UI sound design Asbjoern Andersen


Henry Daw is a talented sound designer I had the pleasure of working with back in the Nokia days, and here’s his interesting, just-published talk on UI sound design:

Henry Daw’s introduction to the video:

 

As our technology gets smarter, subtly blending into our everyday lives, good design has never been more important. Design is critical in determining how we experience a product or service, but an often overlooked and undervalued part of any design experience is sound, and specifically UI sound. From a simple keyclick to a warning notification, UI sound design has become a key factor in how we interact with modern-day technology. It’s a specialist craft, that if done well, can help to inspire the overall design, improve usability and user experience, and strengthen a brand.

During my talk, I’ll highlight a clearly defined set of principles for successful UI sound design, whilst championing the case for bringing UI sound design deeper into the design process. I will also discuss the delicate relationship between UI sound design and audio branding, and how we, as sound design practitioners and marketers, can embrace the challenges ahead as our world becomes more dependable on UI sound.



Henry Daw on The Small Sounds That Make A Big Difference | TNW Conference 2017


Want to know more about UI sound design? Check out this guide on How To Design Superb Sci-Fi UI Sound Effects, Henry Daw’s guide to succesful audio branding – and check out the rich collection of UI sound effects libraries here.
 

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THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Cinematic & Trailer Sound Effects SpellBound Play Track 969 sounds included, 122 mins total $90

    SpellBound is premium sound effects library exploring the intersecting spaces of modern magic and science fiction energy. The result is a polished, designed, and inspiring set of cinematic magic sounds ready to bring new life to your film, game, and media projects. Brian Johnson, the creator of SpellBound and Slipstream is an award winning sound designer who after working in film, and television, has found his home designing sound for the biggest video game franchises in the world.

    SpellBound has 969 total sound effects
    Spells, explos, tails, whooshes, beds, impacts, drones, and more.

    Designed section – 202 designed multi-event show stopping full frequency sound effects.
    Elements section – 767 designed construction kit, layers, sweeteners, and single event effects.

    SpellBound can compliment your fx arsenal with traditional fantasy, modern magic, cinematic impacts, and even as an explosion sweetener. It can take over a fantasy trailer or a compliment a hybrid space magic video game.

    Thank you for licensing SpellBound. I hope it inspires you to create something exciting and magical.

    SpellBound Flyer

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  • Introducing MOTION GRAPHICS, a complete Motion Graphics sound effects library from SoundMorph!

    Motion Graphics focuses on all the elements you might need for sound design on a trailer, a cinematic scene or a visual that is heavy with motion graphics, whether it be abstract or straight forward, Motion Graphics has all the elements and textures you could think of. Motion Graphics are something all of us sound designers run into at one point or another, so this library is an excellent addition to your sound effects tool box.

    Motion Graphics was created by and in collaboration with sound designer Rostislav Trifonov (SoundMorph Elemental library contributor).

    Motion Graphics features 650 24bit/96 kHz .wav files, all meticulously embedded with Soundminer & Basehead metadata.

    The library features:

    • 450 + designed sound effects
    • 190 + source audio files
    • Whooshes
    • Impacts
    • Risers
    • Stingers
    • Low end and Sub Bass
    • Impulse Responses
    • Passbys
    • Textures – noise, grit, glitch
    • Ambiences
    • Buttons and Clicks
    • Mechanical Elements
    • Granular effects
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  • Khron Studio - Forged In Fury Vol 2

    Forged in Fury Vol. 2 – Modular Weapon Sound Design Kit

    Forged in Fury Vol. 2 continues the philosophy of providing fully modular sounds, allowing you to design and customize your weapon audio exactly as you need. Each element is carefully edited and organized into categories such as whooshes, retractions, impacts, blood, and more, giving you total control to adapt and layer sounds to your project.

    This volume includes 586 individual sounds at 192 kHz / 24-bit quality, ready to use as-is or to combine and shape into something entirely new.

    🎧 Featured Content:

    – Greatsword (123 sounds)
    Heavy metallic textures with more weight, blood, and impact than a standard sword.

    – Iron Staff (74 sounds)
    Inspired by the legendary staffs of Shaolin monks, offering solid strikes and metallic resonances

    – Karambit Knife (252 sounds)
    Fast, sharp, and deadly. Featuring rapid spins, swift cuts, and an ever-present sense of danger.

    – Nunchakus (137 sounds)
    Dynamic and versatile, infused with the spirit of classic martial arts films. Includes wooden hits, chain rattles, and fast whooshes.

    🔑 Key Feature:
    As in the first volume, each sound is delivered in editable layers (e.g., whoosh + impact + blood). Want a greatsword strike without blood? Just combine whoosh + hit and you’re set. You can even swap layers across different weapons to create entirely new variations.

    🎚️ Studio-Grade Quality:
    Recorded at 192 kHz / 24-32 bits and delivered at 192 kHz / 24 bits, ensuring outstanding fidelity. Perfect for pitching, distortion, and heavy processing without losing clarity.

    👉 Forged in Fury Vol. 2 is not just a sound library, it’s a true creation kit, giving you the freedom to craft weapons and scenes with maximum flexibility and realism.

    More about the pack
    – Intuitive file naming
    – Everything you need for a Greatsword, Iron Staff, Karambit Knife, or Nunchucks.
    – Use the sound effects over and over again, in any of your projects or productions, forever, with no additional fees or royalties. Use the sound effects in your game, your trailer, a Kickstarter campaign, wherever you need them, as many times as you want.
    – Fully mono support
    – All sounds have several variations.
    – Unleash your imagination and feel free to use any sound for something other than what is described; remember that the world of sound is entirely subjective.
    – For any questions or problems: khronstudio@gmail.com

    Features
    – 586 sounds
    – Format: 192KHz / 24 bits
    – Do Sound FX loop: No
    – Win/Mac: Yes
    – Minutes of audio provided: 06 minutes and 02 seconds

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    Ends 1761778799
Explore the full, unique collection here

Latest sound effects libraries:
 
  • This is a varied collection of sounds recorded from a vintage mechanical clock dating back to 1934. Includes chiming sounds and multiple perspectives of ticking.

     

    Features:

    • Over 30 audio files
    • 96kHz 24 bit WAV format
    • Metadata tagged (UCS compliant)
    • Available for commercial or non-commercial use, with no attribution required
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  • Car Sound Effects Lexus RC-F Play Track 15 sounds included $10

    A comprehensive mini-library collection of Lexus RC-F recordings capturing the raw power – from subtle idles to roaring accelerations and high-speed passes. This is not a large library, but a focused collection of exterior sounds.
    Perfect for film, games, and commercials.

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  • Foley Sound Effects Zastava 645 Zeta 1988 truck Play Track 140 sounds included, 52 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.

  • Metal Sound Effects Military Truck Percussion Play Track 321 sounds included, 14 mins total $10

    A US Military Truck is transformed into a percussive instrument and hit with drum sticks and a variety of mallets ( gong, xylophone and timpani ) and sampled using contact microphones and geophones.

    A unique collection of 321 metallic percussive hits perfect for metal impact sound design and transient shaping.

    Type : Source Files / WAV Mono

    Normalised : -6 dbFS

    Grouped Files for Easy Reference Included

    Recorder : Sound Devices Mix Pre 10II

    Microphones : Stille & Klang Spot, LOM Geofon

    https://www.youtube.com/watch?v=O805cKU_XrE

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  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.


   

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