I just spotted this fantastic interview from Deutsche Filmakademie with supervising sound editors Dane A. Davis and Stephanie Flack (The Matrix, Sense 8, Bourne Identity & many more) - and here they share their insights, stories and lessons learned from decades in sound. Topics include sonic storytelling, dialog editing, the language of engines, sound recycling vs recording, how to enter the field & much more:
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00:00:00 Intro
00:00:52 From Australia to LA 
00:06:17 The Dialog Editor    
00:11:01 ADR Sessions on Matrix 4    
00:12:54 Microscopic Dialog Surgery    
00:15:40 The Relationship of Arts & Sound   
00:17:41 Sound Design – Synthesized vs Organic     
00:21:30 The Protagonist’s Experience  
00:26:32 The Perfect Sentinel Crushing Sound 
00:28:08 The Language of Engines    
00:31:09 Point of Audition vs Point of View
00:00:52 From Australia to LA 
00:06:17 The Dialog Editor    
00:11:01 ADR Sessions on Matrix 4    
00:12:54 Microscopic Dialog Surgery    
00:15:40 The Relationship of Arts & Sound   
00:17:41 Sound Design – Synthesized vs Organic     
00:21:30 The Protagonist’s Experience  
00:26:32 The Perfect Sentinel Crushing Sound 
00:28:08 The Language of Engines    
00:31:09 Point of Audition vs Point of View
00:33:11 The Emotional Lexicon    
00:36:03 The Sound Algorithm of the Matrix   
00:46:29 Technical Workflows Then & Now      
00:52:20 Sound Continuity Throughout the Sequels   
00:54:50 The Dilemma of Digital Storage    
01:00:25 Working with German Crews    
01:02:36 Claiming Resources for Sound Post     
01:08:01 8 Mile – Sound FX Recording   
01:11:14 Recycling Sounds vs Starting Fresh  
01:13:21 First Steps in Sound Post
00:36:03 The Sound Algorithm of the Matrix   
00:46:29 Technical Workflows Then & Now      
00:52:20 Sound Continuity Throughout the Sequels   
00:54:50 The Dilemma of Digital Storage    
01:00:25 Working with German Crews    
01:02:36 Claiming Resources for Sound Post     
01:08:01 8 Mile – Sound FX Recording   
01:11:14 Recycling Sounds vs Starting Fresh  
01:13:21 First Steps in Sound Post
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