A white sphere wears headphones. Asbjoern Andersen


Here’s a new roundup to answer your questions and introduce you to some wonderful musicians.

Ian Shepherd and Jon Tidey discuss the ever-controversial question, “What is the ultimate DAW?”; René Coronado talks about his new Rode NT5-O omni capsules; Barney and Derek prepare for a crazy week at GDC; Sam talks to Kris Maddigan about his delicious soundtrack for Cuphead (a game with equally delicious sound design created by Sam and everyone at Sweet Justice); Emily Reese speaks with Kenny Young about his wide-ranging composition styles in WonderWorlds; and finally Darcy Jeavons features the exceptional skills of Jessica Williamson, Hayley Hersh, Dinah Thorpe, and Clara Hembree from Maheekats.



 

The Mastering Show – Ep. 47: What’s the best DAW for mastering?:

Episode outline: ‘It’s a question we get asked regularly, and our answer may surprise you. To answer the question, we put together a “shopping list” for the ultimate DAW, and then discuss which of the applications is the best fit, and why.

Topics include:
* Which DAW sounds best ?
* What does that mean ?
* Do all digital EQs sound the same ?
* What’s a DDP file ?
* Pro mastering applications
* Workflow versus features’

Hear the episode:
 

Tonebenders Podcast – Ep. 72: New Omni Mics

Episode outline: ‘René picked up some Rode NT5-O omni capsules for his (dormant) pair of NT5s recently, and produced a pretty deep dive into the recordings he’s made while exploring them recently.’

Hear the episode:
 

Soundbytes Podcast – Ep. 16: Pree Gee Dee Cee

Episode outline: ‘Hello! Welcome back to episode sixteen of our monthly podcast about games and game audio. This month we talk; our recent library releases, the fast approaching GDC, Udemy, Nagra, and then we delve into the topic of maintaining motivation for work, and touch a little on imposter syndrome.

Hosted by:
Derek Brown – @subwoofersub
Barney Oram – @BarneyOram1
Follow Soundbytes on Twitter: @soundbytes_p

Links to things we mentioned:
Granular by Barney Oram
Bleeps, Sweeps and Creeps by Derek Brown
The Unreal Engine Developer Course – Learn C++ & Make Games on Udemy
Nagra IV-S
GDC Audio Track

Hear the episode:

Popular on A Sound Effect right now - article continues below:


Trending right now:

  • Cinematic & Trailer Sound Effects SpellBound Play Track 969 sounds included, 122 mins total $90

    SpellBound is premium sound effects library exploring the intersecting spaces of modern magic and science fiction energy. The result is a polished, designed, and inspiring set of cinematic magic sounds ready to bring new life to your film, game, and media projects. Brian Johnson, the creator of SpellBound and Slipstream is an award winning sound designer who after working in film, and television, has found his home designing sound for the biggest video game franchises in the world.

    SpellBound has 969 total sound effects
    Spells, explos, tails, whooshes, beds, impacts, drones, and more.

    Designed section – 202 designed multi-event show stopping full frequency sound effects.
    Elements section – 767 designed construction kit, layers, sweeteners, and single event effects.

    SpellBound can compliment your fx arsenal with traditional fantasy, modern magic, cinematic impacts, and even as an explosion sweetener. It can take over a fantasy trailer or a compliment a hybrid space magic video game.

    Thank you for licensing SpellBound. I hope it inspires you to create something exciting and magical.

    SpellBound Flyer

    28 %
    OFF
  • Characters speak and so do the items they use. USER INTERFACE will bring the small to life with this collection of clicks, notifications, buttons, and swooshes.

    Included are: Buttons, Clicks, Jingles, Notifications, Organics, Slides, Swishes

  • Environments & Ambiences Suburban Russia Play Track 56 sounds included, 173 mins total $19

    What could be better than summertime in the country?

    Of course summertime in Russian village!

    Those sweet sounds of hammers, lawnmowers, dogs, neighbors activity, forests, fields, rain and, of course, lots of cicadas!

    This library contains authentic atmospheres of villages and small towns of suburban Moscow, as well as sounds of nature, roomtones and doors of the old Dacha from Soviet era.

    KEY POINTS:

    • Authentic atmospheres of dacha, forests, fields, streams, rains, streets of small towns, night and day suburban activity and roomtones!

