Supervising sound editor/sound designer Andres Gonzalez talks about recreating the sound of archival footage for Director Lisa Cortes’s Sundance rock-doc Little Richard: I Am Everything. He also talks about designing new sounds to enhance the magical and cosmic elements that represent Little Richard’s energy, using effects in a musical way, and more!
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Award-winning re-recording mixer Waters talks about some of the complexities in the mix for Director Maryam Keshavarz’s dramedy The Persian Version – like overlapping lines of dialogue in the big family gathering scenes and mixing subjective POVs – and how pre-mixing in Colombia helped them to afford much-needed time on a professional stage.
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How the sound team crafted a sci-fi sound that is firmly grounded in reality for director Eddie Alcazar’s Sundance 2023 film, ‘Divinity’:
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MPSE and Ariel Award-winning supervising sound editor/sound designer/re-recording mixer Sergio Diaz discussed his approach to the natural yet magical sound of director Christopher Murray’s film ‘Sorcery’ – in World Dramatic Competition at Sundance 2023.
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MPSE Award-winning supervising sound editor/re-recording mixer Bryan Parker at Formosa Group talks about his approach to using realistic sounds to intensify the horror aspects of director Laura Moss’s Sundance 2023 debut film ‘birth/rebirth’:
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Read and watch the sound stories behind all the Oscar nominated films in Sound category:
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Hear an in-depth interview on the excellent mix for The Rings Of Power in this latest episode of The A Sound Effect Podcast:
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Hear about the game audio elements and techniques used in crafting the Halo Infinite’s Breaker map sound design:
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