Blog | Page 81 Of 230 | A Sound Effect

Posted October 12, 2021 by Asbjoern Andersen in A Sound Effect, Sound community highlights

Here are the winners of the huge sound design contest:

See who won the huge sound design contest – and who received honorable mentions – here:

Posted October 11, 2021 by Asbjoern Andersen in Sound community highlights

A Sound Conversation – with Oscar-winning sound designer Mark Mangini and Oscar-winning cinematographer Roger Deakins:

Don’t miss this conversation between two filmmaking legends: Oscar-winning sound designer Mark Mangini and Oscar-winning cinematographer Roger Deakins:

Posted October 8, 2021 by Asbjoern Andersen in Game audio

Videos: Behind the impressive sound design for Diablo IV:

Hear about the game audio work behind Diablo IV – and listen to examples of the game’s rich open-world ambiences:

Posted October 6, 2021 by Asbjoern Andersen in A Sound Effect, Film sound, Sound community highlights

The new Film Sound Power List is ready for you to explore:

The Film Sound Power List is live with a huge selection of film sound resources and in-depth stories behind some incredibly-sounding movies:

Posted October 5, 2021 by Jennifer Walden in Television sound

Making the Quietest Episode of Hulu’s ‘Only Murders in the Building’

Go behind the sound for Hulu’s mystery-comedy ‘Only Murders in the Building’, with supervising sound editor/re-recording mixer Mathew Waters:

Posted September 30, 2021 by Asbjoern Andersen in Game audio

Creating the Game Music for ‘Far Cry 6’ – with Audio Director Eduardo Vaisman:

Check out this excellent feature on the music for Ubisoft’s ‘Far Cry 6’, with Audio Director Eduardo Vaisman:

Posted September 29, 2021 by Asbjoern Andersen in Sound community highlights, Sound design guides • 1 Comment

The Sound Effects Metadata Style Guide – by Kai Paquin

Kai Paquin shares his metadata approach and workflows in this highly in-depth guide:

Posted September 29, 2021 by Jennifer Walden in Film sound

Behind the Immersive Sound of Apple TV+ documentary ‘Fathom’

Designing the dynamic and immersive sound of Fathom – with supervising sound editor/re-recording mixer Brad Engleking:

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