    • An excellent addition to your library for film, TV and multimedia – Suburban Russia during summer and autumn time

    • Recorded with Mid-Side Sennheiser MKH8040/MKH30 combo

    • Sorted by location-type categories

    • All files have metadata included

  • Introducing MOTION GRAPHICS, a complete Motion Graphics sound effects library from SoundMorph!

    Motion Graphics focuses on all the elements you might need for sound design on a trailer, a cinematic scene or a visual that is heavy with motion graphics, whether it be abstract or straight forward, Motion Graphics has all the elements and textures you could think of. Motion Graphics are something all of us sound designers run into at one point or another, so this library is an excellent addition to your sound effects tool box.

    Motion Graphics was created by and in collaboration with sound designer Rostislav Trifonov (SoundMorph Elemental library contributor).

    Motion Graphics features 650 24bit/96 kHz .wav files, all meticulously embedded with Soundminer & Basehead metadata.

    The library features:

    • 450 + designed sound effects
    • 190 + source audio files
    • Whooshes
    • Impacts
    • Risers
    • Stingers
    • Low end and Sub Bass
    • Impulse Responses
    • Passbys
    • Textures – noise, grit, glitch
    • Ambiences
    • Buttons and Clicks
    • Mechanical Elements
    • Granular effects
    91 %
    OFF

Latest releases:

  • Foley Sound Effects Zastava 645 Zeta 1988 truck Play Track 140 sounds included, 52 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.

  • Metal Sound Effects Military Truck Percussion Play Track 321 sounds included, 14 mins total $10

    A US Military Truck is transformed into a percussive instrument and hit with drum sticks and a variety of mallets ( gong, xylophone and timpani ) and sampled using contact microphones and geophones.

    A unique collection of 321 metallic percussive hits perfect for metal impact sound design and transient shaping.

    Type : Source Files / WAV Mono

    Normalised : -6 dbFS

    Grouped Files for Easy Reference Included

    Recorder : Sound Devices Mix Pre 10II

    Microphones : Stille & Klang Spot, LOM Geofon

    https://www.youtube.com/watch?v=O805cKU_XrE

    33 %
    OFF
  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.

  • Effective Trailer Booms Vol. 2 delivers the next level in cinematic low-end, featuring 232 brand-new one-shot sounds meticulously designed for cutting-edge trailers.

    Building on the original Vol. 1, this new collection is designed for cutting-edge trailers. It moves beyond simple impacts to focus on the deep sub-bass, tonal rumbles, and resonant elements that build anticipation. It’s the perfect tool for setting a dark, mysterious tone at the beginning of a trailer or providing that final, deep punctuation at the end.

    A boom isn’t just a hit, it’s the sound of intrigue. Effective Trailer Booms Vol. 2 delivers the next level in cinematic low-end, featuring 232 brand-new one-shot sounds meticulously designed for cutting-edge trailers.

    Building on the original Vol. 1, this new collection is designed for cutting-edge trailers. It moves beyond simple impacts to focus on the deep sub-bass, tonal rumbles, and resonant elements that build anticipation. It’s the perfect tool for setting a dark, mysterious tone at the beginning of a trailer or providing that final, deep punctuation at the end.

    Inside, you’ll find a massive library of deep tonal rumbles, powerful sub-bass swells, bone-chilling textures, dark resonant drones, and powerful cinematic punctuation, all designed to pull the audience in.

    40 %
    OFF
  • Cinematic & Trailer Sound Effects SpellBound Play Track 969 sounds included, 122 mins total $90

    SpellBound is premium sound effects library exploring the intersecting spaces of modern magic and science fiction energy. The result is a polished, designed, and inspiring set of cinematic magic sounds ready to bring new life to your film, game, and media projects. Brian Johnson, the creator of SpellBound and Slipstream is an award winning sound designer who after working in film, and television, has found his home designing sound for the biggest video game franchises in the world.

    SpellBound has 969 total sound effects
    Spells, explos, tails, whooshes, beds, impacts, drones, and more.

    Designed section – 202 designed multi-event show stopping full frequency sound effects.
    Elements section – 767 designed construction kit, layers, sweeteners, and single event effects.

    SpellBound can compliment your fx arsenal with traditional fantasy, modern magic, cinematic impacts, and even as an explosion sweetener. It can take over a fantasy trailer or a compliment a hybrid space magic video game.

