Re-recording mixer Gregor Bonse talks about creating the sound of addiction and healing for Dir. Nora Fingscheidt’s ‘The Outrun’ – which just had its world premiere at Sundance 2024. He shares his approach to creativity on the dub stage, the importance of getting involved during pre-production, and so much more!
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The sound team on ‘True Detective: Night Country’ – led by sound supervisors MartÃn Hernández and Stephen Griffiths – use the harsh physical and psychological elements of the Alaskan winter to build an expressive soundscape for Season 4. Learn about their collaboration with new showrunner Issa López, how they scored scenes using wind, how they designed specific scenes in Episode 1, and much more!
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Get the freshest sounds out there with these 21 new sound libraries from the independent sound community:
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Sound designer Ross Tregenza helps you make your footstep sounds sound great in games:
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Hear the very latest in sound effects, in this highlight of 20 new sound libraries from the independent sound community:
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Supervising sound editor Joe Beal and re-recording mixer Martin Jensen take you behind Slow Horses’ evolving the sound over three seasons, how they sonically blend comedy and action, how they use sound to reinforce character flaws and quirks, how they use bespoke sounds to elevate the show, and so much more!
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The massively-successful Airwiggles Audio Conference – AirCon – returns in 2024! Here’s how to get involved:
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How Chris Scarabosio and Gwen Yates Whittle made ‘A Murder at the End of the World’ sound as unsettling as the show’s unfolding murder-mystery story: They talk about adapting the location’s sound to fit the evolving story, using wabi-sabi as inspiration for the high-end tech sounds, designing Darby’s terrifying near-drowning scene, and much more!
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