Supervising sound editors/re-recording mixers Zach Seivers and Justin M. Davey talk about designing powerful, organic sounds for Cartoon Saloon’s hand-drawn animated film My Father’s Dragon – working with a team of sound designers to tackle different locations in the film, crafting a Dolby Atmos mix that still packs a punch in stereo for home viewers, and so much more!
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Go behind the biggest film sound stories of 2022 here – with some of the sharpest minds & ears in the industry:
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Award-winning sound supervisor/sound designer Scott Gershin takes you behind the sound for Director Guillermo del Toro’s stunning stop-motion animated film ‘Pinocchio’:
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Award-winning re-recording mixers Chris Burdon and Johnathan Rush take you behind the sound of The Banshees of Inisherin:
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Sound supervisor Per Hallberg, sound designer Ann Scibelli, and re-recording mixers Andy Koyama and Beau Borders talk about how they used timing to skillfully pack details into Director David O. Russell’s dialogue-driven comedy-thriller ‘Amsterdam’:
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Supervising sound editor/sound designer Frank Kruse, co-sound designer Markus Stemler, and re-recording mixer Lars Ginzel discuss their approach to making director Edward Berger’s ‘All Quiet on the Western Front’ film feel gritty, scary, and devastating:
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2x-Oscar-winning supervising sound editor Karen Baker Landers talks about her precise use of sound in Ti West’s film ‘Pearl’:
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Find out how Foley footstep sound effects are made – with Foley artist Stefan Fraticelli:
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