I will keep adding to this, these are the winds I always wish I had. No “huge gale force crap” here. These are all gentle lonely winds, with and without organic material.
I don’t know how else to say this is a great collection of soft deep winds. Perfect for quiet details with lots of emotion.
Beef up your sound design with the ferocity of Gators – from beastly bellows and monstrous growls to aggressive hisses and vicious jaw snaps. This one-of-a-kind, exclusive speciality library delivers stunning alligator sound effects ready to add power and intensity your audio projects.
And “one-of-a-kind” is no exaggeration. There’s a reason you will not find a similar collection dedicated to alligator or crocodile sound effects anywhere else. These sounds can not only be dangerous to record, but they are extremely difficult to capture as alligators are typically very stealthy, quiet creatures… except during mating season.
Luckily, recordist Colin Hart embarked on several excursions to the swamps of Florida to develop a method for cueing the monstrous sounds from these cold-blooded beasts – so you don’t have to. After seven years (plus a mangled blimp, destroyed boom pole, JBL baby stroller, and a couple testing subwoofers from Boeing), these incredible alligator recordings are now available for your own projects.
In addition to bellowing mating calls, warning hisses, terrifying snarls and more alligator sounds, the Gators library also provides partially submerged hydrophone recordings as well as marsh and bird ambiences.
Add this rare secret weapon to your sound design toolset and give life to creatures, monsters, dragons, dinosaurs, crocodiles, and other beasts. The organic immensity of these sounds also make perfect layers for explosions, thunder, fire, engines and more. Gators is also included in Pro Sound Effects’ CORE: Standard.
Sound Supervisor Joe Dzuban takes you behind the sound for Amazon’s ‘Hunters’:
HITS, BUILD UPS, EXPLOSIONS, DRONES, RUMBLES, WHOOSH & TRANSITIONS, DROPS, ANTICIPATION RISING sounds, IMPACT sounds like SLAMS, BURSTS, and SHATTERS with elements covering METAL, WOOD, ELECTRICITY, SYNTH, PLASTIC, FIRE, and more are all in this concise set of 225 cinematic sound effects! Each sound has been carefully designed to cover all shapes and sizes you’ll ever need for any media project that needs epic cinematic sounds of the highest industry standard quality!
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This library consists of sounds of authentic British sirens recorded during a 3 month period in London including while in Covid-19 lockdown. The sirens’ source vehicles include ambulances, police cars, and fire trucks. Recoding techniques include recording with a spaced pair of 2 DPA 4060’s in DPA BLM6000 Boundary Layer Mount with wind protection as well as following the source with Sennheiser 8060 shotgun when opportunity allowed. As a result, the library offers 48 sounds recorded in 24bit/96kHz format delivered in 64 files with a total runtime of approximately 12 minutes. The sound was edited in RX7 to remove the occasional sounds of birds.
Harness the unique sonic properties of water in your next project! Create otherworldly sound design with bubble streams, air bursts, immersive perspectives and more.
Submerged is a boutique sound effects library of swirling, bubbling, whooshing sounds recorded using a hydrophone (underwater microphone).
The variety of sounds featured in Submerged include scuba inhale/exhale/hiss, ice impacts and cracking, air release whooshing and bubbling, dry ice, pool pump hum, underwater fireworks explosions, cannon bursts, underwater movement, rushing water, dripping water, and an assortment of underwater vocalizations both male and female. Submerged is also included in Pro Sound Effects’ CORE: Pro.
Created in collaboration with Big Tree Media
Colin Hart: Recordist, Editor
Joseph DiMarco: Editor, Librarian
Álvaro Aparicio: Recordist
Sarah Swan: Performance, Vocals
Benny Maus: Performance, Vocals
Robb Nichols: Consultation (Aquarian Audio)
The Tommy Gun sound effects library features 42 recordings of the historic weapon, ready to electrify your projects with this iconic American firearm. While the Thompson Submachine Gun was used primarily in the 1920’s and ‘30’s, the firing, bullet pass-bys, and ricochet sounds from the ‘Chicago Typewriter’ can be used for guns of any time period.
Recorded to tape by renowned sound artist Andy Aaron (Scarface, Apocalypse Now, Return of the Jedi), these characterful gunshot sounds feature both single shots, bursts of various lengths, and fully automatic gun fire. The collection was recorded in a secluded forest in Woodstock, NY, complete with firing targets including cans, broken furniture, a washing machine, and glass bottles of “shooting beer” (not to be confused with “”drinking beer””) The session came to an abrupt end when a stray bullet severed an audio cable near a target.
Complemented by sounds of metal impacts, glass and dirt debris, bullet pass-bys, these gun recordings will add explosive energy to your scenes that feature old-school gangsters, mob/mafia members, World War II soldiers — as well as contemporary gun-wielders. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
Andy Aaron
