Go behind the intense sound of Director M. Night Shyamalan’s horror/suspense film Knock at the Cabin — from working with a recordist to capture sounds at the filming location, to working with the Foley team to create custom sounds for added texture, weight, wood creaks, and so much more:
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Go behind the BAFTA Award winning sound for All Quiet On The Western Front:
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MPSE Award-winning supervising sound editor/sound designer P.K. Hooker discusses the comedy-infused horror sounds for Director Gerard Johnstone’s M3GAN:
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David Acord, Margit Pfeiffer, and John Gilroy take you behind the sound of Andor in this excellent new video:
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Sound designer/re-recording mixer Barney Oram talks with Director/sound designer Mark Jenkin about his new horror film “Enys Men.” – including Jenkin’s process of making the film, from shooting to editing, and they discuss his choices for sound design, Foley, recording dialogue and ADR, and much more!
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Sound supervisor/sound designer/re-recording mixer Eric Hirsch, at Goldcrest Post NY, talks about how subtle sounds were used to increase the emotional tension in Director Susanna Fogel’s psychological thriller ‘Cat Person’ that premiered at Sundance 2023.
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Award-winning supervising sound editors Jill Purdy and Alex Bullick at Sound Dogs Toronto discuss their work on Director Brandon Cronenberg’s horror film Infinity Pool, which premiered at Sundance 2023 in the Midnight category:
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Sound supervisor/sound designer/re-recording mixer Gene Park and sound effects editor/re-recording mixer Ruy Garcia talk about their process of discovery for creating the alien language for director Cory Finley’s 2023 Sundance premiere ‘Landscape with Invisible Hand.’
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