    Thank you for licensing SpellBound. I hope it inspires you to create something exciting and magical.

    SpellBound Flyer

    28 %
    OFF
Need specific sound effects? Try a search below:


The Sound Architect UK – Interview with Cuphead Composer, Kris Maddigan

Episode outline: ‘Sam Hughes speaks with percussionist and composer, Kris Maddigan about writing the music for the incredibly unique game, Cuphead! They discuss his career so far as well as all the challenges of writing a big band tunes for his first ever game soundtrack!

Full article and more here.

Hear the episode:
 

Level with Emily Reese – Level 90: Kenny Young (WonderWorlds):

Episode outline: ‘Kenny Young‘s music for WonderWorlds is fabulous. Don’t be fooled by the first track, though; there are a handful of worlds in which you can build your games. WonderWorlds has thousands of user-created levels, it’s an iOS game, it’s adorable, free-to-play, etc.

But we’re here to talk about the music, and I hope you enjoy it as much as I did. The acoustic vibe you get from the first track, “WonderWorlds,” is pretty different from the new wave synth you’ll hear by the fourth track, “Sparksville, NJ.”

“Somethin’ In My Eye” is a straight-up song, and it quickly ascended the list of my favorite Kenny Young tracks. It’s him singing, and he plays about a trillion instruments over the course of the score. You’ll get to hear a lot of lovely details in this track, little flurries of synth instruments. And the groove is nice 🙂

Thanks for being awesome, Kenny!‘

Hear the episode:
 

Sound Design Live – 5 Pro Drummers Explain How to Make a Drum Kit Quieter on Stage:

Episode outline: ‘In this episode of Sound Design Live, I speak with five professional drummers: Go-Go Ray, Jason Willer, Jonathan Ulman, Russ Gold, and Zil. We talk about how live sound engineers and drummers can work together to control the sound level of shows in small rooms and a lot of psychological and technical hacks to make a drum kit quieter on stage.’

Hear the episode:
 

Female Mixing Engineers – FME Show #7:

Episode outline: ‘FME Show #7: Come listen to the exceptional mixing, recording, and production skills of Jessica Williamson, Hayley Hersh, Dinah Thorpe, and Clara Hembree (Maheekats). Also, let’s talk how focus and “emotional timelines” can be helpful with your mixing workflow :)

Female Mixing Engineers Music Podcast. 4 Songs. 4 Ladies. 4 Home Studios. For YOU! Jessica…’

Hear the episode:

 

 

Please share this:


 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Cinematic & Trailer Sound Effects SpellBound Play Track 969 sounds included, 122 mins total $90

    SpellBound is premium sound effects library exploring the intersecting spaces of modern magic and science fiction energy. The result is a polished, designed, and inspiring set of cinematic magic sounds ready to bring new life to your film, game, and media projects. Brian Johnson, the creator of SpellBound and Slipstream is an award winning sound designer who after working in film, and television, has found his home designing sound for the biggest video game franchises in the world.

    SpellBound has 969 total sound effects
    Spells, explos, tails, whooshes, beds, impacts, drones, and more.

    Designed section – 202 designed multi-event show stopping full frequency sound effects.
    Elements section – 767 designed construction kit, layers, sweeteners, and single event effects.

    SpellBound can compliment your fx arsenal with traditional fantasy, modern magic, cinematic impacts, and even as an explosion sweetener. It can take over a fantasy trailer or a compliment a hybrid space magic video game.

    Thank you for licensing SpellBound. I hope it inspires you to create something exciting and magical.

    SpellBound Flyer

    28 %
    OFF
  • Kawaii UI Bundle is the ultimate bundle for cute user interface sounds.
    In this Bundle you get both volumes of our Kawaii UI libraries.
    Kawaii UI + Kawaii UI 2

    These libraries provide an adorable blend of cute, satisfying interface sounds, crafted to enhance user experience and feedback.
    Bring your games and apps to life with the Kawaii UI Bundle.

    It’s ideal for creating joyful menus, delightful HUDs, playful navigation and notifications, engaging pop-ups, and expressive text.

    Kawaii UI Trailer
    Kawaii UI 2 Trailer

    The source recordings inside are a treasure trove of physical button presses, clicks, pops, taps, mouth sounds, toks, shakers, general synthesised UI sounds, FM bells and telemetry style sounds.. Kawaii UI Bundle provides you with the essential building blocks to craft your own distinctive designs.  Combining these elements gives sound designers a robust sonic palette to create new UI sounds.

