‘Fire Walk With Me’ turns 30 – and here’s the story behind its haunting sound, told by award-winning supervising sound editor/sound designer Doug Murray:
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Erik Foreman from Dolby gives us the insider perspective on immersive sound
Spatial audio design & mixing expert and producer Erik Foreman shares his insights on immersive audio in this new interview:
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James LeBrecht and Nicole Newnham talk about the Sound of the Oscar nominated film Crip Camp
Get the story behind the sound of Crip Camp, told by James LeBrecht and Nicole Newnham:
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Crafting a Bold Sound for Horror-Comedy ‘Bodies Bodies Bodies’ — with Luciano Vignola and Mariusz Glabinski
Supervising sound editor/re-recording mixer Luciano Vignola and sound designer Mariusz Glabinski on the bold sound of horror-comedy film ‘Bodies Bodies Bodies’:
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Crafting the Stirring Sound and Mix of ‘Costa Brava, Lebanon’ – with Rana Eid & Peter Albrechtsen:
‘Costa Brava, Lebanon’ sound designer Rana Eid and re-recording mixer Peter Albrechtsen on using sound to help enhance the emotion of family ties, heightening the beauty of the landscape — and then help calling attention to the decay of both:
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The Powerful Sound of PREY – with Chris Terhune, Jessie Anne Spence, and Craig Henighan
Go behind the sound for hugely popular Predator sequel PREY in this exclusive new A Sound Effect interview:
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Designing and Mixing the Far Out Sound of ‘Nope’ – a film sound deep-dive with Johnnie Burn
Johnnie Burn gives you the full story behind the excellent sound for ‘Nope’ in this film sound deep-dive:
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Ruy Garcia on Making the Playful Sound of ‘Marcel the Shell With Shoes On’
Ruy Garcia on Marcel the Shell With Shoes On’s foley, recording custom sounds, working during the pandemic, playing with perspective, and so much more:
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