Making ‘A Murder at the End of the World’s Sound – with Chris Scarabosio and Gwen Yates Whittle

How Chris Scarabosio and Gwen Yates Whittle made ‘A Murder at the End of the World’ sound as unsettling as the show’s unfolding murder-mystery story: They talk about adapting the location’s sound to fit the evolving story, using wabi-sabi as inspiration for the high-end tech sounds, designing Darby’s terrifying near-drowning scene, and much more!

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Designing Napoleon’s Epic Audio – with Oliver Tarney and James Harrison

Sound supervisors/sound designers Oliver Tarney and James Harrison share details on the sound of ‘Napoleon,’ which recently earned a spot on the Oscars Shortlist for Best Sound. Here, they discuss their approach to recording weapons and horses, building era-appropriate battles of varying scales and levels of precision, recording and designing battle walla, and so much more!

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