    13 %
    OFF
  • Environments & Ambiences Suburban Russia Play Track 56 sounds included, 173 mins total $19

    What could be better than summertime in the country?

    Of course summertime in Russian village!

    Those sweet sounds of hammers, lawnmowers, dogs, neighbors activity, forests, fields, rain and, of course, lots of cicadas!

    This library contains authentic atmospheres of villages and small towns of suburban Moscow, as well as sounds of nature, roomtones and doors of the old Dacha from Soviet era.

    KEY POINTS:

    • Authentic atmospheres of dacha, forests, fields, streams, rains, streets of small towns, night and day suburban activity and roomtones!

    • An excellent addition to your library for film, TV and multimedia – Suburban Russia during summer and autumn time

    • Recorded with Mid-Side Sennheiser MKH8040/MKH30 combo

    • Sorted by location-type categories

    • All files have metadata included

Explore the full, unique collection here

Latest sound effects libraries:
 
  • Foley Sound Effects Zastava 645 Zeta 1988 truck Play Track 140 sounds included, 52 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.

  • Metal Sound Effects Military Truck Percussion Play Track 321 sounds included, 14 mins total $10

    A US Military Truck is transformed into a percussive instrument and hit with drum sticks and a variety of mallets ( gong, xylophone and timpani ) and sampled using contact microphones and geophones.

    A unique collection of 321 metallic percussive hits perfect for metal impact sound design and transient shaping.

    Type : Source Files / WAV Mono

    Normalised : -6 dbFS

    Grouped Files for Easy Reference Included

    Recorder : Sound Devices Mix Pre 10II

    Microphones : Stille & Klang Spot, LOM Geofon

    https://www.youtube.com/watch?v=O805cKU_XrE

    33 %
    OFF
  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.

  • Effective Trailer Booms Vol. 2 delivers the next level in cinematic low-end, featuring 232 brand-new one-shot sounds meticulously designed for cutting-edge trailers.

    Building on the original Vol. 1, this new collection is designed for cutting-edge trailers. It moves beyond simple impacts to focus on the deep sub-bass, tonal rumbles, and resonant elements that build anticipation. It’s the perfect tool for setting a dark, mysterious tone at the beginning of a trailer or providing that final, deep punctuation at the end.

    A boom isn’t just a hit, it’s the sound of intrigue. Effective Trailer Booms Vol. 2 delivers the next level in cinematic low-end, featuring 232 brand-new one-shot sounds meticulously designed for cutting-edge trailers.

    Building on the original Vol. 1, this new collection is designed for cutting-edge trailers. It moves beyond simple impacts to focus on the deep sub-bass, tonal rumbles, and resonant elements that build anticipation. It’s the perfect tool for setting a dark, mysterious tone at the beginning of a trailer or providing that final, deep punctuation at the end.

    Inside, you’ll find a massive library of deep tonal rumbles, powerful sub-bass swells, bone-chilling textures, dark resonant drones, and powerful cinematic punctuation, all designed to pull the audience in.

    40 %
    OFF
  • Cinematic & Trailer Sound Effects SpellBound Play Track 969 sounds included, 122 mins total $90

    SpellBound is premium sound effects library exploring the intersecting spaces of modern magic and science fiction energy. The result is a polished, designed, and inspiring set of cinematic magic sounds ready to bring new life to your film, game, and media projects. Brian Johnson, the creator of SpellBound and Slipstream is an award winning sound designer who after working in film, and television, has found his home designing sound for the biggest video game franchises in the world.

    SpellBound has 969 total sound effects
    Spells, explos, tails, whooshes, beds, impacts, drones, and more.

    Designed section – 202 designed multi-event show stopping full frequency sound effects.
    Elements section – 767 designed construction kit, layers, sweeteners, and single event effects.

    SpellBound can compliment your fx arsenal with traditional fantasy, modern magic, cinematic impacts, and even as an explosion sweetener. It can take over a fantasy trailer or a compliment a hybrid space magic video game.

    Thank you for licensing SpellBound. I hope it inspires you to create something exciting and magical.

    SpellBound Flyer

    28 %
    OFF

   

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