the director’s creative vision.
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Buying sound effects just got a lot quicker – here are the improvements:
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Adriane Kuzminski highlights 16 great new sound effects libraries from the indie sound community – discover the newest sounds in the audio industry here:
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Go behind the sound for Disney+ television special, Werewolf By Night in this in-depth interview:
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How The Rings of Power’s impressive sound is made – get the in-depth story with sound supervisor Damian Del Borrello:
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